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image of a male figure, bare chested and wearing underwear, on left; nude statue on right with drapery around shoulders and around PL arm; darkened background; black band along left edge

Untitled (Male Torso with Statue), c. 1936-1939

Lionel Wendt

G211

hazy image of a piano with abstract ripples of water running vertically down the left side

Untitled (Piano, Water, and Sea), c. 1935

Lionel Wendt

G211

abstract, colorful image; squiggly, thick linear design in multicolored pigments of blue, green, yellow, red and purple; heart shape in upper left quadrant in green, yellow and red colors; white bird with wings extended in bottom center; eye shape in middle; two stars on right edge- a green star on middle center, a red star in LRC

%C2%A9 Estate of Beauford Delaney %2F Derek L. Spratley%2C Esq.%2C Court Appointed Administrator

Untitled, 1947

Beauford Delaney

G376

central painted panel with geometric shapes including abstracted letters, in various bright multicolors (predominately warm colors at left, cool colors at right), surrounded by a white frame; outer band of beadwork in predominately red, black, and blue with white text: "WHAT WE WANT / IS FREE"; outer white frame

WHAT WE WANT IS FREE, 2020

Jeffrey Gibson

G261

%C2%A9 The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

wide shoulder with vertical neck and scalloped rim painted terra cotta; white ground with dark brown step pattern below waves along shoulder

%C2%A9 Franklin Peters

Red Base, Scalloped Top with Waves, 2014

Franklin Peters

G260

white ground with four central pattern vinettes in dark brown; terra cotta on foot and inside mouth; central pattern with two square swirls vertically and one rounded swirl on each side; step pattern around exterior

%C2%A9 Franklin Peters

Black/White with Red Base, 2014

Franklin Peters

G260

Two men lying on rocky outcrop, one on his back in a blue shirt, the other on his stomach in a white shirt; blue sky and clouds at UR. Frame: painted black with open carving of birds and flowers.

%C2%A9 2009 Kehinde Wiley

Santos Dumont - The Father of Aviation II, 2009

Kehinde Wiley

G374

children kneeling in a loose circle against a cobalt blue background with constellation patterns

%C2%A9 Estate of Martin Wong

Polaris, 1987

Martin Wong

G369

Landscape. Architecture.

Church at Head Tide #2, 1938–1940

Marsden Hartley

Not on View

Seated Angel, 1883

Simeon Solomon

Not on View

%C2%A9 Estate of Pavel Tchelitchew

Portrait of Monroe Wheeler, c. 1945

Pavel Tchelitchew

Not on View

Allegorical Self-Portrait, 1873

Simeon Solomon

Not on View
abstracted angel- or bird-like form with five ovoid openings at bottom; three looping forms on each "wing" with different sized polka dots

Copyright of the artist%2C artist%27s estate%2C or assignees

A Patriotic Spectacle, 1945

Dudley Huppler

Not on View
black-and-white image of head and shoulders of black woman with tall lobed hairstyle in LRC in front of a wall with a lamp at center

%C2%A9 Zanele Muholi

Sasa, Bleecker, New York, 2016

Zanele Muholi

Not on View
Black woman wearing a houndstooth jacket with her hands in her pockets, leaning against a wall

Andrea, 54, Minneapolis, MN, 2016

Jess T. Dugan

Not on View
black and white image of a long, slender pumpkin/ gourd with a simple white background; mounted on backing board

%C2%A9 Estate Dudley Huppler

Cocozelle Squash (or Vegetable Marrow Squash), 1948

Dudley Huppler

Not on View
black and white image; dark bird with light gray head rests on top of a pitcher in the linkness of a cow wearing a white dress with a neck tie and ruffled hem

%C2%A9 Estate Dudley Huppler

Cowbird on Cow Pitcher, c. 1948

Dudley Huppler

Not on View
image of three trees planted in a row; left tree has four separate segments that are conical and recede in size toward the top; center tree is a single cone shape; tree on the right has spiraling foliage winding around the trunk; each tree is planted in a mound of grass

