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Kitchen cabinetry, sink, stool, lighting fixture; stool has three blue legs and wood seat; single-bulb light fixture is white enamelled on top and is saucer-shaped, bulb of light does not function; Siemens cookstove with small oven and two burners; 12 metal bins for dry staples; one large metal scrap bin

Frankfurt Kitchen, 1926-1930

Margarete SchĂŒtte-Lihotzky

G378

Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Elisabeth Louise Vigée-Le Brun

G103

Landscape. Urban. Architecture.

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

City Night, 1926

Georgia O'Keeffe

G378

Abstraction.

%C2%A9 Estate of Grace Hartigan

Billboard, 1957

Grace Hartigan

G375

Molded fiberglas body, steel legs

%C2%A9 Eames Office

"DAR" (Dining Armchair Rod) armchair, 1951 (designed c. 1948)

Charles Eames; Designer: Ray Eames; Manufacturer: Zenith Plastics, Gardena, California; Distributor: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

wood; red, white, black, gray, beige, and yellow lacquered Masonite; steel

%C2%A9 Eames Office

ESU (Eames Storage Unit) buffet, c. 1950

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

%C2%A9 Eames Office

Leg splint, 1943-1945

Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949

G378

hanging rack; wire structure with fourteen wood balls attached to projecting wires; wood balls painted various colors

%C2%A9 Eames Office

Hang-It-All, c. 1955 (designed 1953)

Charles Eames; Designer: Ray Eames; Artist: Tigrett Enterprises

G378

Silver base and clear blown glass shade with silver mounts in organic form

Candle lamp, 1900

Attributed to Kate Harris; Manufacturer: William Hutton & Sons, Ltd. (silver); Manufacturer: James Powell and Sons (glass); Retailer: Goldsmiths & Silversmiths Co.

G379

circular body, lower body angled to small circular foot; long neck terminated by a wide flaring mouth; black high gloss glaze; thin wall construction

%C2%A9 Magdalene Odundo

Reduced Black Piece, 1990

Magdalene Odundo

G236

salmon-colored terracotta; rounded bottom section with small flat foot; rather long, wide neck with asymmetrical forms with three points; tilted, diagonal wide rim

%C2%A9 Magdalene Odundo

Vessel, 1985

Magdalene Odundo

G236

Handwrought copper, patinated in a verde green; looping handles with foliate-organic details

Centerpiece bowl, c. 1910

Marie Zimmermann

G379

cut glass bowl with brass lid and handles

Covered tureen, c. 1902

Gisela Falke von Lilienstein; Manufacturer: Argentor

G379

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730

Maria Sibylla Merian

G209

Bkg. red; color black for fishes, nets and cords

%C2%A9 E. Helenius Oy %2F Kalaranta%2C Maila Kievara%2C 1973

Kalaranta, 1973

Maila Kievara

G378

Bkg. dark blue; orange areas with purple brush traces; fan pattern with peach, pink, violet, orange, purple colors

%C2%A9 E. Helenius Oy %2F Virvatuli%2C Anja Terho%2C 1971

Virvatuli (Will o' the Wisp), 1971

Anja Terho

G378

series of 4 textile constructions; fringe below; indigo with copper wire woven in

%C2%A9 Harriet Bart

Rivers of Silence: Knowing, Watching, Wailing, Wasting, 1978

Harriet Bart

G281

Blue

Pitcher, c. 1903

Marie Kirschner; Manufacturer: Johann Loetz-Witwe Glassworks

G379

Blue striated lines and round blue decoration

Dinner plate, c. 1930

Margarete Heymann-Marks Löbenstein; Manufacturer: Haël WerkstÀtten

G379

nude little smiling boy with two dimples and short curly hair, riding on a seahorse; lily pads and scallops on base; octagonal bottom has alternating seahorses and fluted designs; greenish patina

Copyright of the artist%2C artist%27s estate%2C or assignees

Putto on Seahorse, 1933

Evelyn Beatrice Longman

G280

blue and red wool; bird design with human face on chest; pair of serpents heads with bear (or human?) face between them below bird; iridescent buttons highlight center design and form geometric designs at top and sides

