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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros, 120–50 BCE

Unknown Roman

G241

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt Harmensz. van Rijn

G311

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

Not on View
seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

Unknown

G200

Shrine head, 12th-14th century

Ancient Yoruba

G250

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

G355

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G321

%C2%A9 The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

Figure

© The Henry Moore Foundation. All Rights Reserved%2C DACS 2014 %2F www.henry-moore.org

Warrior with Shield, 1953–54

Henry Moore

G371

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Blind Man's Buff, 1945

Max Beckmann

G371

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784.

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790

China

G210

Carrara marble

Ganymede and the Eagle, 1817–29

Bertel Thorvaldsen

G307

Portrait Of Frank James

© Chuck Close%2C courtesy PaceWildenstein%2C New York

Frank, 1969

Chuck Close

Not on View
Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D.

Equestrian figure, about 1450

Djenne

G250

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570

El Greco (Domenikos Theotokopoulos)

Not on View
tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors

Tusk, 1775-1777

Edo

G250

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section

Winged Genius, c. 883–859 BCE

Assyrian

G240

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, early 19th century

G211

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, 1772

United States

G336

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

China

G216

Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area

Head, 1911–1912

Amedeo Modigliani

G367

Mademoiselle Hortense Valpinçon

Portrait of Mlle. Hortense Valpinçon, c. 1871

Edgar Degas

G351

bis pole, mangrove wood, New Guinea, Asmat

Bis Pole, 20th century

Asmat (Bismam group)

G256

vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View
Leopard Aquamanile, Bronze, Benin Culture, Africa, XVIIc; covered with incised spots and smnall punch marks. Rare example.

Water pitcher, 18th century

Edo

G250

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province.

Standing Bodhisattva, 571

China

G200

Clock, c. 1789

Jean-Antoine Lepine; Painter: Joseph Coteau

G314

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance.

Shiva Nataraja (Lord of the Dance), c. 1100

India

G211

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror

Power figure, early 20th century

Kongo

G250

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree

Pastoral Landscape, 1638

Claude Gellée (called Le Lorrain)

G313

Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style.

Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501

Master of the Legend of Saint Lucy

G342

© Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Golden Bird, c. 1919

Constantin Brancusi

G377

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center

Corinthian helmet, c. 540 BCE

Greece

G241

Vessel in the shape of an owl. Two flanges, one ending just under the beak in front and the other continuing to the top of the head in back, have alternating straight and L-shaped scores, those on the front flange being much the deeper of the two. The tail, with a scored flange border, forms the back support of the vessel. Apart from the realistically-formed feet, the bird is strongly stylized. The body is completely covered by rows of scales except for the shoulder line, expressed by a vigorous spiral, and the wings quills, rendered by bands filled with antithetical spirals. Patina green.

Zun wine vessel in the shape of an owl, 13th-12th century BCE

China

Not on View
Abstract.

Tahkt-I-Sulayman Variation II%2C 1969 © Frank Stella %2F Artists Rights Society %28ARS%29%2C New York

Tahkt-I-Sulayman Variation II, 1969

Frank Stella

G235

Dance Mask; Carved in the round from a single piece of lightweight wood. Interior hollow. Features remarkable in that they resemble Greek and Sicilian works of the 6th Century B.C. The back of the mask, carved in terrace and striated patterns, contrasts with the smooth lateral contours of the face.

Helmet mask, 19th century

Luba

G250

wood frieze carved with birds whose eyes are made of green turbo shell opercula; painted serpents wind their way across the relief; covered with lime and painted in red, black, and white pigments; carved for use in the Malanggan rites when it would be placed in a special hut with other sculptures

Malagan Frieze, 19th century

Papua New Guinea

G256

carved wood, standing male figure; hair bound in a topknot; inlaid paua shell eyes; larger scale head, face adorned with tattooing; arms akimbo and large hands spread over abdomen; raised disc belly button; erect penis; raffia loin cloth in separate vitrine

Post Figure (poutokomanawa), c. 1840

Ngāti Kahungunu Māori

G256

beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag

Man's Pouch, c. 1800

Anishinaabe (Ojibwe) or DakhĂłta

G259

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand

Screen, 17th century

China

G217

standing figure with panpipes encircled by serpents and birds; wood with opercula inserts and pigments; carved for Malanggan rites

Malagan Figure, c. 1890

Papua New Guinea

G256

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box

Ewer in the shape of a gourd, 12th century

Korea

G206

© Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Portrait of Juan de Pareja, the Assistant to VelĂĄzquez, 1960

Salvador Dali; Depicted: Juan de Pareja

G376

Interior of the house

Dining Room in the Country, 1913

Pierre Bonnard

G355

Gesso, color, kirikane on wood, metal

Jizƍ, the Bodhisattva of the Earth Matrix, early 13th century

Unknown Japanese

G220

Artist's multiple published in an edition of 8

© Estate of Roy Lichtenstein

Vicki! I--I Thought I Heard Your Voice!, 1964

Roy Lichtenstein

Not on View
husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures

Uma-Maheshvara, 10th-11th century

India

G211

Nude female figure lying on a flowered couch

Nude on a Couch, c. 1880

Gustave Caillebotte

G355

Madonna and Child, c. 1310

Segna di Buonaventura

G343

St. Jerome, c. 1635

Adam Lenckhardt

G341

Mandala of colored sand on wood; Yamantaka (Conqueror of Death) is represented at the center by the blue 'vajra'; consists of a series of concentric bands; outermost represents burial grounds with a landscape and animals; moving inward are a circle of flames, a circle of 'vajras' and a circle of lotus petals; these bands circumscribe a quadrangle with gates at the four compass points; innermost square divided into triangular quadrants and an inner circle is divided into nine units containing symbols which represent various deities; attributes of the five senses are depicted in the four outside corners

Yamantaka Mandala, 1991

Monks of the Gyuto Tantric University

G277

Dutch still life with fruit, foliage, and insects.