%C2%A9 Estate Dudley Huppler

Three Orders of Italian Trees, 1953

Dudley Huppler

Not on View
black-and-white image; profile view of a man shot hair gazing toward PR

%C2%A9 Estate Dudley Huppler

Ralph Pomeroy the Poet, 1955

Dudley Huppler

Not on View
colored image of a peeled banana lying on a wooden sofa, propped up with a green bolster pillow; yellow and white dots surround sofa

%C2%A9 Estate Dudley Huppler

Nude Banana on Sheraton-Style Sofa, 1981

Dudley Huppler

Not on View
male figure in red loincloth is tied to a tree; arrows lodged in PL thigh, chest and in various areas of the tree; darkened landscape with moon in the URQ

%C2%A9 Karl Priebe

Saint Sebastian, 1941

Karl Priebe

Not on View
black and white; slender black cone-shaped vase with white downward-facing chevron pattern; oval dark grey shadow below vase; grey horizon line with downward gradient across image at same height as top of vase; gathered flowers (carnations) in bunch at top of vase facing many different directions; light grey/white band above horizon line

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

Carnations, 1984

Robert Mapplethorpe

Not on View
red ground; three lines of musical notation in yellow; purple dancing figures above and between lines of music; blue text and bottom

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York%0D%0A%C2%A9 The Keith Haring Foundation

20th Montreux Jazz Festival, 1986

Andy Warhol; Designer: Keith Haring; Printer: Serigraphie Uldry, Bern, Switzerland; Publisher: Montreux Jazz Festival, Montreux, Switzerland

Not on View
Woman sitting in armchair with legs tucked under. She wears a black spotted skirt, black hat and tie around her neck; black wood, flat profile frame

%C2%A9 David Hockney %2F Gemini G.E..L.

Celia in an Armchair, 1980

David Hockney; Printer: Gemini G.E.L., Los Angeles; Publisher: Gemini G.E.L., Los Angeles

Not on View
diptych mounted vertically; top section (a) is Cubist-style head of a man with curly brown hair and blue eyes, wearing a dark blue and white striped shirt, with one hand on his chin and another holding a cigarette near the PL side of his head; bottom section (b) is man's lower body, with hands next to hips, legs crossed, with brown shoes; grey and white frame with sculptural elements; collage elements on a

%C2%A9 David Hockney

An Image of Gregory, 1984-85

David Hockney; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
Scribbled horizontal lines at bottom; separate sheet taped at top center

%C2%A9 Cy Twombly Foundation

Untitled, 1971

Cy Twombly

Not on View
Lion and lioness in landscape

Royalty at Home, 1885

Rosa Bonheur

Not on View
Landscape. Abstracted. Painted frame

%C2%A9 1981 Hollis Sigler

You Remember How Very Special the Moment Was, 1981

Hollis Sigler

Not on View
Study for a modern dance poster

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Study for "New Dance Ensemble" Poster, 1982

Harmony Hammond

Not on View
Wood artist's palette with mixed oil colors. Small scene of deer in forest painted in center.

Palette, 19th century

Rosa Bonheur

Not on View

Robert Rauschenberg%2C Untitled%2C 1968 %C2%A9 Robert Rauschenberg Foundation

Untitled, 1968

Robert Rauschenberg

Not on View
includes a hand-drawn mat

%C2%A9 1982 Hollis Sigler

They were Right, They are Perfect, 1982

Hollis Sigler

Not on View
includes a hand-drawn mat

%C2%A9 1982 Hollis Sigler

There is a Doubt, She Could be Right, 1982

Hollis Sigler

Not on View
shirtless young man; eyes wide

%C2%A9 Arthur Tress. All rights reserved.

Boy in Brambles, N.Y., 1969

Arthur Tress

Not on View
man wearing only work gloves and boots; PR leg on tree stump; saw between legs

%C2%A9 Arthur Tress. All rights reserved.

