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Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Elisabeth Louise Vigée-Le Brun

G306

Landscape. Urban. Architecture.

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

City Night, 1926

Georgia O'Keeffe

G378

bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

Not on View
goblet, about 1765-1770; glass;, bucket bowl on double series twist stem; enamel decoration showing landscape in cartouche shape; decoration attributed to shop of William (1740-1819) and Mary (1749-1797) Beilby in Newcastle-on-Tyne

Goblet, c. 1770

Attributed to William Beilby; Decorator: Attributed to Mary Beilby

G333

Kitchen cabinetry, sink, stool, lighting fixture; stool has three blue legs and wood seat; single-bulb light fixture is white enamelled on top and is saucer-shaped, bulb of light does not function; Siemens cookstove with small oven and two burners; 12 metal bins for dry staples; one large metal scrap bin

Frankfurt Kitchen, 1926-1930

Margarete SchĂŒtte-Lihotzky

G378

floating multicolored rocks/metors; four separate videos (#1, 2, 4, 5)

%C2%A92013 Jennifer Steinkamp

6EQUJ5, 2012-2013

Jennifer Steinkamp

Not on View
vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View
Abstraction.

%C2%A9 Estate of Grace Hartigan

Billboard, 1957

Grace Hartigan

G371

nude little smiling boy with two dimples and short curly hair, riding on a seahorse; lily pads and scallops on base; octagonal bottom has alternating seahorses and fluted designs; greenish patina

Copyright of the artist%2C artist%27s estate%2C or assignees

Putto on Seahorse, 1933

Evelyn Beatrice Longman

G280

Landscape.

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

Pedernal -- From the Ranch #1, 1956

Georgia O'Keeffe

G301

abstracted image with figure in LRC with well-defined face; figural elements in LLC; predominately yellow with tans, browns and cream in LLC, blue in top center, and orange and pink in ULC; grey strip frame

%C2%A9 Estate Dorothea Tanning %2F Artists Rights Society %28ARS%29%2C New York

Tempest in Yellow, 1956

Dorothea Tanning

G376

Copright of the artist%2C artist%27s estate%2C or assignees.

Awatovi Birds, 1990

Dextra Quotskuyva

G259

salmon-colored terracotta; rounded bottom section with small flat foot; rather long, wide neck with asymmetrical forms with three points; tilted, diagonal wide rim

%C2%A9 Magdalene Odundo

Vessel, 1985

Magdalene Odundo

G236

group of men looking out from behind barbed wire; four men wear striped pants and coats; old man at right leans against a cane

%C2%A9 Estate of Margaret Bourke-White

The Living Dead at Buchenwald, 1945

Margaret Bourke-White

G275

doctor bag-style with metal closure and metal handle; beaded overall with blue ground; geometric shapes on sides (crosses and triangles); one side has scene of two cowboys (one on white and black horse and one on rust-colored, white and yellow horse) roping blue and red steers; opposite side decorated with three Native American figures with teepee; horse in LLC and horses' heads around top and L sides; lined in light green

Suitcase, 1880-1910

Nellie Two Bear Gates

G261

Bust-length portrait of a Black female field worker

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Sharecropper, 1952 (printed c. 1952-57)

Elizabeth Catlett; Printer: Printed by the artist and Jose Sanchez; Publisher: Published by the artist and Taller de Grafica Popular, Mexico City

Not on View
standing blonde little girl with green eyes, wearing a pink dress with white polka dots, pink hair ribbon, white socks with pink trim, and red shoes, and holds a purple flower in her PR hand; girl has blank facial expression; girl stands in front of a wall mural with a blue and yellow dragon against a red ground with glitter highlights against a red ground with bold black Chinese characters; shiny black floor

%C2%A9 The Joan Brown Estate

Portrait of a Girl, 1971

Joan Brown

G280

photocopied typewritten text at left; two strips with five contact prints each, stapled and glued at right; images from Diane Arbus' "A Box of Ten Photographs"

%C2%A9 The Estate of Diane Arbus%2C LLC

Portfolio prospectus, 1970

Diane Arbus

G365

predominately blue; blues with maroons/reds and cream; abstract design; received as one piece--separated into a diptych on 3/16/15

%C2%A91984 Helena Hernmarck

Blue Wash 1, 1984

Helena Hernmarck

Not on View
predominately cream; blues with maroons/reds and cream; abstract design; received as one piece--separated into a diptych on 3/16/15