Still Life with Fruits, Foliage and Insects, c. 1669

Abraham Mignon

G311

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath.

Dance Training, 1910-11 (altered 1920)

Ernst Ludwig Kirchner

G371

Landscape. Architecture.

The Bronze Horses of San Marco, Venice, 1876

Charles Caryl Coleman

G305

The Cat's Paw, c. 1824

Sir Edwin Henry Landseer

G305

Portrait of a young boy, three quarters view, with a dog

Portrait of James Ward, 1779

Gilbert Stuart

G322

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

Genre.

A "Bear" Chance, 1907

Philip R. Goodwin

G301

Portrait. Posthumous mourning portrait of an unknown child.

Portrait of a Boy, 1856

attributed to James B. Read

G304

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Bust

Portrait of Luca Salvioni, c. 1536

Agostino Zoppo

G340

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove.

Portrait of Sarah Allen, née Sargent, c. 1763

John Singleton Copley

G322

Religion: NT.

Destruction of the Beast and the False Prophet, 1804

Benjamin West

G321

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

Landscape. Urban. Architecture.

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

City Night, 1926

Georgia O'Keeffe

G378

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

G260

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

G236

Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

© Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Baboon and Young, 1951

Pablo Picasso

G376

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

Three quarter length self-portrait of Francesco de Mura

Self-Portrait, c. 1740

Francesco de Mura

G307

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 Ă  Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base).

Icarus Making Trial of His Wings, modeled 1831

Philippe Grasse

G321

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown

Crown, about 1920

Yoruba

G236

Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Elisabeth Louise Vigée-Le Brun

G306

Portrait. George Washington in red drapery, black costume with white frills.

Portrait of George Washington, c. 1820

Thomas Sully

G332

Still life with meat.

Carcass of Beef, 1925

Chaim Soutine

G377

Impressionist. Brook with a bridge.

The Japanese Bridge, c. 1923-1925

Claude Monet

G377

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities

General Guo Ziyi's Banquet, mid 19th century

Korea

Not on View
six scenes from the life of Christ; bottom row the Annunciation, Nativity and Adoration of the Magi; middle row Betrayal of Christ by Judas, the Crucifixion, the Resurrection; top row Ascension and Pentecost

Diptych with scenes from the life of Christ, c. 1375

Attributed to Master of the Passion Diptych

Not on View

Gope board, 18th century

Papua New Guinea

Not on View
four horizontal panels with multiple figures in various poses: standing, riding bicycles, riding animals, seated; incised horizontal bars divide panels

Palace door, early 20th century

Dada Areogun, a.k.a Areogun of Osi-Ilorin

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shƫkei

Not on View
Abstraction with six horseshoe shapes.

%C2%A9 The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth

Prospects, 1977

Philip Guston

Not on View
Raised work (stumpwork) casket depicting the story of Queen Esther and King Ahasuerus; Initialed 'BP' and dated 1662, worked in polychrome silk and metallic threads on white satin and decorated with seed pearls, English; Front King Ahasuerus presenting the royal scepter to Queen Esther; Back The hanging of Haman; Right side the search for a wife for King Ahasuerus; Left side Mordecai honored by Ahasuerus and paraded in royal regalia; Top King Ahasuerus, Queen Esther and Haman at dinner; The casket with two doors opening to reveal curious set of drawers with secret compartments; the top lifting to reveal a pink velvet interior fitted with two bottles, an inkpot and a pen tray, the back of this lid with brackets for a mirror that now is missing; a second lid at the top opening to reveal a shallow silk-lined tray. A 17th century oak box lined in marbled paper with replaced lock accompanies the casket (95.14cc Traveling Case for Stumpwork Casket); an itemized list of pieces and their dimensions is in the object file in the registration office. Surface ornamentation (Needlework)

Embroidered Box, 1662

England

Not on View
standing female figure who has fabric around waist that she is holding up and partially covers one breast; fabric has geometric pattern

Standing Girl, c. 1910

Egon Schiele

Not on View
Preliminary study for "Pieta" lithograph (1903)

Two Studies of a Woman's Head, c. 1903

KĂ€the Kollwitz

Not on View
Mythological figures in a landscape. A tribute to jazz musician Nina Simone.

%C2%A9 Estate of Bob Thompson%2C Courtesy of Michael Rosenfeld Gallery%2C LLC%2C New York%2C NY

Homage to Nina Simone, 1965

Bob Thompson

Not on View
figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery

Figure, c. 600-750 CE

Nopiloa (Veracruz)

G260

Providence parlour, c. 1760-1770

United States

G335

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS.

Tudor room, c. 1600

England

G325

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow

Cabbage tureen, cover and stand, before 1754

France

G333

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus

Crouching Lion, 330-317 BCE

Ancient Greek

G241

Geometric motifs with red yellow black and blue

Composition with Blue, Red, Yellow, and Black, 1922

Piet Mondrian

G377

Head of a woman.

© Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Head of a Woman, 1938

Joan MirĂł

G376

Study for Improvisation V, 1910

Vassily Kandinsky

G371

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