%C2%A9 Marion Hunt Doig

Button Blanket, c. 1982

Marion Hunt Doig

G261

Cubist style; geometricized buildings in LRQ, predominately in salmon pinks, black and browns; blue shapes in UL with geometricized sailboat in tan with white sails at ULC; received unframed

Italian Town by the Sea, c. 1917

Alexandra Exter

G367

five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple

Copyright %C2%A9 2008 Swoon

Alixa and Naima, 2008

Swoon

G374

image of document with blacked-out rectangle at top; "THERE IS NO MENTION of or REFERENCE TO GEORGE ORWELL OR ANY AKA'S ON THIS PAGE" at bottom; from a portfolio of five images

%C2%A9 Jenny Holzer %2F Brand X Editions%2C New York %2F Artists Rights Society %28ARS%29%2C New York

AKA 5, 2006

Jenny Holzer; Publisher: Brand X Editions, New York

G373

image of document with four blacked-out rectangles at top; "THERE IS NO MENTION OF OR REFERENCE TO GEORGE ORWELL OR ANY AKA'S ON THIS PAGE" at bottom; from a portfolio of five images

%C2%A9 Jenny Holzer %2F Brand X Editions%2C New York %2F Artists Rights Society %28ARS%29%2C New York

AKA 4, 2006

Jenny Holzer; Publisher: Brand X Editions, New York

G373

image of document with four blacked-out rectangles; written sentence at bottom: "THERE IS NO MENTION OF OR REFERENCE TO GEORGE ORWELL OR ANY AKA' ON THIS PAGE"; typewritten "VI" at top center; from a portfolio of five images

%C2%A9 Jenny Holzer %2F Brand X Editions%2C New York %2F Artists Rights Society %28ARS%29%2C New York

AKA 3, 2006

Jenny Holzer; Publisher: Brand X Editions, New York

G373

image of document with six blacked-out rectangles; written sentence at bottom: "THERE IS NO MENTION OF OR REFERENCE TO GEORGE ORWELL OR ANY AKA'S ON THIS PAGE"; handwritten notes at top and left edge; from a portfolio of five images

%C2%A9 Jenny Holzer %2F Brand X Editions%2C New York %2F Artists Rights Society %28ARS%29%2C New York

AKA 2, 2006

Jenny Holzer; Publisher: Brand X Editions, New York

G373

rectangular lidded woven box; cover has light tone at center with two rows of purple stripes bordering wide variegated green-brown stripes at each end; box sides have central tan and brown stripe, flanked by variegated green-brown stripes and thin purple stripes; bottom of box has light tone; loose certification tag with artist's signature inside box

%C2%A9 2013 Theresa Secord

Glove Box, 2013

Theresa Secord

G260

three characters written horizontally across white sheet; reddish-orange rectangular intaglio stamp URC; four vertical, smaller characters at L; two large square stamps at far L: top stamp contains four squares, three of which are intaglio, the fourth is relief; bottom square with thick outline is relief

Laziness is Truth, late 19th-mid 20th century

Kawamura Keikƍ

G252

wide shouldered vessel with no neck and wide mouth and slim foot; dark glossy red ground with deeply incised swirl pattern that is matte in the crevasses

%C2%A9 Effie Garcia

Santa Clara Pot, 2015

Effie Garcia

G259

man wearing striped shirt working with photographic plates at a small table at right, with camera on a stand at far right; cameras with black cloths at center; figures primarily in white carrying upside down tables and umbrella at left; some light touches of color on clothing of some figures at left

%C2%A9 2013 Yee I-Lann

Wherein one surreptitiously performs reconnaissance to collect views and freeze points of view to be reflective of one's own kind, 2013 (printed 2015)

Yee I-Lann

G368

large boulders at center; three men working with drafting tools at large table at right; rectangle of landscape with small mountains with surveyor, two pairs of figures flaking a bridge and another surveyor with figures holding an umbrella and vertical measuring sticks