Lumberjack Fantasy, Woodstock, 1978

Arthur Tress

Not on View
back view of a nude black man seated on a curved leather stool

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

Ken Moody, 1983

Robert Mapplethorpe

Not on View
large color portrait of a woman in purple dress and purple eye shadow seated on sofa covered with bright sheet and animal print pillows; gold and white striped carafe and stem glass on table in front of her at L, with shards of broken glass on table at front; orange wall in background decorated with two records; artificial plant behind woman, against wood paneling

%C2%A9 Mickalene Thomas %2F Artists Rights Society %28ARS%29%2C NY

Portrait of Qusuquzah, 2008

Mickalene Thomas

Not on View
large vase with chrysanthemums at center; small, irregularly shaped rock at lower R; standing vessel with two objects at R

Chrysanthemums and Scholar's Rock, early 20th century

attributed to Okuhara Seiko

Not on View
blossoming grey orchids with black and grey foliage at center of fan; lines of text at L and R; rectangular relief stamp URC; rectangular intaglio stamp with rounded edges L center

Orchids, 1870

Okuhara Seiko

Not on View
black and white photograph of a nude man crouched in front of a grey ground and a white diamond shape

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

Thomas, 1987

Robert Mapplethorpe

Not on View
black and white photograph; front 3/4 view of white calla lily with some view of the stem; black background

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

Calla Lily, 1987

Robert Mapplethorpe

Not on View
standing young person from waist up with PL side to camera, on L side of image; s/he has arms crossed on chest and is wearing plaid shirt; white wood frame with museum glass

%C2%A9 Zanele Muholi%2C Courtesy Yancey Richardson Gallery

Siya Kolela, Makhaza, Khayelitscha, Cape Town, 2011

Zanele Muholi

Not on View
nude figure with wet hair; standing between two rows of trees and statues

%C2%A9 Arthur Tress. All rights reserved.

Hermaphrodite, East Hampton, 1973

Arthur Tress

Not on View
statue in foreground; man imitating statue in background

%C2%A9 Arthur Tress. All rights reserved.

Man with Classical Statue, Pojo, CA, 1994

Arthur Tress

Not on View
tan wash in background; thick black lines and curves; blue forms; torn from notebook

%C2%A9 Estate of Beauford Delaney %2F Derek L. Spratley%2C Esq.%2C Court Appointed Administrator

Abstract Composition, 1955

Beauford Delaney

Not on View
Yellow ground; irregular turquoise and pink forms throughout; greenish tint in ground areas

%C2%A9 Estate of Beauford Delaney %2F Derek L. Spratley%2C Esq.%2C Court Appointed Administrator

Ciel (Sky), 1960

Beauford Delaney

Not on View
abstract image; white ground with multicolored streaks and irregular shapes; wavy, irregular lines of thick green pigment over swirled colors

%C2%A9 Estate of Beauford Delaney %2F Derek L. Spratley%2C Esq.%2C Court Appointed Administrator

Untitled, 1954

Beauford Delaney

Not on View
bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts

Medusa, c. 1854

Harriet Goodhue Hosmer

Not on View
abstracted figure wearing brown boots, black shirt and blue-grey pants seated on a chair in the corner of a room with blue walls and tan floor

%C2%A9 The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Self-Portrait, 1984

Francis Bacon; Publisher: Marlborough Graphics, New York

Not on View
six abstract "creatures" in pastel colors; six titles listed below

%C2%A9 Estate Dudley Huppler

The Ravening Beasts, 1944

Dudley Huppler

Not on View
black and white etching of a dark, non-descript room; figure covered with a white sheet stands to the PL of a short, male figure with dark pants and a white shirt, PL hand in the pocket of his pants

%C2%A9 David Hockney

The Sexton Disguised as a Ghost Stood Still as Stone, 1969 (published 1970)

David Hockney

Not on View
black and white image of a small creature with round dark eyes and large, looped ears; round mushroom-shaped body with geometric shapes

%C2%A9 Estate Dudley Huppler

The Bug of Marianne Moore, 1945

Dudley Huppler

Not on View
young person viewed from lower torso up; wearning v-neck cardigan sweater and collared polo shirt; serious expression

