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House Group, the evening meal; polychrome; terra cotta group representing a two-story house with canopy roof on piles and 11 figures occupied with various household tasks on two levels an upper terace and a lower, enclosed room with a wide doorway; on each of two sides a stairway of five steps leads from the base to the upper level; the surface is decorated in polychrome (red, yellow, black) with geometric designs lozenges interlocked and wavy stripes; the piece is much weathered and has been extensively restored

House Group, c. 100-400

Nayarit

G260

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

G260

green, tan and white mottled stone; top carved with squat figure with long plaited beard; red pigment in crevices of carving

Celt, c. 500-750

Costa Rica

G255

stone figure with red pigment stands on black wood base with hands touching index figure to thumb; face incised on either side with rectangular markings; headdress crowns figure with large ear ornaments; small drill hole in center of chest

Chalchiuhtlicue, c. 1200-1521

Aztec

G260

standing figure of green jade; short legs and short arms; frowning expression; wide nose; large incised blank eyes; pierced ears

Figure, 900-300 BCE

Olmec

G255

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery

Figure, c. 600-750 CE

Nopiloa (Veracruz)

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Family, 1936

Rufino Tamayo

G322

reddish ceramic jar with incised decoration on four sides; groove design feature, around lip indicates the jar has a screw on cover

Chocolate Pot, c. 750

Maya

Not on View

%C2%A9 Luis Gonz%C3%A1lez Palma%2C Courtesy of Schneider Gallery

Amerika, 1990

Luis González Palma

G255

covered pot with incised design around dome-shaped lid, central knob with hole through center; body has straight sides rising from sharply slanting bottom; 4 decorative rectangles with incised design on sides; pottery-beige clay with burnished brown slip

Serving Vessel, c. 600-900 CE

Maya

G260

Seated female figure, legs missing, wearing a short apron-like garment terminating at the knees. Upper body clothed in a laced jerkin suggested by applied rolls of clay. Wide bands of clay form a turban headdress and wristlets. A thick roll of clay with ball pendant makes the necklace and a ball of clay serves as a nose ornament. There are traces of painted bands around the eye sockets, and around the slit mouth. Ear plugs and rings. The hands, resting on knees, are sketchily modeled. Restored at neck.

Figure, 500-799

Nopiloa (Veracruz)

G255

miniature figure of a Man with a Rattle; lost wax casting in gold; this figure was found in the South Central region of Costa Rica, near the town of Buenos Aires

Pendant, 8th-15th century

Ngäbe or Guaymí

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Casa arruinada, 1929

José Clemente Orozco

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

El requiem, 1928

José Clemente Orozco; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

G255

Vessel with figure band painted around the outside and interior is painted as well. Red, brown and orange throughout.

Vase, c. 800 - 900 CE

Maya

G260

Small seated dog with short pointed ears and a short tail, curling over on top; uneven incised eyes

Dog, c.100-300 CE

Colima

Not on View
Face with small sunken eyes, flat nose, moustache and open mouth with tongue sticking out; wearing headband with quatrefoil medallion at front

Mask, c. 250-600

Maya

G260

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Head of a Young Girl, c. 1940-50

Attributed to Diego Rivera

G255

Abstracted landscape; red-brown mountina shape with lines, "cracks"; mottled blue-black sky; pale yellow moon orb

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Paisaje con luna, 1977

Rufino Tamayo; Printer: Taller de Gráfica Mexicana, Mexico City (now Mixografia, Los Angeles); Publisher: Taller de Gráfica Mexicana, Mexico City (now Mixografia, Los Angeles)

G255

human face with long ears; open mouth with teeth; red linear designs

Mask, c. 900-300 BCE

Olmec

G255

Large, white canvas with crisscrossing pencil grid lines; abstract, quilt-like motif following gridlines at center of canvas, bursting into grid in greens, blue, yellow, and gold leaf

%C2%A9 Gabriel Orozco

Untitled, 2016

Gabriel Orozco

G255

torso and arms of a woman wearing a sweater, skirt, and shirt with horizontal stripes of various widths, in front of a plaid fabric panel, holding a framed photograph of a young woman wearing a headscarf and vertically striped blouse, with a horizontal line across her cheeks and nose and geometric designs on her cheeks

%C2%A9 Graciela Iturbide

Retrato Seri, 1979

Graciela Iturbide

G255

wool weft, cotton warp; border enclosing varigated background with central diamond motif; red, blue, yellow and white colors

Saltillo Serape, c. 1750-1800

Mexico

G260

Whistle in the form of a Dignitary; Island of Jaina style. Figure stands with arms crossed and feet spread well apart. The costume consists of a short, two-tiered skirt with a wide panel descending to feet in center front. Stylized hair with feathered headdress, pectoral, earrings. The face is well modelled, with arched nose and flattened brow. A whistle, modelled in left shoulder blade, makes clear musical note when blown. Painted in blue, red, black,and white. An unusually fine example.

Whistle, 600-900

Maya

Not on View
Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

Not on View
red cotton plain weave; ikat stripes (yellow, black, green)

Woman's skirt (Corte), 20th century

Maya

G260

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La Bandera, 1928

José Clemente Orozco; Printer: George C. Miller

G255

Olla, red and black on buff, with a design of scrolls on a horizontally hatched ground, triangles, and stepped motifs. Bottom scorched, paint worn in some areas, Casas Grandes type, rim restored. Ramos polychrome. Tardio phase.