%C2%A9 2013 Yee I-Lann

Wherein one, in the name of knowledge, measures everything, gives it a name and publicises this, thereby claiming it, 2013 (printed 2015)

Yee I-Lann

G368

white man at right wearing white uniform and pith helmet, smoking cigarette and writing in a book while seated at a small table; rows of dark skinned men in a wedge shape at left, all wearing turbans

%C2%A9 2013 Yee I-Lann

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I'm just here to help you help yourself, 2013 (printed 2015)

Yee I-Lann

G368

man with handlebar moustache at right, seated at a desk in an old-fashioned office; curving railroad tracks from center bottom to left edge and across center of image toward right; workers at left--some holding shovels and wearing turbans--with buildings behind them

%C2%A9 2013 Yee I-Lann

Wherein one tables an indexical record of data-turned-assets and rules like the boss you now say that you are, 2013 (printed 2015)

Yee I-Lann

G368

female teacher wearing striped dress standing at blackboard with four children; other children seated at extremely tall desks; colorful skirts of two foreground children extend below desks

%C2%A9 2013 Yee I-Lann

Wherein one claims the hearts and minds of the innocent and gives them the knowledge that is to be learnt, 2013 (printed 2015)

Yee I-Lann

G368

two pairs of women (same two women pictured twice in slightly different poses), with one woman seated on a blue stool and the other woman with long hair seated cross-legged, with first woman touch head of woman with long hair; hair extending between pairs of women; rows of plants in field in background; figures with large pots, man on a donkey and a cat pulled by two oxen at right

%C2%A9 2013 Yee I-Lann

Wherein one cultivates cultural codes, the noble endeavours of mankind and thereby puts them in their place, 2013 (printed 2015)

Yee I-Lann

G368

surveyor wearing a turban standing on a triangular image of grass

%C2%A9 2013 Yee I-Lann

Wherein one hands over the ways of seeing loot, land and labour and thereby builds complicity in the exculpation; you are now partners in crime, 2013 (printed 2015)

Yee I-Lann

G368

black leather office chair at right; reddish plant in white pot, LLQ; bare-breasted woman holding a grey cloth that covers her hands, with a black form beneath her, seen through a window at center

%C2%A9 2013 Yee I-Lann

Wherein one's legacy comes full circle and posits that you too can exploit and subjugate and fluff yourself up in a splended game of your own jolly adventure, 2013 (printed 2015)

Yee I-Lann

G368

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot

%C2%A9 Paula Estevan

Black and White Pot #1, 2014

Paula Estevan

G259

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip

%C2%A9 Paula Estevan

Black and White Pot #2, 2014

Paula Estevan

G259

indented teardrop shape; long, oval, yellow opening with rough texture; Lichtenstein-like comic on each side: one side pink haired woman and man who is in profile, text says, "Why does he call me Caitlyn??...", teal background; other side has a blue haired woman with a man who is in profile, text says, "When he turns the light out...", orange background

%C2%A9 Susan Folwell

Why Does He Call Me Caitlyn?, 2015

Susan Folwell

G259

vessel with wide mouth and slightly wider shoulder with slim foot; rim has dip in one side; rim is black and quickly fades to terracotta color; black flecks in terracotta color; glossy around rim and matte finish on bottom; in cotton bag

%C2%A9 Jody Folwell

Japanese Inspired Ceramic, 2015

Jody Folwell

G259

lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
Grey-blue, dull finish, incised conventional design

Tobacco jar, c. 1915

Florence Douglas Willets; Manufacturer: Minneapolis Handicraft Guild

G320

Abstraction with numerous square patches of color.

