Kitchen cabinetry, sink, stool, lighting fixture; stool has three blue legs and wood seat; single-bulb light fixture is white enamelled on top and is saucer-shaped, bulb of light does not function; Siemens cookstove with small oven and two burners; 12 metal bins for dry staples; one large metal scrap bin — Frankfurt Kitchen, 1926-1930
Margarete Schütte-Lihotzky

G378

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G103

Landscape. Urban. Architecture. — City Night, 1926
Georgia O'Keeffe

G378

Abstraction. — Billboard, 1957
Grace Hartigan

G375

Molded fiberglas body, steel legs — "DAR" (Dining Armchair Rod) armchair, 1951 (designed c. 1948)
Charles Eames; Designer: Ray Eames; Manufacturer: Zenith Plastics, Gardena, California; Distributor: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

wood; red, white, black, gray, beige, and yellow lacquered Masonite; steel — ESU (Eames Storage Unit) buffet, c. 1950
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

G378

Leg splint, Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949 — Leg splint, 1943-1945
Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949

G378

hanging rack; wire structure with fourteen wood balls attached to projecting wires; wood balls painted various colors — Hang-It-All, c. 1955 (designed 1953)
Charles Eames; Designer: Ray Eames; Artist: Tigrett Enterprises

G378

Silver base and clear blown glass shade with silver mounts in organic form — Candle lamp, 1900
Attributed to Kate Harris; Manufacturer: William Hutton & Sons, Ltd. (silver); Manufacturer: James Powell and Sons (glass); Retailer: Goldsmiths & Silversmiths Co.

G379

circular body, lower body angled to small circular foot; long neck terminated by a wide flaring mouth; black high gloss glaze; thin wall construction — Reduced Black Piece, 1990
Magdalene Odundo

G236

salmon-colored terracotta; rounded bottom section with small flat foot; rather long, wide neck with asymmetrical forms with three points; tilted, diagonal wide rim — Vessel, 1985
Magdalene Odundo

G236

Handwrought copper, patinated in a verde green; looping handles with foliate-organic details — Centerpiece bowl, c. 1910
Marie Zimmermann

G379

cut glass bowl with brass lid and handles — Covered tureen, c. 1902
Gisela Falke von Lilienstein; Manufacturer: Argentor

G379

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

Bkg. red; color black for fishes, nets and cords — Kalaranta, 1973
Maila Kievara

G378

Bkg. dark blue; orange areas with purple brush traces; fan pattern with peach, pink, violet, orange, purple colors — Virvatuli (Will o' the Wisp), 1971
Anja Terho

G378

series of 4 textile constructions; fringe below; indigo with copper wire woven in — Rivers of Silence: Knowing, Watching, Wailing, Wasting, 1978
Harriet Bart

G281

Blue — Pitcher, c. 1903
Marie Kirschner; Manufacturer: Johann Loetz-Witwe Glassworks

G379

Blue striated lines and round blue decoration — Dinner plate, c. 1930
Margarete Heymann-Marks Löbenstein; Manufacturer: Haël Werkstätten

G379

nude little smiling boy with two dimples and short curly hair, riding on a seahorse; lily pads and scallops on base; octagonal bottom has alternating seahorses and fluted designs; greenish patina — Putto on Seahorse, 1933
Evelyn Beatrice Longman

G280

blue and red wool; bird design with human face on chest; pair of serpents heads with bear (or human?) face between them below bird; iridescent buttons highlight center design and form geometric designs at top and sides — Button Blanket, c. 1982
Marion Hunt Doig

G261

Cubist style; geometricized buildings in LRQ, predominately in salmon pinks, black and browns; blue shapes in UL with geometricized sailboat in tan with white sails at ULC; received unframed — Italian Town by the Sea, c. 1917
Alexandra Exter

G367

five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple — Alixa and Naima, 2008
Swoon

G374

image of document with blacked-out rectangle at top; "THERE IS NO MENTION of or REFERENCE TO GEORGE ORWELL OR ANY AKA'S ON THIS PAGE" at bottom; from a portfolio of five images — AKA 5, 2006
Jenny Holzer; Publisher: Brand X Editions, New York