Pot (Olla), c. 1000-1300

Paquimé (Casas Grandes)

G255

Pendant, 9th-15th century

Diquis

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La retaguardia, 1929

José Clemente Orozco; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

G255

black stone; carved with glowering figure

Celt, c. 500-750

Costa Rica

G255

Copyright of the artist%2C artist%27s estate%2C or assignees

Mujer de Taxco, 1937 (1947 edition)

LuĂ­s Arenal; Publisher: Associated American Artists, New York

G255

Small one panel huipil; red ground with purple, yellow and brown warp stripes, supplementary weft patterning; design consists of rows of zoomorphic figures in same colors as stripes plus deep purple.

Saint's Huipil, 1925-1930

Maya

Not on View
red ground with thin horizontal stripes in white, black; wool (supplementary weft patterning?) at ends; white cotton fringe

Man's Sash, 1965-1970

Maria Ruiz

Not on View
Squatting male figure, with PL hand on knee and PR hand on thigh; short hair in circular curls; brown lines on face, arms, chest, stomach, legs and buttocks

Figure, c. 800-1100

Guanacaste

Not on View
mottled green, white and black stone; abstracted bird handle

Celt, c. 500-750

Costa Rica

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Niña a la Puerta, 1960

Rufino Tamayo

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Desnudo en gris, 1959

Rufino Tamayo

Not on View
Jesus on the cross, with 2 birds near his arms and 2 mice at top; Joseph kneeling on PR, holding a cup; Mary standing at PL, hands folded

The Crucifixion, mid 20th century

Mexico

Not on View

The Procession, c. 1890-1895

José Guadalupe Posada

Not on View
square two-paneled huipil with wide-looped rayon stitch embroidery; bright pink stitching around neck and arm holes; bright colored cross-stitched stripes running down each side and back

Woman's blouse (huipil), c. 1998

Tzeltal

Not on View
wide sash with triple black, red and black stripes, with multicolored acrylic brocade on both ends

Man's Sash, c. 1980

Tzotzil Maya

Not on View
white two-paneled cotton pants, woven; white cotton drawstring

Man's Pants, c. 1980

Tzotzil Maya

Not on View
one paneled black skirt with five white cotton stripes

Skirt, c. 1930

Tzotzil Maya

Not on View
red striped, with stripes in purple, dark and light green, blue and light blue, yellow, orange, peach, pink and indigo blue with ikat designs; sleeves, cuffs and collar woven apart and sewn to main body

Saint's Shirt, c. 1975-1980

Maya

Not on View
two-paneled red striped cotton; stripes in purple, dark and light green, orange, peach and indigo blue ikat designs

Saint's Shirt, c. 1965

Maya

Not on View
embroidery on nearly half of belt in blue, pinks, oranges, and striped vertically on other half in black and beige; many twisted tassels at each end

Sash (faja), c. 1965

K'iche' Maya

Not on View
one panel; wine red background with white cross; ikat design

Chief's Mantle (Manta de Cacique), 20th century

Mapuche

Not on View
blue supplementary weft patterning; 3 stripes on light brown wool background; vertical 10" long neck opening in central part for head

Man's Manta, 1950-1960

Mapuche

Not on View
supplementary weft patterning and cut; inscription woven in the center with red, purple, blue, yellow silk on white ground

Cloth (tzute), 1895

Maya

Not on View
couple at center; woman at R wears a long lace veil and holds a small bouquet of flowers; man at L wears a fedora and plaid shirt and carries a small plant; women and girls at R and L and behind couple; all figures wear rubber boots

%C2%A9 1993 Jonathan Moller

The Marriage of Juan and Maria, Cabá, Communities of Population in Resistance (CPR) of the Sierra, Quiché, Guatemala, 1993

Jonathan Moller

Not on View
rows of plants at R with hills, partially obscured by low, thick clouds, in background

%C2%A9 1996 Jonathan Moller

Sierra Panimaquín, Totonicapán, Guatemala, No. 10, 1996

Jonathan Moller

Not on View
brimmed straw hat with conical top; clusters of red, green, and yellow ribbons hang over brim and from top; red and yellow silk tassel on top. Textile - Non-Woven

Hat, Date Unknown

Maya

Not on View
White background with geometric brocaded design. Supplementary weft is in burgundy. Black velvet ribbon binding around neckline and arm holes.

Woman's blouse (Huipil), c. 1960

Poqoman Maya

Not on View
Striped sash with 4 selvedge ends; purple, green, blue warp stripes, all of them with small white warp stripes simulating a checkerboard effect; multicolored stripes are intercepted with red stripes.

Man's sash (Faja), c. 1965

Kaqchikel Maya

Not on View
White background with supplementary weft patterning; four stripes and multi-colored geometric brocade.

Cloth (tzute), 20th century

Kaqchikel Maya

Not on View
White cotton background; supplementary weft patterns of arrows, dots, chevron, net in purple, pink, black, magenta, blue and green; four selvedge ends; velvet ribbon applied to neckline and armholes.

Woman's blouse (Huipil), c. 1980

Kaqchikel Maya

Not on View
Red and white vertical striped four panel pants, stripes in orange and green; chevron and arrow designs in red supplementary weft patterning; border of square checks.