%C2%A9 Zanele Muholi%2C Courtesy Yancey Richardson Gallery

Lumka Stemela, Nyanga East, Cape Town, 2011

Zanele Muholi

Not on View
Six-color etching and screenprint with chine collé and hand-cut gampishi oversheet: The first plate is printed in light green, light blue, light brown, and light gray inks from an aquatint with a brown chine collé element. The second plate is printed in black ink with etching, sugar-lift, spit-bite, drypoint, scraping, burnishing with the two lower comers cut at diagonals and reassembled after inking and prior to printing. The oversheet is white gampishi which was screenprinted. 136 diamond shapes were hand-cut according to placements designated by the artist and attached using 10 diamond shapes cut from BEVA in placements designated by the artist. The gampishi oversheet being attached at irregular intervals will dynamically respond to its environment with changes described by the artist as "expected and welcome." To allow movement and protect the oversheet from damage, each print was mounted using kozo-shi strips to museum board with an 8-ply museum board window overmat.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

Winter Speaks, 2015

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View
Woodcut: Hand-printed in dark blue with a barren on a sheet of white gampi from laser-cut luan plywood created from the artist's drawing and mounted to the Revere Silk sheet with wheat starch. Intaglio: Two steel-faced copper plates drawn by the artist using sugar-lift, spit-bite, scraping, burnishing, and extensive drypoint using sandpaper, twisted scribes, and scrapers printed in black ink. Screenprinting: Solid light blue shapes created using Rubylith material per colored paper shapes cut by the artist printed after the prints were dried and flattened. Digital: Digital pigment printing on white gampi from the artist's drawing on tracing paper adhered to BEV A conservation film and cut by a programed knife cutter and applied to the print with heat. Of Summer is the second print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four print series concerning the four seasons. To match the presentation of the first print, Winter Speaks, each Of Summer print was mounted using kozo-shi strips to museum board with an 8-ply museum board window over mat.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

ɹǝɯɯnS ɟo, 2016

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View
• Digital pigment print of scanned green floral drawing on verso of the Somerset Velvet paper. • Digital pigment print of scanned Sumi ink drawing printed onto Asuka paper. • Asuka hand-cut and chine colléd onto the Somerset Velvet paper, prior to intaglio. • Intaglio from one steel-faced copper plate drawn by the artist using aquatint, spit-bite, sugar-lift, and drypoint in black ink. • Screenprint in light gray on Coventry Rag paper. Screenprint in blue on museum board. • Butterfly element made of gampi holographic foil, stainless steel wire, and BEVA conservation film. • Coventry Rag border cut and adhered to Somerset Velvet intaglio print using BEVA conservation film and gampi paper. • Three-dimensional elements hand-cut and folded forward to the artist's specifications. • Coventry/Somerset print attached to museum board using BEVA conservation film and gampi paper. • lnserted the hand-cut and folded butterfly element through the museum board and attached with BEVA conservation film and gampi paper. Finally is the third print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four-print series concerning the four seasons.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

Finally, 2017

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View
Seventy-nine color print with lithographic, relief, screen and pigment printing with hand-cutting, collage, and metallic foil. Printing order: Coventry Rag: A gradation from light gray on the left to medium gray on the right was digitally pigment printed and seven colors (3 golds, copper, red, yellow, and orange) of foil were applied individually using metal leaf size screenprinted through screen stencils created from the artist's drawing. Kozo-shi: 92 shapes in 62 colors printed from 14 lithographic plates and one run of blended color screenprinting. The plates were created by relief printing black ink from wood panels onto tracing paper. The artist selected shapes from the printed tracing paper which were used to create photolithographic plates. After the lithographic plates were printed, an overprint of gradated screen ink transitioning from clear on the left side to transparent black on the right was applied. The printed kozo-shi was cut into strips and mounted on the printed Coventry Rag sheets using BEVA film adhesive. The kozo-shi mounted on the Coventry Rag was then screenprinted with eight colors (3 metallic golds, metallic copper, metallic bronze, red, orange, and yellow) through screen stencils created using the artist's drawings.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

Bringing in the Ghosts, 2019

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View
32-color screenprint and lithograph co-published by Highpoint and the Walker Art Center produced from computer files and drawings by the artist hand-printed from photosensitive screens and lithographic plates. The four lithographic elements were retained for possible reworking and inclusion in separate project.