G373

image of document with four blacked-out rectangles at top; "THERE IS NO MENTION OF OR REFERENCE TO GEORGE ORWELL OR ANY AKA'S ON THIS PAGE" at bottom; from a portfolio of five images — AKA 4, 2006
Jenny Holzer; Publisher: Brand X Editions, New York

G373

image of document with four blacked-out rectangles; written sentence at bottom: "THERE IS NO MENTION OF OR REFERENCE TO GEORGE ORWELL OR ANY AKA' ON THIS PAGE"; typewritten "VI" at top center; from a portfolio of five images — AKA 3, 2006
Jenny Holzer; Publisher: Brand X Editions, New York

G373

image of document with six blacked-out rectangles; written sentence at bottom: "THERE IS NO MENTION OF OR REFERENCE TO GEORGE ORWELL OR ANY AKA'S ON THIS PAGE"; handwritten notes at top and left edge; from a portfolio of five images — AKA 2, 2006
Jenny Holzer; Publisher: Brand X Editions, New York

G373

rectangular lidded woven box; cover has light tone at center with two rows of purple stripes bordering wide variegated green-brown stripes at each end; box sides have central tan and brown stripe, flanked by variegated green-brown stripes and thin purple stripes; bottom of box has light tone; loose certification tag with artist's signature inside box — Glove Box, 2013
Theresa Secord

G260

three characters written horizontally across white sheet; reddish-orange rectangular intaglio stamp URC; four vertical, smaller characters at L; two large square stamps at far L: top stamp contains four squares, three of which are intaglio, the fourth is relief; bottom square with thick outline is relief — Laziness is Truth, late 19th-mid 20th century
Kawamura Keikō

G252

wide shouldered vessel with no neck and wide mouth and slim foot; dark glossy red ground with deeply incised swirl pattern that is matte in the crevasses — Santa Clara Pot, 2015
Effie Garcia

G259

man wearing striped shirt working with photographic plates at a small table at right, with camera on a stand at far right; cameras with black cloths at center; figures primarily in white carrying upside down tables and umbrella at left; some light touches of color on clothing of some figures at left — Wherein one surreptitiously performs reconnaissance to collect views and freeze points of view to be reflective of one's own kind, 2013 (printed 2015)
Yee I-Lann

G368

large boulders at center; three men working with drafting tools at large table at right; rectangle of landscape with small mountains with surveyor, two pairs of figures flaking a bridge and another surveyor with figures holding an umbrella and vertical measuring sticks — Wherein one, in the name of knowledge, measures everything, gives it a name and publicises this, thereby claiming it, 2013 (printed 2015)
Yee I-Lann

G368

white man at right wearing white uniform and pith helmet, smoking cigarette and writing in a book while seated at a small table; rows of dark skinned men in a wedge shape at left, all wearing turbans — Wherein one nods with political sympathy and says I understand you better than you understand yourself, I'm just here to help you help yourself, 2013 (printed 2015)
Yee I-Lann

G368

man with handlebar moustache at right, seated at a desk in an old-fashioned office; curving railroad tracks from center bottom to left edge and across center of image toward right; workers at left--some holding shovels and wearing turbans--with buildings behind them — Wherein one tables an indexical record of data-turned-assets and rules like the boss you now say that you are, 2013 (printed 2015)
Yee I-Lann

G368

female teacher wearing striped dress standing at blackboard with four children; other children seated at extremely tall desks; colorful skirts of two foreground children extend below desks — Wherein one claims the hearts and minds of the innocent and gives them the knowledge that is to be learnt, 2013 (printed 2015)
Yee I-Lann

G368

two pairs of women (same two women pictured twice in slightly different poses), with one woman seated on a blue stool and the other woman with long hair seated cross-legged, with first woman touch head of woman with long hair; hair extending between pairs of women; rows of plants in field in background; figures with large pots, man on a donkey and a cat pulled by two oxen at right — Wherein one cultivates cultural codes, the noble endeavours of mankind and thereby puts them in their place, 2013 (printed 2015)
Yee I-Lann

G368

surveyor wearing a turban standing on a triangular image of grass — Wherein one hands over the ways of seeing loot, land and labour and thereby builds complicity in the exculpation; you are now partners in crime, 2013 (printed 2015)
Yee I-Lann