%C2%A9 Estate of Shirley Goldfarb %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Blue and Blue, 1967

Shirley Goldfarb

G375

small rounded pot with small foot; round mouth; white with brown decoration on shoulder of thin brown lines in zigzag/chevron motif

%C2%A9 Lucy Martin Lewis

Jar, 1968

Lucy Martin Lewis

G260

pattern of radiating L shapes, squares, and rectangles; cotton and corduroy; solid white and blue and patterns with small flowers and dots and gingham; heading sleeve at top on back

%C2%A9 Addie Pearl Nicholson %2F Artists Rights Society %28ARS%29%2C New York

"Housetop" quilt--nine-block "Half-Log Cabin" variation, 1974

Addie Pearl Nicholson

G304

names in the quilt include Katie, born 1881, Jennie's daughter from her first marriage; Annie, the faithful hired girl in the McMurtrie household in Chicago; and GRM- the initials of George R. Moore who was engaged to marry Jennie at the time the quilt was made; the women are the great-grandmother and grandmother of the donor

Crazy Quilt, c. 1885

Catherine McDonald McMurtrie; Artist: Jennie McMurtrie Moore

Not on View
goblet, about 1765-1770; glass;, bucket bowl on double series twist stem; enamel decoration showing landscape in cartouche shape; decoration attributed to shop of William (1740-1819) and Mary (1749-1797) Beilby in Newcastle-on-Tyne

Goblet, c. 1770

Attributed to William Beilby; Decorator: Attributed to Mary Beilby

Not on View
bowl, ceramic-blackware, American Indian (Martinez); bowl, clay, polished blackware, avanyu or water serpent pattern

Vessel, early 20th century

Maria Martinez; Artist: Julian Martinez

Not on View

Copright of the artist%2C artist%27s estate%2C or assignees.

Awatovi Birds, 1990

Dextra Quotskuyva

Not on View
vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View

Charmed Circle of Youth, late 19th century

Esther Moore

Not on View

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Sources of Strength, 1990

Jaune Quick-to-See Smith

Not on View
Landscape. Flat landscape with 3 clusters of trees at horizon; telephone poles at horizon in distance; expansive sky, light at horizon.

%C2%A9 2001 Theresa Handy. All rights reserved.

Cover, 2001

Theresa Handy

Not on View
bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

Not on View
drawer, front center; three shelves on either side

Desk, c. 1928

Ilonka Karasz

Not on View

%C2%A9 2001 Andrea Valentini

"Coosh Egg" chair, 2001

Andrea Valentini; Manufacturer: OFFI & Company

Not on View
group of men looking out from behind barbed wire; four men wear striped pants and coats; old man at right leans against a cane

%C2%A9 Estate of Margaret Bourke-White

The Living Dead at Buchenwald, 1945

Margaret Bourke-White

Not on View
smock or overlay type of garment; open sides; made of plastic screen material; top portion has overlapping oval shapes edges in pale green, yellow and light blue stitching, with darker blues at edges; floral-like petals on shoulders; back has crocheted blue and white variegated V-shaped inset at neckline; front of neckline has similar V crocheted in yellow and green with slit opening, held closed with hook and eye and white plastic doll's arm; two plastic eggs suspended from underarms at back; some areas have pigments in screen openings

%C2%A9 Norma Minkowitz

Flight, 1984

Norma Minkowitz

G281

Printed artist's book of black-and-white and gray images collaged with various pages of journal-like entries in cursive and hand-printed script; glossy paper covers; bound with staples; 26 pp. (unpaginated)

%C2%A9 May Stevens %2F Courtesy Ryan Lee Gallery

Ordinary, Extraordinary, 1980

May Stevens; Publisher: New York: Privately printed

G369

high-heeled platform Mary Jane-style shoes embellished with beading overall; predominately light blue beads with geometric designs; gold, medium blue and dark blue triangles on heels; kiltie extending below strap made of vertical bands of porcupine quills with a black and white checkerboard design at center edged in yellow and red; ten tassels of red feathers and tin cones on kilties; soles of shoes are red; shoes are Lady Daf 160 mm Tartan, designed by Christian Louboutin

%C2%A9 2012 Jamie Okuma

Adaptation II, 2012

Jamie Okuma; Designer: Shoes designed by Christian Louboutin

G259

gold background with repeating rows of white hash marks with pink and blue undertones, resembling quillwork; periwinkle, pink, mauve, and blue horizontal bands around outer edges of canvas

