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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros (after Polykleitos), 27 BCE–68 CE

Unknown Roman; Artist: Polykleitos

G241

Romanesque relief-carved stone Calvary group showing Christ on the cross between standing figures of the Virgin Mary on the left and St. John the Evangelist on the right; Christ appears with a perizonium around his waist, his legs buckling to the left and his head raised but with heavy eyelids; Mary's hair is covered by a simple veil which encloses her left elbow and is held in her right hand, looking down, with her left hand raised to her face; Mary's mantle clings to her legs in a series of "damp fold" drapery swirls, and ruffles over her pointed shoes; John holds a book in the crook of his left arm, and with his right hand (fingers now missing) gestures up towards the body of Christ; John's bare feet protrude from under a long garment with a crinkled neckline; just visible above the surviving section of the patibulum of the cross are two small, rounded shapes that most likely formed the tips of a wing, presumably of an angel; five metal pins at top of lower portion for secure installation of heads of John and Mary and torso and head of Christ

Crucifixion, c. 1180

Spain

G340

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina

Figurine of a Female, 1000-800 BCE

Unknown Japanese

G205

This vessel is a remarkable example of its type, and of perfect workmanship. The body is divided into three horizontal belts by narrow, bare interstices uninterrupted by the scored flanges which, with the handle of the vessel, delimit four panels. The plain handle has an animal's head with zigzag lines across the nose and C-shaped horns with parallel lines in thin, thread relief. The lid is partly shaped as a plastic animal. The head, with the forehead lozenge and bottle horns of a t'ao-t'ieh, has other, more realistic details well-modelled ears and a mouth with saw-like teeth. The body is that of a long-drawn-out dragon in low relief reclining along the center of the lid. The central flange, curving with the body in the looped tail, has straight and T-shaped scores. A t'ao-t'ieh and various types of dragons figure in a decor scheme that covers almost the entire body of the vessel. The bodied t'ao-t'ieh with S-shaped horns in the middle belt is flanked by strongly stylized head turning dragons. Also strongly stylized are the dragons in the foot belt, which are similar to those on vessels 50.46.43, Karlgren #11, and 50.46.89, Karlgren #21. The consecutive dragons in the neck belt are not identical. To the right is an ordinary beaked dragon with recumbent C-shaped horn and a small vertical crest. The dragon under the spout of the vessel has no crest. Its horn is heart-shaped, and it has the drawn-out, pointed eye of the t'ao-t'ieh below. Its enormous beak is drawn out to parallel the curve in the rim. Inside the curve of the beak is a small, head turning dragon. The big dragon on the lid has spirals at the base of the horns and a single scale between parallel zigzag lines that flank the central flange, forming the common lozenge pattern. The legs, in flat relief, flank the big dragon, thier tails meeting at the end of the lid. Patina light blue-green.

Gong wine vessel, late 13th century BCE

China

G103

Naraen Kongo, standing figure with arms down, mouth closed. Made of Hinoki wood in yosegi technique of multiple block construction with traces of gesso and polychrome.

Vajra Warrior (one of a pair), mid 14th century

Unknown Japanese

G205

Lion; standing on its four paws, the tail arched over the back; surface decorated with very fine granulation and tiny ringlets of twisted wire; gold

Statuette of a lion, 11th-12th century

Unknown

G243

helmet mask; larger head at bottom with smiling face with teeth showing, long nose, full cheeks, almond-shaped eyes, small ears set high on head and forward toward face, with earlobes pierced and piercing at top of PR ear; lower head has smooth black hair; smaller head and upper torso on top of lower head, wearing red shirt with notched collar; top figure has short smooth black hair; almond-shaped eyes, wide nose, ears with piercings at top of each; blue pigments on hair of lower head around edges of top small torso and head; peach-colored skin

Mask, mid 20th century

Temne

Not on View
helmet mask; larger head at bottom with smiling face with teeth showing--gap between front teeth, long nose, full cheeks, almond-shaped eyes, small ears set high on head and forward toward face, with earlobes pierced; lower head has short black hair in a sort of cornrow/plaited style, delineated with incised zigzags, triangles and parallel lines; smaller head on top of lower head, with smiling face with teeth showing, almond-shaped eyes; high, forward-set ears with piercing in lobes and piercing at center back of PR ear; black hair of smaller head styled in three twisted ponytails--two on either side of head, one on back of head, with smooth parallel lines on hair on head; yellow and red fasteners at top of each ponytail; peach-colored skin