%C2%A91984 Helena Hernmarck

Blue Wash 2, 1984

Helena Hernmarck

Not on View
two horizontal panels stitched together; four red, orange and yellow tulip blossoms on a dark green ground; black heading band on back

%C2%A91999 Helena Hernmarck

Four Tulips, 1999

Helena Hernmarck

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
Grey-blue, dull finish, incised conventional design

Tobacco jar, c. 1915

Florence Douglas Willets; Manufacturer: Minneapolis Handicraft Guild

G320

%C2%A9 The Estate of Diane Arbus%2C LLC

Retired Man and His Wife at Home in a Nudist Camp One Morning in New Jersey. On the Television Set Are Framed Photographs of Each Other., 1963 (reprinted 1971)

Diane Arbus; Publisher: Diane Arbus and her estate

Not on View

%C2%A9 The Estate of Diane Arbus%2C LLC

A Young Man in Curlers Dressing for an Annual Drag Ball, N.Y.C., 1966 (printed 1971)

Diane Arbus; Publisher: Diane Arbus and her estate

Not on View

%C2%A9 The Estate of Diane Arbus%2C LLC

A Family on the Lawn One Sunday in Westchester in June 1968, 1968 (printed 1971)

Diane Arbus; Publisher: Diane Arbus and her estate

Not on View

%C2%A9 The Estate of Diane Arbus%2C LLC

Their Numbers were Picked out of a Hat. They Were Just Chosen King and Queen of a Senior Citizens' Dance in N.Y.C. Yetta Grant is 72 and Charles Fahrer is 79. They Have Never Met Before., 1970 (reprinted 1971)

Diane Arbus; Publisher: Diane Arbus and her estate

Not on View

%C2%A9 The Estate of Diane Arbus%2C LLC

Lauro Morales, a Mexican Dwarf, in his Hotel Room in N.Y.C., 1970 (reprinted 1971)

Diane Arbus; Publisher: Diane Arbus and her estate

Not on View

%C2%A9 The Estate of Diane Arbus%2C LLC

Puerto Rican Woman, New York City, 1964

Diane Arbus

Not on View

The Spirit of the Spring, 19th century

Julia Margaret Cameron

Not on View

Kate Keown, 1866

Julia Margaret Cameron

Not on View

Venus Chiding Cupid and Depriving Him of His Wings, 1872

Julia Margaret Cameron

Not on View

Sir Galahad and the Pale Nun, 19th century

Julia Margaret Cameron

Not on View

George Frederic Watts, 1864

Julia Margaret Cameron

Not on View
Molded fiberglas body, steel legs

%C2%A9 Eames Office

"DAR" (Dining Armchair Rod) armchair, 1951 (designed c. 1948)

Charles Eames; Designer: Ray Eames; Manufacturer: Zenith Plastics, Gardena, California; Distributor: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

wood; red, white, black, gray, beige, and yellow lacquered Masonite; steel

%C2%A9 Eames Office

ESU (Eames Storage Unit) buffet, c. 1950

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

%C2%A9 Eames Office

Leg splint, 1943-1945

Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949

G378

hanging rack; wire structure with fourteen wood balls attached to projecting wires; wood balls painted various colors

%C2%A9 Eames Office

Hang-It-All, c. 1955 (designed 1953)

Charles Eames; Designer: Ray Eames; Artist: Tigrett Enterprises

G378

Silver base and clear blown glass shade with silver mounts in organic form

Candle lamp, 1900

Attributed to Kate Harris; Manufacturer: William Hutton & Sons, Ltd. (silver); Manufacturer: James Powell and Sons (glass); Retailer: Goldsmiths & Silversmiths Co.

G379

%C2%A9 Helen Levitt. All rights reserved.

New York, 1945

Helen Levitt

Not on View

%C2%A9 Helen Levitt. All rights reserved.