Ceremonial Pants, 20th century

Mam Maya

Not on View
Multi-colored apron made from ikat material; one pocket with zipper and two decorative ribbons; edge is cut in scalloes and waist is pleated with two woven ties; pink edging follows scalloped hem; purple cording forms decorative patters along edges, pocket openings and center panel.

Woman's apron, c. 1995

K'iche' Maya

Not on View
white; lower hem decorated with rows of animals and geometric designs in multicolored embroidery; multicolored bands at bottom edge; several rows of diamonds embroidered on reverse

Skirt, Date Unknown

Guatemala

Not on View
red ground with dark blue stripes; embroidered overall with designs and animals in purple, blues, light green and yellow; long, thick maroon tassel at each corner

Head Cloth, Date Unknown

Guatemala

Not on View
Ecru background patterned with variegated dots in red blue and white, rows of animal and bird motifs.

Cloth (tzute), c. 1920

Maya

Not on View
Knitted bag; sections of black and white stripes alternating with two sections of geometric patterning (stars) in white and red on black background and one central section fo zuetzal birds and ? symbols in white and red on blue background; strap is blue and white stripes.

Man's bag, c. 1990

Mam Maya

Not on View
Knitted bag in off-white and black with lion design on one side and horse designs on the other side; strap knotted to a ring made of wood

Man's bag, c. 1985

Kaqchikel Maya

Not on View
One-panel cotton bag with burgundy stripe; geometric patterns in pink, yellow, blue, orange, green.

Woman's bag, c. 1960

Kaqchikel Maya

Not on View
Woven bag; vertical section of multi-colored stripes in purple, yellow, green, and pink.

Man's bag, c. 1985

Kanjobal Maya

Not on View
One panel cotton shirt; silk and cotton brocade; background red with narrow stripes in green, purple; 5 buttons

Ceremonial man's shirt, c. 1960

Kaqchikel Maya

Not on View
Wool knitted bag; off-white with black design of quetzal bird and letters on both sides; wool strap.

Man's bag, 1997

K'iche' Maya

Not on View
One-paneled sash; woven on back strap loom; geometrical designs on both ends woven in the two face brocade technique; chevron lines at ends; red ground alternated with several green-shaded stripes; finely twisted fringe at both ends

Man's sash, 20th century

Mam Maya

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
black ceramic abstract dog in rectagular shape with red eyes and tongue and red trim in the form of diamonds, triangles and circles

Dog still bank, 20th century

Mexico

Not on View
tan pig painted with dark green plants, rust cactus and animals; rust legs and handle; coin slot below handle proper right;

Pig still bank, mid 20th century

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .2 (199/2) L.3/4, Diam. 1-5/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .3 (199/3) L.3/4, Diam. 1-5/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .4 (199/4) L.3/4, Diam. 1-7/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .5 (199/5) L.3/4, Diam. 1-7/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .6 (199/6) L.7/8, Diam. 2-1/4 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .7 (199/7) L.3/4, Diam. 1-7/8 in

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
Elliptical in shape, smoother than the others in the set (not as deeply inscribed). Black/grey in color

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Elliptical in shape. Geometric pattern with two rings around "sides". Brown in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Six panels with three horizontal lines each, a ring around each hole. Brown/black in color incised part is white.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Round in shape. Four eye shapes around center. Brown/red in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Nine vertical lines around the top half of the bead with a circle inbetween every two lines (five circles total). Black/grey in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Black with relief in tan. "V" shaped lines with hash marks between them. Ring around the bottom hole. Flat on one side.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Flat top and rounded bottom. Intricately incised. Red/brown in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Black with a flat top. Four eye shapes around middle with a line that connects them.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Roundest in shape. Stipple design in five circles. Red/black in color

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Flat top with rounded bottom. Geometric swirl design. Deeply incised. Red/black in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Geometric pattern around center. Oval in shape. Black

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Flat on the top rounded bottom. Four rings around center with vertical dashes in-between and on top. Red in color with Tan incising.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
blue and red vertical stripes; buttons down front and at cuffs, collar; set-in sleeves; vertical seam down back

Man's Shirt, 20th century

Tz'utujil Maya

Not on View
two wide blue cotton paneled huipil; woven on a back strap loom; brocaded with large multicolored zoomorphic designs (butterfly, lion, turkey); brocade is woven on the two-faced brocade technique; panels are finished in four selvedge ends; square neckline is cutout and finished with a hand embroidered seam

Woman's blouse (Huipil), c. 1960

Kaqchikel Maya

Not on View
three white paneled huipil woven on a back strap loom; brocaded with vertical zigzag brocaded lightning designs (blue, purple and green stripes); yellow dots spread on the purple background represent human eyes in the darkness

Woman's blouse (Huipil), c. 1990

Q'eqchi' Maya

Not on View
elaborate randa; red background with green, blue and yellow warp strips; two panels are stitched together with randa in yellow, pink, blue, purple; two rows of geometric design at center; small brocaded designs throughout the piece; three selvedges

Cargador, c. 1950

Maya

Not on View
two white panels stitched together; patterns in supplementary weft patterning: at the center, double eagle motif (red, orange, yellow); one edge is hemmed with red and purple stitches; four birds along the hem; central randa in purple and red

Cloth (tzute), first half of the 20th century

Maya

Not on View
two panels; white and red cotton plaid; rows of decorative elements (supplementary weft patterning)--birds and flowers in white, purple and pink silk