G368

black leather office chair at right; reddish plant in white pot, LLQ; bare-breasted woman holding a grey cloth that covers her hands, with a black form beneath her, seen through a window at center — Wherein one's legacy comes full circle and posits that you too can exploit and subjugate and fluff yourself up in a splended game of your own jolly adventure, 2013 (printed 2015)
Yee I-Lann

G368

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot — Black and White Pot #1, 2014
Paula Estevan

G259

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip — Black and White Pot #2, 2014
Paula Estevan

G259

%C2%A9 Susan Folwell

Why Does He Call Me Caitlyn?, 2015

Susan Folwell

G259

vessel with wide mouth and slightly wider shoulder with slim foot; rim has dip in one side; rim is black and quickly fades to terracotta color; black flecks in terracotta color; glossy around rim and matte finish on bottom; in cotton bag — Japanese Inspired Ceramic, 2015
Jody Folwell

G259

lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red — Evolving Tapestry: The Principal Wife, Yellow Decked, 1989
Sheila Hicks

Not on View

Grey-blue, dull finish, incised conventional design — Tobacco jar, c. 1915
Florence Douglas Willets; Manufacturer: Minneapolis Handicraft Guild

G320

Abstraction with numerous square patches of color. — Blue and Blue, 1967
Shirley Goldfarb

G375

small rounded pot with small foot; round mouth; white with brown decoration on shoulder of thin brown lines in zigzag/chevron motif — Jar, 1968
Lucy Martin Lewis

G260

pattern of radiating L shapes, squares, and rectangles; cotton and corduroy; solid white and blue and patterns with small flowers and dots and gingham; heading sleeve at top on back — "Housetop" quilt--nine-block "Half-Log Cabin" variation, 1974
Addie Pearl Nicholson

G304

names in the quilt include Katie, born 1881, Jennie's daughter from her first marriage; Annie, the faithful hired girl in the McMurtrie household in Chicago; and GRM- the initials of George R. Moore who was engaged to marry Jennie at the time the quilt was made; the women are the great-grandmother and grandmother of the donor — Crazy Quilt, c. 1885
Catherine McDonald McMurtrie; Artist: Jennie McMurtrie Moore

Not on View

goblet, about 1765-1770; glass;, bucket bowl on double series twist stem; enamel decoration showing landscape in cartouche shape; decoration attributed to shop of William (1740-1819) and Mary (1749-1797) Beilby in Newcastle-on-Tyne — Goblet, c. 1770
Attributed to William Beilby; Decorator: Attributed to Mary Beilby

Not on View

bowl, ceramic-blackware, American Indian (Martinez); bowl, clay, polished blackware, avanyu or water serpent pattern — Vessel, early 20th century
Maria Martinez; Artist: Julian Martinez

Not on View

Awatovi Birds, Dextra Quotskuyva — Awatovi Birds, 1990
Dextra Quotskuyva

Not on View

vintage print; printed 1940 or before; mounted, matted — Migrant Mother, Nipomo, California, 1936
Dorothea Lange; Depicted: Florence Owens Thompson

Not on View

Charmed Circle of Youth, Esther Moore — Charmed Circle of Youth, late 19th century
Esther Moore

Not on View

Sources of Strength, Jaune Quick-to-See Smith — Sources of Strength, 1990
Jaune Quick-to-See Smith

Not on View

Landscape. Flat landscape with 3 clusters of trees at horizon; telephone poles at horizon in distance; expansive sky, light at horizon. — Cover, 2001
Theresa Handy

Not on View

bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts — Medusa, c. 1854
Harriet Goodhue Hosmer

Not on View

drawer, front center; three shelves on either side — Desk, c. 1928
Ilonka Karasz

Not on View

"Coosh Egg" chair, Andrea Valentini; Manufacturer: OFFI & Company — "Coosh Egg" chair, 2001
Andrea Valentini; Manufacturer: OFFI & Company

Not on View

group of men looking out from behind barbed wire; four men wear striped pants and coats; old man at right leans against a cane — The Living Dead at Buchenwald, 1945
Margaret Bourke-White