New York, c. 1945

Helen Levitt

Not on View

"Coosh Egg" chair, 2001

Andrea Valentini; Manufacturer: OFFI & Company

Not on View
bowl-like form with thick sides and lip; orange reeds woven with natural reeds and steel twisted wires; two thick twisted wires at bottom with four cable connectors

%C2%A9 Carole Hetzel

Brendan Basket, No. 232, 2005

Carole Hetzel

G281

standing wavelike form with pointed, outturned corners; horizontal waving bands in matte dark blue, with gold flecks, matte black, and shiny black; small cutout near center; one of pair

%C2%A9 Sasai Fumie

Look, 1994

Sasai Fumie

Not on View
slightly stylized image of flower with tendrils of white; orange and yellow anthers (holding pollen); touches of light brown; light green stem with two medium green leaves at bottom; dark green ground

Spider Lily, c. 1905-1917

Edna Boies Hopkins

Not on View
names in the quilt include Katie, born 1881, Jennie's daughter from her first marriage; Annie, the faithful hired girl in the McMurtrie household in Chicago; and GRM- the initials of George R. Moore who was engaged to marry Jennie at the time the quilt was made; the women are the great-grandmother and grandmother of the donor

Crazy Quilt, c. 1885

Catherine McDonald McMurtrie; Artist: Jennie McMurtrie Moore

Not on View
light box with back of woman lying down; diagonal scar with fringe down her back

%C2%A9 Rebecca Belmore

Fringe, 2007

Rebecca Belmore

Not on View
man climbing up the side of an oil heater-treater tower with a horse and buggy in front of it; houses in background; matted

%C2%A9 Esther Bubley Estate Collection %2F Standard Oil Collection%2C Special Collections%2C University of Louisville

Oil Field, Tomball, Texas. James Tanner, pumper, climbing heater-treater to check water and oil level in gauge glass. Because of the gasoline shortage, he uses horse and buggy to make his daily rounds., 1945

Esther Bubley

G368

rectangular radiating blocks; one black in one corner has I-shape at center; corduroy front and back; tan, browns, pale green, red, and orange; brown backing; Velcro heading band

%C2%A9 Lola Pettway %2F Artists Rights Society %28ARS%29%2C New York

"Housetop" variation quilt, 1970s

Lola Pettway

G103

white border and backing; orange with grey, black, and brown squares, rectangles, and L shapes in four quadrants with grey rectangle at center; asymmetrical pattern; Velcro heading band

%C2%A9 Lottie Mooney %2F Artists Rights Society %28ARS%29%2C New York

"Housetop" quilt--four-block "Half-Log Cabin" variation, c. 1940

Lottie Mooney

G103

front of nude woman and back of nude man surrounded by buildings; black frame with gold filet

Copyright of the artist%2C artist%27s estate%2C or assignees

Two Nudes, c. 1922

Marguerite Thompson Zorach

G377

Portrait. 1929 frame

Portrait of Our Nurse, Margaret Burgess, 1929

Florine Stettheimer

Not on View
blue silhouette of a female figure adorned with a diamond ring motif at C; radiating bands of yellow, blue, mint, pink, and bronze around C figure, each painted with repeating motifs including ice cream cones, a piece of pie on a plate, poodles, numbers, and palm trees; smaller silhouette figures around L and R edges; "Ring Girl" in cartouche URC; framed

%C2%A9 Suellen Rocca

Ring Girl, c. 1965

Suellen Rocca

G280

seated woman in profile from PL in LRQ, with long reddish brown hair wearing a blue, purple and green scarf on her head and a short sleeves blouse with blue, olive, green and rust blocks of color; radiator, LLC; large window with view of blocky, simplified buildings in shades of pink, green, dark red, blue, grey and tan; blue-green walls

%C2%A9 Elizabeth Osborne

Woman in Belgravia Hotel, 1969

Elizabeth Osborne

G322

standing woman with Afro hair wearing a colorful top and orange pants; PL hand rests on hip and a gold bracelet on PR wrist; stands in a corner with a mirror on left side; reflection of woman in the mirror with varnished brown background; blue floor with thin, gold border

%C2%A9 Marcia Marcus %2F Artists Rights Society %28ARS%29%2C New York

Renoir, 1968

Marcia Marcus

G322

Genre.

Copyright of the artist%2C artist%27s estate%2C or assignees

Halloween, c. 1920

Clara Gardner Mairs

G302

red-headed girl wearing a red stocking hat, black and yellow buffalo checkered coat, and blue tights at right, holding flowers in hands and basket of books and paint brushes on arm; large brown and black wolf lies on ground around girl; girl and wolf are face to face, with wolf's mouth slightly open; gray and brown misty forest in background, with silhouettes of more wolves; tan building on far right with black bird sitting on open window; tree trunk, rocks, fossils, and other forest debris on ground in foreground

%C2%A9 Gina Litherland

Little Red Cap, 2011

Gina Litherland

G280

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background.

The Wash, 1950s

Clementine Hunter

G324

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR.

Picking Cotton, 1950s

Clementine Hunter

G324

Portrait.