Woman's CofradĂ­a Tzute, c. 1930

Maya

Not on View
plaid; two panels joined with red stitches; four selvedges; red background with green, blue fine lines, vertical and horizontal; supplementary weft pattern with rows of birds and other zoomorphic figures in blue, yellow, green, pink, white, purple and pink; stylized floral motifs and geometric patterning at both borders

Cloth (tzute), 1960

Maya

Not on View
two panels joined together with red randa; two ends hemmed; off-white ground with wide beige and white warp stripes, divided by narrow blue and yellow stripes

Cargador, 1920-1930

Maya

Not on View
two panels stitched together with purple, orange, green, yellow, white, purple randa; background of stripes--red, blue, ikat red and blue; two rows of zoomorphic figures--double-headed eagle, rooster, turkey and copulating deer; three selvedges

Ceremonial Tzute, c. 1910-1920

Maya

Not on View
bowl made from lower portion of a gourd; interior beaded with two birds, two quadrupeds, butterfly and geometric designs in multicolored beads on blue beaded ground

Gourd Bowl with Beaded Interior, before 1950

Wixáritari (Huichol)

Not on View
standing skeleton dressed in green and yellow long dress with gold glitter-covered scarf and grey hat with flowers and large green bird's wings; purple parasol in PL hand and cigarette in holder in PR hand; spring at neck

%C2%A9 Josefina Aguilar

Untitled, 20th century

Josefina Aguilar

Not on View
orange cotton ceremonial "banner"; inscription reads, "Recoerdo de Eulogio Tocay 1er Mayordomo de la Virgen Mario Rosario Octobre 7 de 1967"; four rows of multicolor facsimile of fauna and flora; green selvedge on sides

Ceremonial Tzute, 1967

Maya

Not on View
white cotton with supplementary weft bands, 1"-4" in red, blue, green and yellow in goemetric shapes

Man's Ceremonial Head dress (Tzute), 1998

Maya

Not on View
red cotton with approx. 8" supplementary weft on ends and 1-1/2" near center in green, purple and yellow; twisted warp thread fringe with knotted ends

Man's Ceremonial Sash, 1998

Maya

Not on View
white woven long pants with open front placket with tie; narrow strips of supplementary weft design in red, green, yellow, purple

Man's Ceremonial Pants, 1998

Maya

Not on View
large water kettle with hinged cover; two bone or ivory rings on handle; shoulder decorated with scrolling flowers; raised stand with warming burner at bottom center

Water kettle and stand, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
teapot on footed base; hinged cover; two bone or ivory rings on handle; shoulder decorated with scrolling flowers; ribs on body, foot and cover

Teapot, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
coffee pot on footed base; hinged cover; two bone or ivory rings on handle; shoulder decorated with scrolling flowers; ribs on body, foot and cover

Coffee pot, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
cream pitcher on a footed base; wide pour spout; shoulder decorated with scrolling flowers; ribs on body and foot

Creamer, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
four woven panels, hand sewn joining; 7" neck opening; 5 " side opening; upper half supplementary weft in vertical zigzag pattern deep purple, magenta and off-white; lower half in narrow red and white vertical stripes

Woman's blouse (Huipil), 1940-1950

K'iche' Maya

Not on View
red with white embroidered designs of small diamonds, crosses and stripes; neck opening is outlined with chain-stitch embroidered, pointed designs

Woman's blouse (Huipil) collar, 1920

Maya

Not on View
coarse woven white cotton; top, front and back have supplementary weft silk designs including animals; some areas are embroidered over with green and yellow cotton threads forming diamonds; color areas are a secondary, supplementary weft; original color of silk was light mauve; slit neck and 6 3/4" of center seam stitched with silk; PL piece shorter than PR

Woman's blouse (Huipil), 1920-1930

Maya

Not on View
fully embroidered square neck opening with slit bordered in increasingly larger squares of large floral patterns in maroon, blue, pink, green and red; half of snap fastener at neck slit

Woman's blouse (Huipil), mid 20th century

Maya

Not on View
four woven panels with sides sewn together and center seams front and back embroidered together; alternating rows of narrow horizontal stripes and rows of animal and bird figures and geometrics; bottom has "flounce" of off-white; pink, purple and red with solid red yokes with geometric designs; neckline is vertical slits front and back

Woman's blouse (Huipil), 1920-1930

Maya

Not on View
red fine weave with narrow green stripes; slightly off center row of birds and geometric designs with a row above and below of geometric borders; self fringe both ends (4"); "aesthetics very fine"

Man's CofradĂ­a Tzute, 1900-1920

Maya

Not on View
red, yellow, mauve and green; vertical stripes red yellow and mauve with supplementary weft designs of birds and geometrics; four selvedges

CofradĂ­a Tzute for Santos, c. 1940

Maya

Not on View
large garment woven in three panels and stitched together; bottom 12" off-white; top is maroon and gold woven horizontal geometric patterns; four medallions with lace edges forming a circle of multicolor polyester ribbon flowers; neck and sleeves piped in lace

Ceremonial over-blouse (sobrehuipil), 1910-1930

Maya

Not on View
two fine woven panels stitched together; red with narrow green and blue stripes; center is dark green striped; bottom edge has 2-2 1/2" purple horizontal chevron border and self fringe

