showing 100 of 641 results matching `artworks with related Audio stops`. (load 200 more)

after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros, 120–50 BCE
Unknown Roman

G241

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS — Rudrakshamala Necklace, early 19th century
G211

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors — Tusk, 1775-1777
Edo

G250

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror — Power figure, early 20th century
Kongo

G250

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Study for Portrait VI, Francis Bacon — Study for Portrait VI, 1953
Francis Bacon

G376

Shrine head, Ancient Yoruba — Shrine head, 12th-14th century
Ancient Yoruba

G250

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower. — The Coaci Inkstand, 1792
Vincenzo Coaci

G310

Landscape. Architecture. — The Bronze Horses of San Marco, Venice, 1876
Charles Caryl Coleman

G305

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female — Modern Bohemia, 1924
Ernst Ludwig Kirchner

G371

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Portrait. — Portrait of a Burgomaster, c. 1665–70
Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Genre. — A "Bear" Chance, 1907
Philip R. Goodwin

G301

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

Religion: NT. — Destruction of the Beast and the False Prophet, 1804
Benjamin West

G321

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath. — Dance Training, 1910-11 (altered 1920)
Ernst Ludwig Kirchner

G371

Portrait. George Washington in red drapery, black costume with white frills. — Portrait of George Washington, c. 1820
Thomas Sully

G332

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Portrait. Posthumous mourning portrait of an unknown child. — Portrait of a Boy, 1856
attributed to James B. Read

G304

Portrait Bust of Pope Clement X, Circle of Gianlorenzo Bernini — Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)
Circle of Gianlorenzo Bernini

G310

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, c. 1824
Sir Edwin Henry Landseer

G305

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

Dutch still life with fruit, foliage, and insects. — Still Life with Fruits, Foliage and Insects, c. 1669
Abraham Mignon

G311

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands — Beer pot, mid 20th century
Zulu

G236

St. Jerome, Adam Lenckhardt — St. Jerome, c. 1635
Adam Lenckhardt

G341

Frank Lloyd Wright Hallway, Frank Lloyd Wright; Maker: Temple Art Glass Company — Frank Lloyd Wright Hallway, c. 1912-1914
Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Library and Rock Garden — The Studio of Gratifying Discourse, 1797
Unknown

G216

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area — Head, 1911–1912
Amedeo Modigliani

G367

Mandala of colored sand on wood; Yamantaka (Conqueror of Death) is represented at the center by the blue 'vajra'; consists of a series of concentric bands; outermost represents burial grounds with a landscape and animals; moving inward are a circle of flames, a circle of 'vajras' and a circle of lotus petals; these bands circumscribe a quadrangle with gates at the four compass points; innermost square divided into triangular quadrants and an inner circle is divided into nine units containing symbols which represent various deities; attributes of the five senses are depicted in the four outside corners — Yamantaka Mandala, 1991
Monks of the Gyuto Tantric University

G277

Still life with meat. — Carcass of Beef, 1925
Chaim Soutine

G377

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G355

Madonna and Child, Segna di Buonaventura — Madonna and Child, c. 1310
Segna di Buonaventura

G343

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

G321

Warrior with Shield, 1953–54
Henry Moore

G371

Carrara marble — Ganymede and the Eagle, 1817–29
Bertel Thorvaldsen

G378

Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784. — Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790
China

G210

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

Landscape. Urban. Architecture. — City Night, 1926
Georgia O'Keeffe

G378

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces — Celestial Horse, 25-220
China

G215

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

Little Girl, Otto Dix — Little Girl, 1922
Otto Dix

Not on View

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea. — Fishing Vessels Offshore in a Heavy Sea, 1684
Ludolph Backhuysen

G309

vessel with handle, surmounted by female head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body — Vessel, 1930
Mangbetu

G236

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G351

Illustration for Canto XI of the 'Rubáiyaát of Omar Khayyám', Frank William Brangwyn — Illustration for Canto XI of the 'Rubáiyaát of Omar Khayyám', c. 1912
Frank William Brangwyn

G334

Landscape — The Merced River in Yosemite, 1868
Albert Bierstadt

G323

Side chair, Frank Lloyd Wright; Maker: John W. Ayers — Side chair, c. 1903
Frank Lloyd Wright; Maker: John W. Ayers

G300

Cosmetic Case and Mirror Stand, China — Cosmetic Case and Mirror Stand, early 17th century
China

G218

Life of the Virgin Mary ; The Presentation of the Christ Child in the Temple — The Presentation in the Temple, c. 1490–1500
Jacob Jansz.