Self Portrait, 1923

Frances Cranmer Greenman

G303

woman with bare legs and feet at right wearing green skirt with black lace trim and blouse with stripes under a red short sleeved jacket with a black and green lace collar, holding a tiny blue teacup in her PL hand and a toy animal in her PR hand, reclining against a landscape element with swirling fragments of animal heads and sea creatures; low table at left with blue and white striped tablecloth, with three chairs with elaborate white backs and cushions of various colors; various objects on table including a dish with tiny white toy animals, pair of glasses, fruits, shell, note with text ("Twinkle, Twinkle, Little Bat..."), tall white teapot, red and white oil lamp; tailless cat in LLC in front of table with blue eyes and zebra-like stripes

Copyright %C2%A9 Sylvia Fein

The Tea Party, 1943

Sylvia Fein

G376

portrait of a man with black hair and curling sideburns, wearing a red headscarf, short maroon jacket with elaborate gold trim and buttons with maroon laces across chest, matching maroon pants, white blouse, and green cummerbund, with a colorful Mexican blanket over his PL shoulder and holding a brown hat in his PL hand; green walls; Southwestern landscape through window in URQ, with bouquet of orange, purple, and yellow flowers in a vase on windowsill; portion of a portrait of a mother and child on a shelf in ULC

%C2%A9 Macena Barton

Portrait of José Mojica, 1928

Macena Barton

G322

corner of white room with narrow mirror leaning against wall; hardwood floor; unframed

%C2%A9 Sylvia Plimack Mangold

August, 1974

Sylvia Plimack Mangold

G322

black openwork barbed wire cube with 8" sections repeated

%C2%A9 Mona Hatoum

Cube (9 x 9 x 9), 2008

Mona Hatoum

Not on View
small, pyramid-shaped structure with indentation near top; woven bands and round and tube-shaped beads in purples, greens and yellows overall

%C2%A9 Elaine Small

Volcano on Bead Mountain, late 20th century

United States

G281

%C2%A9 Ferne Jacobs

Sculpture with Hebrew Letters, 1983

Ferne Jacobs

G281

Charmed Circle of Youth, late 19th century

Esther Moore

Not on View
view to top of the Washington Monument covered with scaffolding

%C2%A9 Estate of Margaret Bourke-White

Washington Monument, Washington, D. C., 1933

Margaret Bourke-White

G368

torso of seated nude woman draped with wet silk

%C2%A9 The Ruth Bernhard Trust %28Mary Ann Helmholtz and Jane Totten%2C Co-Trustees%29%2C San Francisco%2C CA %2F All Rights Reserved

Wet Silk, 1938

Ruth Bernhard

Not on View
central negative photographic image of a woman lying down in a fetal position with her arms wrapped around her head; collage of photographic images at bottom creating a worm with the head of a woman, seen from under her chin; black paper with cutouts in background; swirling, abstract imagery on rectangular section, LRC; five white cutout flowers with twisted paper stems below image of woman lying down

%C2%A9 1992 Kiki Smith%2F Universal Limited Art Editions

Worm, 1992

Kiki Smith; Publisher: Universal Limited Art Editions (ULAE)

Not on View
drawer, front center; three shelves on either side

Desk, c. 1928

Ilonka Karasz

Not on View
Handwrought copper, patinated in a verde green; looping handles with foliate-organic details

Centerpiece bowl, c. 1910

Marie Zimmermann

G379

cut glass bowl with brass lid and handles

Covered tureen, c. 1902

Gisela Falke von Lilienstein; Manufacturer: Argentor

G379

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730

Maria Sibylla Merian

G209

Pines by the Sea, 1912

Bertha Lum

Not on View
collage image, with hand painting; headless body in Native American garments with beaded choker and longer necklaces; Xeroxed images in collage around figure, including repeated buffaloes inside boxes, Perrier labels, Bingo cards, moths, Mickey Mouse ears and hand, silhouettes of dolls with thick curly hair, flowers, pineapple labels, hand with religious figures; red, white and blue painted stripes extending from hand near center; text scattered throughout, including large text at bottom: "What is an American?"; six sheets jointed together, with grommets at top

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

What is an American?, 2003

Jaune Quick-to-See Smith; Publisher: Brodsky Center, New Brunswick, N.J.