Not on View

smock or overlay type of garment; open sides; made of plastic screen material; top portion has overlapping oval shapes edges in pale green, yellow and light blue stitching, with darker blues at edges; floral-like petals on shoulders; back has crocheted blue and white variegated V-shaped inset at neckline; front of neckline has similar V crocheted in yellow and green with slit opening, held closed with hook and eye and white plastic doll's arm; two plastic eggs suspended from underarms at back; some areas have pigments in screen openings — Flight, 1984
Norma Minkowitz

G281

Printed artist's book of black-and-white and gray images collaged with various pages of journal-like entries in cursive and hand-printed script; glossy paper covers; bound with staples; 26 pp. (unpaginated) — Ordinary, Extraordinary, 1980
May Stevens; Publisher: New York: Privately printed

G369

high-heeled platform Mary Jane-style shoes embellished with beading overall; predominately light blue beads with geometric designs; gold, medium blue and dark blue triangles on heels; kiltie extending below strap made of vertical bands of porcupine quills with a black and white checkerboard design at center edged in yellow and red; ten tassels of red feathers and tin cones on kilties; soles of shoes are red; shoes are Lady Daf 160 mm Tartan, designed by Christian Louboutin — Adaptation II, 2012
Jamie Okuma; Designer: Shoes designed by Christian Louboutin

G259

gold background with repeating rows of white hash marks with pink and blue undertones, resembling quillwork; periwinkle, pink, mauve, and blue horizontal bands around outer edges of canvas — Untitled (Quiet Strength I), 2016
Dyani White Hawk

G261

doctor bag-style with metal closure and metal handle; beaded overall with blue ground; geometric shapes on sides (crosses and triangles); one side has scene of two cowboys (one on white and black horse and one on rust-colored, white and yellow horse) roping blue and red steers; opposite side decorated with three Native American figures with teepee; horse in LLC and horses' heads around top and L sides; lined in light green — Suitcase, 1880-1910
Nellie Two Bear Gates

G261

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

G375

corner of white room with narrow mirror leaning against wall; hardwood floor; unframed — August, 1974
Sylvia Plimack Mangold

G322

light box with back of woman lying down; diagonal scar with fringe down her back — Fringe, 2007
Rebecca Belmore

G374

black openwork barbed wire cube with 8" sections repeated — Cube (9 x 9 x 9), 2008
Mona Hatoum

G373

abstracted image with figure in LRC with well-defined face; figural elements in LLC; predominately yellow with tans, browns and cream in LLC, blue in top center, and orange and pink in ULC; grey strip frame — Tempest in Yellow, 1956
Dorothea Tanning

G376

Landscape. — Pedernal -- From the Ranch #1, 1956
Georgia O'Keeffe

Not on View

%C2%A9 Elizabeth Osborne

Woman in Belgravia Hotel, 1969

Elizabeth Osborne

G322

abstract landscape-like imagery; grey, black, and dark pink rolling forms with scalloped cloud-like shapes in foreground — Black Place I, 1945
Georgia O'Keeffe

G301

The Artist's Daughter, Julie, with her Nanny, Berthe Morisot — The Artist's Daughter, Julie, with her Nanny, c. 1884
Berthe Morisot

G351

standing woman with Afro hair wearing a colorful top and orange pants; PL hand rests on hip and a gold bracelet on PR wrist; stands in a corner with a mirror on left side; reflection of woman in the mirror with varnished brown background; blue floor with thin, gold border — Renoir, 1968
Marcia Marcus

G322

Genre. — Halloween, c. 1920
Clara Gardner Mairs

G302

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background. — The Wash, 1950s
Clementine Hunter

G304

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR. — Picking Cotton, 1950s
Clementine Hunter

G304

Portrait. — Self Portrait, 1923
Frances Cranmer Greenman

G303

round glass vase with white, pink and maroon roses; maroon and pink roses lying outside of vase in lower left; grey ground — Vase of Roses, early 1870s
Eva Gonzales