%C2%A9 Dyani White Hawk

Untitled (Quiet Strength I), 2016

Dyani White Hawk

G261

doctor bag-style with metal closure and metal handle; beaded overall with blue ground; geometric shapes on sides (crosses and triangles); one side has scene of two cowboys (one on white and black horse and one on rust-colored, white and yellow horse) roping blue and red steers; opposite side decorated with three Native American figures with teepee; horse in LLC and horses' heads around top and L sides; lined in light green

Suitcase, 1880-1910

Nellie Two Bear Gates

G261

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through

%C2%A9 Yayoi Kusama

Untitled, 1967

Kusama Yayoi

G375

corner of white room with narrow mirror leaning against wall; hardwood floor; unframed

%C2%A9 Sylvia Plimack Mangold

August, 1974

Sylvia Plimack Mangold

G322

light box with back of woman lying down; diagonal scar with fringe down her back

%C2%A9 Rebecca Belmore

Fringe, 2007

Rebecca Belmore

G374

black openwork barbed wire cube with 8" sections repeated

%C2%A9 Mona Hatoum

Cube (9 x 9 x 9), 2008

Mona Hatoum

G373

abstracted image with figure in LRC with well-defined face; figural elements in LLC; predominately yellow with tans, browns and cream in LLC, blue in top center, and orange and pink in ULC; grey strip frame

%C2%A9 Estate Dorothea Tanning %2F Artists Rights Society %28ARS%29%2C New York

Tempest in Yellow, 1956

Dorothea Tanning

G376

Landscape.

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

Pedernal -- From the Ranch #1, 1956

Georgia O'Keeffe

Not on View
seated woman in profile from PL in LRQ, with long reddish brown hair wearing a blue, purple and green scarf on her head and a short sleeves blouse with blue, olive, green and rust blocks of color; radiator, LLC; large window with view of blocky, simplified buildings in shades of pink, green, dark red, blue, grey and tan; blue-green walls

%C2%A9 Elizabeth Osborne

Woman in Belgravia Hotel, 1969

Elizabeth Osborne

G322

abstract landscape-like imagery; grey, black, and dark pink rolling forms with scalloped cloud-like shapes in foreground

%C2%A9 Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

Black Place I, 1945

Georgia O'Keeffe

G301

The Artist's Daughter, Julie, with her Nanny, c. 1884

Berthe Morisot

G351

standing woman with Afro hair wearing a colorful top and orange pants; PL hand rests on hip and a gold bracelet on PR wrist; stands in a corner with a mirror on left side; reflection of woman in the mirror with varnished brown background; blue floor with thin, gold border

%C2%A9 Marcia Marcus %2F Artists Rights Society %28ARS%29%2C New York

Renoir, 1968

Marcia Marcus

G322

Genre.

Copyright of the artist%2C artist%27s estate%2C or assignees

Halloween, c. 1920

Clara Gardner Mairs

G302

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background.

%C2%A9 Clementine Hunter

The Wash, 1950s

Clementine Hunter

G304

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR.

%C2%A9 Clementine Hunter

Picking Cotton, 1950s

Clementine Hunter

G304

Portrait.

Self Portrait, 1923

Frances Cranmer Greenman

G303

round glass vase with white, pink and maroon roses; maroon and pink roses lying outside of vase in lower left; grey ground

Vase of Roses, early 1870s

Eva Gonzales

G351

woman with bare legs and feet at right wearing green skirt with black lace trim and blouse with stripes under a red short sleeved jacket with a black and green lace collar, holding a tiny blue teacup in her PL hand and a toy animal in her PR hand, reclining against a landscape element with swirling fragments of animal heads and sea creatures; low table at left with blue and white striped tablecloth, with three chairs with elaborate white backs and cushions of various colors; various objects on table including a dish with tiny white toy animals, pair of glasses, fruits, shell, note with text ("Twinkle, Twinkle, Little Bat..."), tall white teapot, red and white oil lamp; tailless cat in LLC in front of table with blue eyes and zebra-like stripes