Copyright %C2%A9 Julie Mehretu%2C published by Highpoint Editions and Walker Art Center

Entropia (review), 2004

Julie Mehretu; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View
A four-color lithographic print with chine collé published by Highpoint Editions. Four lithographic drawings by the artist were printed from lithographic plates on four pieces of gampi paper. The four separate gampi sheets were layered using wheat starch paste and then attached to the Somerset backing sheet, also using wheat starch paste. Entropia: Construction is related to an earlier work co-published in 2004 by Highpoint Editions and the Walker Art Center, Entropia (review). Three drawings previously used in Entropia (review) were merged with a fourth new drawing by Julie Mehretu to create Entropia: Construction. There are no further variants or prints using these drawings.

Copyright %C2%A9 Julie Mehretu%2C published by Highpoint Editions

Entropia: Construction, 2005

Julie Mehretu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
bathroom scene; male figure wearing white underwear, stands in front of a white claw foot bathtub looking to the PR, with PR arm across his chest; PL wrist is bound with a red string or rope and attached to another nude figure in a jumbled, compromised position, draped over the edge of the bathtub; both bodies appear to have been wounded, with suggestions of bloodstains on the edges of the bodies and the bathtub; chair on the right center edge; stool with green fabric draped over it in LRQ; yellow bath mat on a brown tiled floor; yellow walls and blue shower curtain

%C2%A9 Hugh Steers %2F Artists Rights Society %28ARS%29%2C New York

Tied at the Wrist, 1988

Hugh Steers

Not on View
interior kitchen scene; seated figure in red shorts and a white t shirt, cigarette in PR hand, while PL hand holds a pink cup resting on a table; standing figure in a suit holding a stack of money in both hands; stove and sink on center left

%C2%A9 Hugh Steers %2F Artists Rights Society %28ARS%29%2C New York

The Smoker's Dilemma, 1990

Hugh Steers

Not on View
medium-toned wood panel with five rows of round wooden pegs; rectangular opening at bottom center with painted half-length image of a woman with dark hair seen from back, looking over her PR shoulder, wearing a transparent green corset-like garment with spikes; rectangular painted element at top center with wavy red lines intersected with shorter vertical red lines against a flesh-colored ground

Bodice, 1992

Riva Lehrer

Not on View
white budded cross with a white cloth tied around it, placed in the C in a flat landscape; blue sky across top

Thomas Merton's Grave, 2021

Math Bass

Not on View
Spit-bite aquatint, drypoint, and burnshing printed in black ink on gray Rives BFK with white Shikibu #1 chine collé.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: I, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

Not on View
Drypoint, burnshing, and cutting with a jewelers saw printed in black ink on white Arches Cover paper.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: II, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

Not on View
Two plate intaglio. One plate created with spit-bite printed à la poupée on natural Kaga gampi chine collé in green, gray, and tan inks on bright white Hahnemühle paper. The second plate was created with drypoint and burnshing and printed in black ink.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: III, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite aquatint printed in blue on pale gray Domestic etching paper with natural gampi chine collé.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: IV, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

Not on View
portrait of the head and upper back of a greyhound with light brown fur, with its head turned toward PL; reddish brown ground; dog wears a double chain collar with a tag: R.B.; received in gilt frame

Portrait of a Greyhound Dog, c. 1865-1868

Rosa Bonheur

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Target, 1967

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View
Ten screenprinted acrylic panels mounted in a slotted Plexiglas base, enclosed within a stainless steel cover.. Conceived as a three-dimensional "book" whose photomontaged pages (panels) can be moved and rearranged as desired.