Cloth (tzute), 1940

Maya

Not on View
white with groups of three red narrow stripes hidden in the weft; decorated with multicolored dots, flowers, zigzags, chevrons and lines, V-neck

Woman's blouse (Huipil), c. 2000

Kaqchikel Maya

Not on View
purple body with frayed hem; geometric designs in blues, purples and greens; rounded neckline trimmed in blue

Woman's blouse (Huipil), c. 2000

Kaqchikel Maya

Not on View
blue body with yellow and orange stripes at sides; top decorated with predominately red design of birds, and diamonds and other geometric motifs; rounded neckline trimmed with black velvet ribbon

Woman's blouse (Huipil), c. 1975

Kaqchikel Maya

Not on View
woven with white-on-white stripes; neckline and sleeves trimmed in crochet; purple embroidery--same on each side--of flower, geometric and organic designs

Woman's ceremonial blouse (Huipil), c. 1985

Poqoman Maya

Not on View
white body with subtle woven designs; ruffled neckline and sleeve fabric in light grey, edged in scalloped crochet and embroidered in purple, green, yellow and pinks with floral designs

Woman's ceremonial blouse (Huipil), c. 1950s

K'iche' Maya

Not on View
wide purple and white warp stripes; bird (turkey) designs at top in red, purple, green and blue; cut-out round neckline with black velvet trim; open on sides

Woman's ceremonial blouse (Huipil), c. 1960s

Kaqchikel Maya

Not on View
bright multicolors; geometric and floral designs and motifs with pairs of doll images; long fringes with thick pompons that include shiny plastic strips

Woman's hair band, c. 1970s

Kaqchikel Maya

Not on View
two panels sewn together by hand; maroon ground woven with warp stripes at each selvedge (four selvedge). Bright multicolored designs of flowers, fruit, leaves, birds, fish and pairs of angels.

Woman's ceremonial tzute, c. 1980s

Kaqchikel Maya

Not on View
red, purple, brown, yellow, green, orange, pink and white various stripes; twisted fringe at each end

Man's sash, c. 1960s

Kaqchikel Maya

Not on View
brown and off-white; one side decorated with flying bird; opposite side decorated with a lion and a deer; fringed strap fits though loop at other side of bag

Man's bag (morral), c. 1990s

K'iche' Maya

Not on View
woman's huipil embroidered in red and dark blue or black with animals, birds and plants; rickrack in blue and green; floral ribbons; multicolor neck embroidery

Woman's blouse (Huipil), 20th century

Maya

Not on View
purple, pink and yellow embroidery with floral motifs; lace and netting attached at sleeves and collar; appliquéd ribbon above lace on sleeves and collar

Woman's wedding blouse (Huipil), c. 1956

K'iche' Maya

Not on View
two red panels with blue stripes, sewn together; central dark purple blocks with geometric circles, X's, chevrons and zigzags in pinks, blues and gold; long purple tassels at corners

Man's ceremonial tzute, c. 1940

K'iche' Maya

Not on View
very short; black ground fabric woven in bands with geometric bands, stars and deer in bright multicolors; neck lined with black ribbon

Woman's blouse (Huipil), c. 1990

Maya

Not on View
two red panels with light blue stripes, sewn together; predominately purple designs, with X's, circles and zigzags; long purple tassel at each corner

Man's ceremonial tzute, c. 1970

K'iche' Maya

Not on View
white (stained pink) ground with brocade on top in red, orange and black

Girl's huipil, 20th century

Guatemala

Not on View
two panels sewn together; white, light tan, light blue, indigo and red stripes

Cargador, 1920-1930

Maya

Not on View
panel with yellow, green, grey, red and purple fringe and trim; yellow, pink, orange, red and cream on one side with blue ikat-motif designs in stripes; shades of red and purple on back

Rebozo, early 20th century

Guatemala

Not on View
brown and tan on back; green edging; tan, brown, yellow, magenta, purple, green and orange designs of hands, animals and various geometric designs; braids at ends

Woman's sash, c. 1960

K'iche' Maya

Not on View
two panels sewn together to create pullover poncho with open sides; red; woven in multicolors (primarily purple) with birds, owls, quadrupeds, deer and human figures; small line of yellow stitching in one area near hem; two small green stitches on opposite panel on same side

Woman's Blouse, c. 1955

Guatemala

Not on View
red and black stripes; twisted fringe; woven in multicolors with diamond motif bands, quadrupeds, birds and stepped diamonds

Woman's sash, 20th century

Kaqchikel Maya

Not on View
three panels sewn together forming a sleeveless blouse with square neckline; red with grey stripes; decorated with multicolored geometericized flowers and quadrupeds; shoulders, and chest and upper back panels, decorated with predominately red diamond and diagonal line designs

Woman's Blouse, 20th century

Kaqchikel Maya

Not on View
three panels sewn together to form a sleeveless blouse with squared neckline; red with brown-grey stripes; rows of birds and dogs woven in purple at top of front and back; purple neck edging

Woman's blouse (Huipil), 2000

Kaqchikel Maya

Not on View
dark blue ground; overall design of diamond and linear motifs in red, magenta, light purple, dark purple and green; blue fringe at short ends