G342

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto (Giovanni Antonio Canal) — The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, c. 1740
Canaletto (Giovanni Antonio Canal)

G307

Madonna and Child. — Standing Madonna with Child, c. 1350-1354
Nardo di Cione

G343

Mythology: Diana the Huntress. Artemis. — Diana the Huntress, c. 1690
Giovanni Battista Gaulli (Baciccio)

G330

Composition is very similar to L'Intrigue by Ensor in collection of Royal Museum of Fine Arts, Antwerp, which measures 35 1/2' x 59' and is dated 1890. — The Intrigue, 1911
James Ensor

G371

Genre. Interior of a bedroom with a lady dressed in bright golden yellow silk, a small dog in her lap, seated at a dressing table with toilet articles on it. A maid pinning a bow into her long wavy blonde hair is standing behind her. In the background a canopied bed with gray draperies. — Lady at Her Toilet, c. 1650-1660
Unknown Dutch, 17th century

G310

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish. — Vessel, c. 1100 - 1200 CE
Guanacaste

G260

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery — Figure, c. 600-750 CE
Nopiloa (Veracruz)

G260

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Worship and devotion non-Christian religions — Young Greeks in the Mosque, 1865
Jean-Léon Gérôme

G357

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus — Crouching Lion, 330-317 BCE
Ancient Greek

G241

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G355

Woman with letter and envelope — The Letter, 1791
Michel Garnier

G306

Seduction — The Poorly Defended Rose, 1789
Michel Garnier

G306

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Baboon and Young, Pablo Picasso — Baboon and Young, 1951
Pablo Picasso

G376

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background. — The Asparagus Vendor, 1675–80
Pieter de Hooch

G309

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair. — Portrait of Dorothy Beridge, nèe Gladwin, 1777
Joseph Wright of Derby

G306

Still life.Trompe l'oeil door, with ephemera tacked to the green door, including image of Abraham Lincoln, money, clippings, and labels. '1809', '1865' and 'ABE' are "carved" into the door. — Reminiscences of 1865, 1904
John Frederick Peto

G322

Cottage on Fire, Joseph Wright of Derby — Cottage on Fire, c. 1786-1787
Joseph Wright of Derby

G306

the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade — Pillow, 17th-18th century
China

G218

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow — Cabbage tureen, cover and stand, before 1754
France

G333

Enshrined Buddha, Myanmar (Burma) — Enshrined Buddha, c. 1850
Myanmar (Burma)

G213

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772. — Charleston Drawing Room, 1772
United States

G336

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left — Prancing Horse, 1st-3rd century
China

G215

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background. — The Fallen Branch, Fontainebleau, c. 1816
Achille Etna Michallon

G321

Bust of Diana, Jean Alexandre Joseph Falguière — Bust of Diana, 19th century
Jean Alexandre Joseph Falguière

G319

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

Armor, Germany — Armor, c. 1520
Germany

G340

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

the oval bowl of the wine cooler rests on a similarly shaped foot comprised of a plain concave molding and a vertical base rim surmounted by a convex repoussé band; rim and bowl are linked in the center of either lone side of the oval bowl by a large cash male head surrounded by exhuborant scrolls and moldings Weight: 703 troy ounces = 48 lbs. and 3.29 oz. — Wine cistern, 1719–1720
Paul de Lamerie

G350

James J. Hill Presentation Tray, 1884

Tiffany & Co.

G303

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

modified telephone; lobster receiver — Aphrodisiac Telephone, 1938
Salvador Dali

G376

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