Robert Rauschenberg%2C Opal Gospel%2C 1971-1972 %C2%A9 Robert Rauschenberg Foundation

Opal Gospel, 1971

Robert Rauschenberg; Publisher: Racolin Press, Briarcliff Manor, New York; Producer: Styria Studio, New York

Not on View
A book of five texts by Samuel Beckett and 33 etchings by Jasper Johns; binding: linen covered binder with liner of "Hatching" lithograph, printed in four colors with purple tassle; type: Caslon Old-Face 16 pt.; hand-printed by Fequet & Baudier, Paris

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Foirades/Fizzles, 1976

Jasper Johns; Author: Samuel Beckett; Publisher: Petersburg Press Ltd., London

Not on View

%C2%A9 David Hockney

Celia in a Wicker Chair, 1974

David Hockney; Publisher: Petersburg Press, New York

Not on View

Robert Rauschenberg%2C Signs%2C 1970 %C2%A9 Robert Rauschenberg Foundation

Signs, 1970

Robert Rauschenberg; Printer: Styria Studio, New York; Publisher: Castelli Graphics, New York

Not on View

Art %C2%A9 Jon F. Anderson%2C Estate of Paul Cadmus %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

YMCA Locker Room, 1934

Paul Cadmus

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Ale Cans, 1964

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

%C2%A9 David Hockney

Wayne Sleep, 1969

David Hockney; Printer: Maurice Payne, London

Not on View
Title page from a portfolio of eight screenprints

%C2%A9 Cy Twombly Foundation

Untitled, from 8 Odi di Orazio, Series I, 1968

Cy Twombly; Publisher: Published and printed by Edizioni Sergio Tosi, Milan, Italy

Not on View
Plate 11 from Six Fairy Tales from the Brothers Grimm

%C2%A9 David Hockney

The Lake, 1969 (published 1970)

David Hockney; Printer: Print Shop, Amsterdam; Publisher: Petersburg Press, New York

Not on View

Robert Rauschenberg%2C Commemorative Artwork %28AFL-CIO Centennial%29%2C 1981 %C2%A9 Robert Rauschenberg Foundation

Commemorative Artwork (AFL-CIO Centennial), 1981

Robert Rauschenberg

Not on View
From a suite of four prints

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Ladder IV, 1981

Harmony Hammond

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Fan Lady Meets Cactus Lady, 1981

Harmony Hammond

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Fan Lady Meets Cactus Lady, 1981

Harmony Hammond

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Fan Lady Meets Cactus Lady, 1981

Harmony Hammond

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Fan Lady Meets Cactus Lady, 1981

Harmony Hammond

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Chicken Lady, 1985

Harmony Hammond; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

She Always Thought She Was Wrong, 1982

Hollis Sigler

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

There Is a Doubt, She Could Be Right, 1982

Hollis Sigler

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

She Was Tired of Filling Her Heart with Hopeless Dreams, 1982

Hollis Sigler

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

They Were Right, They Are Perfect, 1982

Hollis Sigler

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The New Dance Ensemble, 1982

Harmony Hammond

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Paul Wadina, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Voice, 1966-1967

Jasper Johns

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Light Bulb, 1966

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View
numeral "2" in gray tones

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Figure 2, 1963

Jasper Johns

Not on View
white ground with four rows of squared swirls in tight linear maze pattern; wide, round shape with no neck and small mouth

%C2%A9 Franklin Peters

Mazes Seed Pot, 2014

Franklin Peters

Not on View
white ground with terra cotta and dark drown detail; wide shoulder with short vertical neck and wide mouth; small foot; terracotta band around neck with dots below central pattern is geometric in terra cotta color and stylized vegetal forms in dark brown

%C2%A9 Franklin Peters

White, Orange with Flowery Leaves, 2014

Franklin Peters

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Abstraction.

%C2%A9 Cy Twombly Foundation

Untitled, 1970

Cy Twombly

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man wearing black leather mask, black leather strap across upper torso, and black underwear standing in front of non-descript space; bright blue in upper right quadrant and upper left quadrant with gradated white and pink background

%C2%A9 2017 Joe Sinness

Chris, 2017

Joe Sinness

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