Shawl, c. 1990

Kaqchikel Maya

Not on View
small panel in bright multicolored threads; red ground; two yellow and blue birds on branches with pink roses and purple pansies; band of leaves; blue flower scrolls and multicolored organic band; stripes at sides

Ceremonial candle tzute, c. 1970

Kaqchikel Maya

Not on View
red and white striped; woven with purples, green and yellow in various geometric bands

Cloth (tzute), c. 1980

K'iche' Maya

Not on View
dark blue; top section woven in purple, pinks, blues, white and yellow--bands of dots, dots and lines, and floral patterns; black velvet trim

Woman's Blouse, 1950

Kaqchikel Maya

Not on View
indigo blue woven with bright colors in zigzag and diamond motifs; blue ribbon with white flowers with green and red leaves at neckline; printed blue ties at neck

Everyday blouse (Huipil), c. 1975

Christina Matzar

Not on View
red, white and orange stripes; neckline and arm openings trimmed with turquoise and yellow thread; brocaded designs on top of radiating diamonds and small vertical bars in various bright colors

Everyday blouse (Huipil), c. 1980s

Mam Maya

Not on View
white with blue stripes; yellow scalloped crocheted trim at neckline and arm openings; woven at top with long vertical zigzags separated by zigzagging triangles in blue, purple, red and yellow; row of zigzagging triangles below

Woman's blouse (Huipil), 20th century

Maya

Not on View
white (discolored to light pink); woven at top to create T-shape, front and back-various geometric motifs in dark maroon (predominate), dark purple, lilac, lavender, turquoise, medium pink, light pink and coral; black gathered appliqué rondels at chest, upper back and each shoulder; black collar with dark maroon and medium pink trim

Ceremonial blouse (Huipil), c. 1930-1940

Maya

Not on View
indigo blue with pairs of thin magenta stripes; top woven predominately in magenta and accented in multicolors with roosters and other birds, horses and snakes; magenta scalloped trim at neck and arm openings

Woman's blouse (Huipil), 20th century

K'iche' Maya

Not on View
indigo; woven on top three-quarters with bands of multicolored various geometric patterns separated by green bands; small dots of various colors below bands; two rows of black velvet ribbon trim at neck and arm openings

Woman's blouse (Huipil), c. 1970s

Kaqchikel Maya

Not on View
bag in brown and tan; pouch with strap affixed at one end-other end loose for adjustability; geometric and curvilinear border designs and designs separating text (same on both sides): "T.S.P./ RECUERDO/ 15 DE ABRIL/ ANO DE 1972]

Bag (morral), c. 1972

K'iche' Maya

Not on View
two strips sewn together; cream-colored with dark blue, medium blue, red and green woven stripes, ikat wavy lines, ikat stripes and floral vine designs

Blanket, c. 1950

K'iche' Maya

Not on View
off-white overall; woven with subtle floral and geometric designs and human forms; off-white netting at neck and sleeves with off-white wide lace

Wedding blouse (Huipil) from a two-piece set, 1930s

Maya

Not on View
three panels sewn together; gauzy white fabric woven with subtle animal, bird, flower and geometric designs

Cloth (tzute), 1973

Maya

Not on View
woman seated kneeling with knees apart; very thin, stylized lower legs; wearing apron-like skirt in tan; red torso and arms; bare breasts decorated with black spirals; black lines under arms, below breasts, vertically down center of torso from neck on front and back; very short PR arm outstretched; PL arm bent at elbow with hand on back of head; flat yellow face with pierced earlobes, very long pointed nose and large open mouth with teeth

Seated Female Figure, 200 BCE - 300 CE

Jalisco

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seated stylized figure with tapering, bowling pin-shaped legs splayed out; very short, small arms with hands on hips; rather flat head; bulbous nose which may have carved ring between nostrils; small smiling mouth; three red lines from forehead over each eye and across cheeks; black diagonal stripes on upper body and diagonal crosshatching on lower body; red lower legs; hole at top back of head

Seated Figure, 100 BCE - 250 CE

Nayarit

Not on View
figure seated with PL leg drawn under body and PR knee bent up with foot down; figure rests PL "hand" on PR knee and PR forearm on same knee, "hand" on cheek; very thin long arms; thick legs; figure wears loincloth type of garment with crosshatching in dark brown; triangular shaped face with large pointed nose and small open mouth; brown short hair; delineated spine and arcing lines on sides of body--ribs?; hole at top back of head

Seated Figure, 100 BCE - 250 CE

Nayarit

Not on View
sculpture depicting Garden of Eden; tree at center with devil at top and snake sliding down trunk; Adam and Eve figures, each wearing leaf covering genitalia, stand at base of tree; scenes depicting heaven and hell around tree base; angel over Adam's shoulder; various animals, plants and flowers overall; brightly painted

%C2%A9 Josefina Aguilar

Expulsion from the Garden of Eden, 20th century

Josefina Aguilar

Not on View
slightly abstracted image; lion tamer at right with chair, with lines and decorations on his face and rather undifferentiated, rippling body; male lion seated at left; lioness lying at bottom of image

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Leon (Lion), 1970

Francisco Toledo

Not on View
matador seated on a stool covered with a tan cloth, wearing a black and gold costume with coral-colored tie and stockings, holding his red and black sword in his PR hand and his red cape in his PL hand; painting of Mary holding baby Jesus surrounded by cherubs behind man

%C2%A9 2006 Denise De La Rue. All rights reserved.