G261

profile of black woman at L; little boy's head at center, bottom, looking up at woman

Copyright of the artist%2C artist%27s estate%2C or assignees

Mother and Son, Florida, 1950

Consuelo Kanaga

Not on View
Blue

Pitcher, c. 1903

Marie Kirschner; Manufacturer: Johann Loetz-Witwe Glassworks

G379

Blue striated lines and round blue decoration

Dinner plate, c. 1930

Margarete Heymann-Marks Löbenstein; Manufacturer: Haël WerkstÀtten

G379

abstract landscape-like imagery; grey, black, and dark pink rolling forms with scalloped cloud-like shapes in foreground

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

Black Place I, 1945

Georgia O'Keeffe

G301

Abstraction with numerous square patches of color.

%C2%A9 Estate of Shirley Goldfarb %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Blue and Blue, 1967

Shirley Goldfarb

G375

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through

%C2%A9 Yayoi Kusama

Untitled, 1967

Kusama Yayoi

G375

two children (larger child holding smaller) in the open doorway of a small cottage with thatch roof; birds on roof; two kittens on stone steps; flower garden to left of door

A Wiltshire Cottage, 19th-20th century

Helen Allingham

G353

tall green and orange rounded pillar at center with column of letter pairs down center and four more pairs on left in black; two figures flank the center shape, one on either side; figures are both painted from shoulders up, with tounges sticking out and appear to be wearing handbands with tall projections; black text across top, bottom, and under each figure; abstract yellow, orange, pink, and gray background

%C2%A9 The Nancy Spero and Leon Golub Foundation for the Arts %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C New York

Homage to New York (I Do Not Challenge), 1958

Nancy Spero

G375

Plate, polished blackware with matt design around rim; reduction-fired pottery; diam. 10-3/8 in.

Plate, 1901-1977

Maria Martinez; Artist: Julian Martinez

G255

seated boy with open mouth; wood and hide drum on lap, drum beater in PR hand; boy wears headband, sash and pouch on a shoulder strap; brown and black pigments

%C2%A9 Ada Suina

Storyteller Figure, January 5, 1980

Ada Suina

G255

small seated woman with legs outstretched; mouth open in an "o"; woman holds a baby in her arms; black and brown pigments

%C2%A9 Helen Cordero

Storyteller Figure, 20th century

Helen Cordero

G255

small, thick-walled vessel; decorated with twice-repeating pattern of bird and 2 flowers and geometric designs in red, brown and cream

%C2%A9 Helen Gachupin

Vessel, 20th century

Helen Gachupin

G255

a: off-white ground with wavy horizontal red lines hand-painted in bands that extend onto edges; no backing board b: sheet of brown paper with "No baby." typed repeatedly in six columns with "Yes baby." interspersed three times; "Story of a woman" hand-written at bottom in red; signed in peach at bottom; tacked to wall with two brass tacks through upper corners

%C2%A9 Louise Erdrich

Story of a Woman, 2015

Louise Erdrich

G261

bowl, ceramic-blackware, American Indian (Martinez); bowl, clay, polished blackware, avanyu or water serpent pattern

Vessel, early 20th century

Maria Martinez; Artist: Julian Martinez

Not on View

Corn Dance, 20th century

Tonita Pena

G255

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Sources of Strength, 1990

Jaune Quick-to-See Smith

Not on View

Vessel, 20th century

Elva Nampeyo

G255

rectangular lidded woven box; cover has light tone at center with two rows of purple stripes bordering wide variegated green-brown stripes at each end; box sides have central tan and brown stripe, flanked by variegated green-brown stripes and thin purple stripes; bottom of box has light tone; loose certification tag with artist's signature inside box

%C2%A9 2013 Theresa Secord

Glove Box, 2013

Theresa Secord

G260

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip

%C2%A9 Paula Estevan

Black and White Pot #2, 2014

Paula Estevan

G259

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot

%C2%A9 Paula Estevan

Black and White Pot #1, 2014

Paula Estevan

G259

vessel with wide mouth and slightly wider shoulder with slim foot; rim has dip in one side; rim is black and quickly fades to terracotta color; black flecks in terracotta color; glossy around rim and matte finish on bottom; in cotton bag

%C2%A9 Jody Folwell

Japanese Inspired Ceramic, 2015

Jody Folwell

G259

small saucer with flat bottom; shiny black and matte dark grey; rim decorated with repeating feather shapes

Saucer, c. 1920

Maria Martinez

G255

The Artist's Daughter, Julie, with her Nanny, c. 1884

Berthe Morisot

G351

Corn Dance, 20th century

Tonita Pena

G255

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