Mask, mid 20th century

Temne

Not on View
3/4 length standing figure; bald, with placid face, closed eyes, long ears with elongated lobes; head slightly bent forward; palms of hands held together at chest; figure wars a robe draped over PL shoulder and PL arm--PR shoulder, chest and arm are bare; traces of gilt, red and green pigments on garment; cream-colored stone with mottled brown areas

Standing Arhat, 6th century

China

Not on View
Impressionistic landscape with snow and winding brownish-colored brook; small saplings with green leaves; purple mountain in distance; pink, yellow and orange foliage in middle ground

Brook in Winter, 1914

E. Ambrose Webster

Not on View
Landscape

The Dunes at Camiers, 1871

Charles-François Daubigny

Not on View
This fantastic creature might be a playful descendant of the water buffalo, Karlgren Number 90 (50.46.113). Here, however, the sculptural effect is achieved through the long sweeping curves of the body. The spirals emphasizing the shoulders and hindquarters are broad bands with a modified scale pattern which recurs on the tail. The shoulder is further emphasized by a raised ring with turquoise inlay. The eyes, with brows of rope pattern, are also inlaid with turquoise. Further elements of the Huai style are the cowrie band around the neck, granulation on the ears and the tufts of the hind legs, and the tail ending in a bird's head. Patina light green.

Mythological beast, 5th century BCE

China

Not on View
The rich decor of the vessel covers every surface except the backs of the stubby legs. The ground is squared spirals throughout. On the long side of the body the median line is marked by a free animal's head on the neck belt and by a t'ao-t'ieh in low relief on the bottom. The shoulder line of the owl is boldly stylized into an enormous spiral, the wing quills emerging in narrow parallel bands. Behind the quills the tail protrudes in a short downward hook. The shoulder, neck and quills are covered with scales. Two birds with cleft crests, bottle horns, and tails adorned with scales, flank the free head on the neck of the vessel. Coiled dragons decorate the front sides of the legs, and the bottom surface of the vessel is covered with scales in parallel rows. The whole area is bordered at the rim by a circle band which appears also on the adjoining rim of the lid. The owl has enormous eyes, and the horns are the large, C-shaped type of the ordinary t'ao-t'ieh. Patina bluish-green

You wine vessel in double-owl shape, 12th-11th century BCE

China

Not on View
Kuei without handles. The vessel is divided into four vertical panels by heavy flanges with alternate straight and T-shaped scores. In two places in the neck band the flanges give way to free animals' heads. The features of the bodied t'ao-t'ieh in the main belt are similar to those seen on vessels 50.46.48 and 50.46.86 (Karlgren numbers 7, 11, 30), except that the mouth line is S-shaped and shows the teeth. The dragons in the foot belt have the mouth of the ordinary gaping dragon, but the head turns downward, thus differing slightly from the usual trunked dragon.

Gui food vessel, 12th century BCE

China

Not on View
Landscape. A characteristic work of the period done in the high tonal quality Lawson borrowed from the Impressionists.

Segovia, c. 1916

Ernest Lawson

Not on View
The decor of incised lines and spirals on this animal recall those on the Middle Chou water buffalo, Karlgren Number 90 (50.46.113). It should be noted, however, that the spirals on shoulders and hind quarters area here centered by a raised ring with turquoise inlay. These decor figures might point to a similar epoch were it not for certain details that are a clear indication of a later date. The rope pattern around the eyes, on the eyebrows, the fetlocks, and on the dragon decorating the socket, as well as the granulation on the front of the ears and the head of the dragon, point to the Early Huai Style Period. The socket on the back suggests that the tiger served as a podium. Patina bluish- green.

Tiger, 6th-5th century BCE

China

Not on View
The principle surface displays a rectangular field of interlocked T's on a ground of squared spirals framed on three sides by rows of spikes. Scored flanges at the four corners of the vessel are supplemented in the upper belt by additional flanges which thus divide it into eight panels. Antithetical, long-tailed birds flank the short flanges forming the central ridge of a rudimentary t'ao-t'ieh mask. Hanging blades appear on the cylindrical legs, and disfigured dragons in flat relief on the outer surface of the upright handles. Patina green

Fangding food vessel, 11th century BCE

China

Not on View

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