David Luguillan, Madrid, Spain, 2006

Denise De La Rue

Not on View
matador wearing orange, black and silver costume with coral-colored stockings, with blood stains on pants, leaning against a table with a black cloth with heavy needlework in white; very large mirror behind man reflecting chandelier and tapestry hanging on opposite wall

%C2%A9 2006 Denise De La Rue. All rights reserved.

Jose Ignacio Uceda Leal, Madrid, Spain, 2006

Denise De La Rue

Not on View
a: artist book with printed and hand bound pages; cover is teal on top half with a grey mountainous landscape on bottom; first 1/2 has a hand stitched binding with names on off-white pages and second half is folded accordion style and has b/w wood cut prints on one side and b/w with grey tone portraits on the other side b: black fabric covered box with printed landscape on front and interior

%C2%A9 Maria Veronica San Martin

Memory and Landscape: Unveiling the Historic Truths of Chile, 1973-1990, 2013

Maria Veronica San Martin; Printer: Maria Veronica San Martin; Artist: Bound by Maria Veronica San Martin; Publisher: Maria Veronica San Martin

Not on View
straw hat with wide brim; red tassel at top; red and green ribbons hanging from rim; red and orange-yellow yarn trim; leather chin strap

Ceremonial hat, 20th century

Maya

Not on View
rectangular box with rounded hinged top; hinged front opens to reveal top inner rectangular compartment with two drawers below; exterior, front of drawers and top compartment and front panel decorated overall with brightly colored lacquer imagery--hunting scenes, flowers, couples with various animals (dogs, rabbits, birds); interior of top compartment and cover are rust-colored lacquer; key included

Bufetillo, 17th century

Mexico

Not on View
corte in yellow silk with a roughly sewn seam joining; green lines across top and bottom as well as alternate vertically; green, red and muted brown geometirc embroidered shapes intermixed with green lines

Corte, 20th century

Guatemala

Not on View
standing clown pulling his baggy knickers away from his body at each hip; clown wears pointed cap and horizontally striped socks and stands in front of a curtain with tassels at right; text above and below figure: "EL CLOWN MEXICANO / GUADERO / No. 6 / PUBLICADO / POR / A. VANEGAS ARROYO. / MEXICO. POSADA"

El Clown Mexicano (Mexican Clown), plate 1 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Printer: Taller de Grafica Popular, Mexico City; Publisher: La Estampa Mexicana, Mexico

Not on View
demons with monkey-like faces with horns and tails at right; many crosses at left with woman seen from back riding on a deer

IlustraciĂłn para un Cuento (Illustration for a Song), plate 2 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
image in a rondel of three men looking at two women seen from back wearing sandwhich boards; board of woman at center reads, "TE / VOLVI / A / VER"; text at top: "12 / COLECCION / DE / CANCIONES / PARA / 189"

Te volvi a ver (I saw you again), plate 3 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
two bearded standing men wearing long coats, vests and bow ties, with their arms around each other's shoulders; man at left holds a stemmed drinking glass; four other men seated at a table at left; text at top and bottom: "EL BRINDADOR / POPULAR / GUADERNO / NO. 3. / PUBLICADO / POR / A. VANDEGAS ARROYO. / MEXICO"

El Brindador Popular (The Toast), plate 4 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
standing musicians wearing uniforms, playing horns and saxophones

La Banda (The Band), plate 5 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
three men wearing hats and coats at left, speaking with an old woman who holds her hand up to the face of the centermost man; man wearing a sombrero behind woman; text at top and bottom: "GALERIA DEL / TEATRO INFATIL / COLECCION / DE COMEDIAS / PARA / NINOS O TITRES / LOS GENDARMES / EDITOR / A. VANECAS ARROYO / MEXICO"

Los Gendarmes (The Police), plate 6 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
three men wearing knickers and wide-brimmed hats sweeping; man drinking inside a doorway at left; other figures in background observing sweepers; text at top and bottom: "14 / COLECCION / 18 / DE CANCIONES MODERNAS. / EDITOR A. VANEGAS / ARROYO."

Los Patinadores (The Sweepers), plate 7 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
two women and three men, with three of the figures holding rounded objects in the air (paddles?) funning in front of a huge dark-skinned head with flames extending from its mouth; mouth has fangs; women in foreground wear skirts, aprons, white stockings and hats with feathers; three men wear knickers, tunics and white stockings--one man seen from back wears a cape; text at top and bottom: "EL TESTERAZO DEL DIABLO / JUGUETTE PASTORIL / EN UN AGYO / EDICION / DE / A. VANEGAS / ARROYO / MEXICO"

El Testarazo del Diablo (Testing the Devil), plate 8 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
startled man at right holding a cane in his PL hand and carrying a pack on his back by a strap over his shoulders; skeleton wearing a cape and a hat approaching man from left; text at top and bottom: "EL DOCTOR / IMPROVISADO / CUENTO / EDITOR / A. VANEGAS ARROYO. MEXICO."