Copyright %C2%A9 Sylvia Fein

The Tea Party, 1943

Sylvia Fein

G376

six pale figures with white hair, wearing dark clothing, seated and standing around a table; another figure emerging from a curtain at right; transparent insect figures in scattered through image; dark interior; Surrealist style

%C2%A9 Artists Rights Society %28ARS%29%2C New York

Dear Diary—Never Since We Left Prague, 1955

Leonora Carrington

G376

portrait of a man with black hair and curling sideburns, wearing a red headscarf, short maroon jacket with elaborate gold trim and buttons with maroon laces across chest, matching maroon pants, white blouse, and green cummerbund, with a colorful Mexican blanket over his PL shoulder and holding a brown hat in his PL hand; green walls; Southwestern landscape through window in URQ, with bouquet of orange, purple, and yellow flowers in a vase on windowsill; portion of a portrait of a mother and child on a shelf in ULC

%C2%A9 Macena Barton

Portrait of José Mojica, 1928

Macena Barton

G322

boy with blonde bobbed hair wearing a blue shirt, seated at a worktable with brushes, glass, and fruit

The Study of Drawing: Portrait of Yves Österlind, Age Nine, 1901

Louise Catherine Breslau

G315

Portrait. 1929 frame

Portrait of Our Nurse, Margaret Burgess, 1929

Florine Stettheimer

Not on View

%C2%A9 Lynn Klein

Untitled (Yabure), 1992

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Lynn Klein

Untitled (Color Blend), 1992

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Seven wool ikat strips, linen warp and wool weft. Vendor Textile Arts Alliance, Inc., 1721 Mt. Curve Ave., Minneapolis, MN 55403 $5,845.00

%C2%A9 Lynn Klein

Wool Blind, 1976

Lynn Klein

Not on View

%C2%A9 1982 Lois Lane

Angel, 1982

Lois Lane

Not on View

Photo %C2%A9 Jana Freiband

Mono Lake, 1983

Jana Freiband

Not on View
pieced quilt (stored in box) in Double Irish Chain

Bedcover, c. 1935

Bertha Green

Not on View
Lounge Chair, molded birch plywood

%C2%A9 Eames Office

"LCW" chair (Lounge Chair Wood), c. 1950–1955

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View
Side Chair, molded birch plywood

%C2%A9 Eames Office

"LCW" chair (Lounge Chair Wood), c. 1950–1955

Charles Eames; Artist: Ray Eames; Designer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View
wood; red, white, yellow and blue lacquered Masonite; steel

%C2%A9 Eames Office

"ESU" room divider (Eames Storage Unit), c. 1950

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

%C2%A9 Eames Office

"DCM" chair (Dining Chair Metal), c. 1955

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

%C2%A9 Eames Office

"CTW" table (Coffee Table Wood), c. 1955

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View
black leather and framing; six segmented seat pads with two loose rectangular pillows

%C2%A9 Eames Office

Chaise, 1968

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View
laminated birch; molded plywood w/rubber shocks

%C2%A9 Eames Office

"DCW" chair (Dining Chair Wood), 1946-1949

Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949

Not on View
Molded fiberglass body, steel legs

%C2%A9 Eames Office

Plastic armchair with "Eiffel Tower" base, c. 1950

Charles Eames; Designer: Ray Eames; Manufacturer: Zenith Plastics, Gardena, California; Distributor: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

%C2%A9 Eames Office

"DCM" chair (Dining Chair Metal), c. 1955

Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

%C2%A9 Gertrude Duby Blom %2F Asociaci%C3%B3n Cultural Na Bolom A.C.%2C San Crist%C3%B3bal De Las Casas%2C Chiapas%2C Mexico

On the Road to San Juan Chamula, Chamula Boy Carrying Burlap Bag of Pine Boughs for a Ceremony (Tzotzil), 1946

Gertrude Duby Blom

Not on View

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