G351

woman with bare legs and feet at right wearing green skirt with black lace trim and blouse with stripes under a red short sleeved jacket with a black and green lace collar, holding a tiny blue teacup in her PL hand and a toy animal in her PR hand, reclining against a landscape element with swirling fragments of animal heads and sea creatures; low table at left with blue and white striped tablecloth, with three chairs with elaborate white backs and cushions of various colors; various objects on table including a dish with tiny white toy animals, pair of glasses, fruits, shell, note with text ("Twinkle, Twinkle, Little Bat..."), tall white teapot, red and white oil lamp; tailless cat in LLC in front of table with blue eyes and zebra-like stripes — The Tea Party, 1943
Sylvia Fein

G376

six pale figures with white hair, wearing dark clothing, seated and standing around a table; another figure emerging from a curtain at right; transparent insect figures in scattered through image; dark interior; Surrealist style — Dear Diary—Never Since We Left Prague, 1955
Leonora Carrington

G376

portrait of a man with black hair and curling sideburns, wearing a red headscarf, short maroon jacket with elaborate gold trim and buttons with maroon laces across chest, matching maroon pants, white blouse, and green cummerbund, with a colorful Mexican blanket over his PL shoulder and holding a brown hat in his PL hand; green walls; Southwestern landscape through window in URQ, with bouquet of orange, purple, and yellow flowers in a vase on windowsill; portion of a portrait of a mother and child on a shelf in ULC — Portrait of José Mojica, 1928
Macena Barton

G322

boy with blonde bobbed hair wearing a blue shirt, seated at a worktable with brushes, glass, and fruit — The Study of Drawing: Portrait of Yves Österlind, Age Nine, 1901
Louise Catherine Breslau

G315

Portrait. 1929 frame — Portrait of Our Nurse, Margaret Burgess, 1929
Florine Stettheimer

Not on View

Untitled (Yabure), Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis — Untitled (Yabure), 1992
Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Untitled (Color Blend), Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis — Untitled (Color Blend), 1992
Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Seven wool ikat strips, linen warp and wool weft. Vendor Textile Arts Alliance, Inc., 1721 Mt. Curve Ave., Minneapolis, MN 55403 $5,845.00 — Wool Blind, 1976
Lynn Klein

Not on View

Angel, Lois Lane — Angel, 1982
Lois Lane

Not on View

Mono Lake, Jana Freiband — Mono Lake, 1983
Jana Freiband

Not on View

pieced quilt (stored in box) in Double Irish Chain — Bedcover, c. 1935
Bertha Green

Not on View

Lounge Chair, molded birch plywood — "LCW" chair (Lounge Chair Wood), c. 1950–1955
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

Side Chair, molded birch plywood — "LCW" chair (Lounge Chair Wood), c. 1950–1955
Charles Eames; Artist: Ray Eames; Designer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

wood; red, white, yellow and blue lacquered Masonite; steel — "ESU" room divider (Eames Storage Unit), c. 1950
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

"DCM" chair (Dining Chair Metal), Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923 — "DCM" chair (Dining Chair Metal), c. 1955
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

"CTW" table (Coffee Table Wood), Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923 — "CTW" table (Coffee Table Wood), c. 1955
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

black leather and framing; six segmented seat pads with two loose rectangular pillows — Chaise, 1968
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

laminated birch; molded plywood w/rubber shocks — "DCW" chair (Dining Chair Wood), 1946-1949
Charles Eames; Designer: Ray Eames; Manufacturer: Evans Products Company, Molded Plywood Division, Venice, California, 1943-1949

Not on View

Molded fiberglass body, steel legs — Plastic armchair with "Eiffel Tower" base, c. 1950
Charles Eames; Designer: Ray Eames; Manufacturer: Zenith Plastics, Gardena, California; Distributor: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

"DCM" chair (Dining Chair Metal), Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923 — "DCM" chair (Dining Chair Metal), c. 1955
Charles Eames; Designer: Ray Eames; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

On the Road to San Juan Chamula, Chamula Boy Carrying Burlap Bag of Pine Boughs for a Ceremony (Tzotzil), Gertrude Duby Blom — On the Road to San Juan Chamula, Chamula Boy Carrying Burlap Bag of Pine Boughs for a Ceremony (Tzotzil), 1946
Gertrude Duby Blom

Not on View

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