El Doctor Improvisado (The Quack Doctor), plate 9 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
old woman with a hooded cloak seated in a chir at right, accompanied by a standing woman wearing a similar cloak; seated man at left; large bookcase behind figures; text at top and bottom: "GALERIA DEL TEATRO INFANTIL / EL CONSULTORIO MEDICO. / PROPIETARIO / A. VANEGAS ARROYO MEXICO"

El Consultorio MĂ©dico (The Consultation), plate 10 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
terrified young girl with curly dark hair, crouching on one knee in LRC while pushing away a black cloaked figure rushing toward her, with one hand on her head and one hand on her chin

IlustraciĂłn para un Cuento (Illustration for a Story), plate 11 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
small funeral procession viewed from above, with four pallbearers carrying black coffin with white cross and four men walking behind

El Sepelio (The Burial), plate 12 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
man dressed as clown wearing tiny hat, large collar, tall buttoned plaid knickers, which stocking and slippers; clown stands in front of a partially drawn curtain with part of an elephant visible at left; text at top and bottom: "LE CLOWN MEXICANO / CUADERNO / No 5. / PUBLICADO / por / A. VANEGAS ARROYO. / MEXICO."

El Clown Mexicano (Mexican Clown), plate 13 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
six partial figures in a vertical placements; three vignettes of legs of figures at top; three vignettes of heads and torsos of figures below; caricatures

Los toreros (juguete) (Bullfighters), plate 14 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
four men and one woman standing in a row; men wear top hats, vests, jackets and ties; woman wears a long dress, long black gloves, a hat and a feathered boa; columns and banner behind figures; text and top and bottom: "24. COLECCION DE CANCIONES / MODERNAS / PARA / LOS LAGARTIJOS. / EDITOR / A. VANECAS ARROYO. / MEXICO."

Los Lagartijos (The Dandies), plate 15 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
alarmed looking man seated on a bed, leaning over, with his PR hand in a chamber pot; small smiling figure pulling down on the corner of the bedclothes beneath man; text at top and bottom: "POUR FINJIR ESPANTOS / DIALOGO COMICO / EN UN ACTO. / EDITOR / PROPIETARIO / A. VANEGAS ARROYO. / MEXICO."

Por Fingir Espantos (Frightened by a Ghost), plate 16 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
caricature of a standing bearded man wearing a large sombrero, jacket and vest, and tight trousers; train engine at right; train stations with people at left; text at top and bottom: "DE TORREON A LERDO / NUEVA / COLECOION / DE CANCIONES / MODERNAS / PARA 190 [illegible--not printed] / PUBLICADA POR / A. VANEGAS ARROYO. / MEXICO. / No. 16"

De TorreĂłn a Lerdo (From Torreon to Lerdo), plate 17 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
portrait of a man with a short beard and dark wavy hair, with head turned to PL, wearing a white shirt and black jacket

Retrato (Portrait), plate 18 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
caricature of a man with wild hair and elongated nose, sticking out his tongue, with arms out and pockets inside out, with playing cards falling around him

El Jugador (Gambler), plate 19 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
silhouette of a very thin man wearing a hat, holding a pan scale over a table with the head of a bull on it

Carnicero (Butcher), plate 20 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
man wearing a cap with a feather seated on a horse, with a spear in his PR hand, overtaking a dragon with seven heads in LLC

San Jorge (St. George), plate 21 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
couple dancing in foreground; woman seen from back is wearing a gown with a long train; band seated behind couple wearing sombreros; text at top and bottom: "LA TIPICA. / 21 / COLECCION DE CANCIONES PARA / 1894 / EDITOR / A VANEGAS ARROYO. / MEXICO."

La Tipica (Dance Band), plate 22 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
three figures at right; man at center holds rope around the neck of a black horse lying down at left; anvil, tools and horse shoes in LLC; text at top and bottom: "EL VETERINARIO / DELAS MEJORES / RECETAS / COLECCION / PARA CURAR / TODO ANIMAL / DOMESTICO / Precio 50 cs / PUBLICADO / POR / A VANEGAS ARROYO / MEXICO."

El Veterinario (The Veterinary), plate 23 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
couple seated in a small old car with white tires, seen from PR side, with decorative scrolls around edges of image; text at top and bottom: "EL AUTOMOVIL / NUEVA COLECCION DE CANCIONES / PARA EL / PRESENTE / ANO. / RECOPILADAS / por / A. VANEGAS ARROYO. / MEXICO."

El AutomĂłvil (The Automobile), plate 24 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
head and torso of woman seen from PR, holding a flower in her PL hand at her chest, with a cherub in URC; small couple seen from back in LRC; text at top and bottom: "36 MORIR SONANDO / 36 / COLECCION DE / CANCIONES / PARA 189 / PUBLICADA / POR / A. VANEGAS ARROYO / MEXICO."

Morir Soñando (To Die Dreaming), plate 25 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
two pieces of thick cardboard covered with black and white striped fabric, tied through a pair of grommets with black ribbon (bottom ribbon lost); blue printing on cover ("JOSE GUADALUPE POSADA 1851 1913"); interior of front cover is a colored newsprint collage with rust red and turquoise; back cover has grey envelope attached with index and title page; brown shoelace closure

Cover for "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
cream background; brightly colored stripes at ends with band of pink and rose colored flowers in green pots; similar flowers along long sides; central stepped diamond with brightly-colored geometric floral medallions and zigzag edged radiating elements

Serape, c. 1900

Saltillo

Not on View
large diamond shape at C with zigzagging stripes inside filled with bright geometric patterns; horizontal zigzagging bands with multi-colored geometric designs in background; intricately decorated borders; overall mauve, blue, black, green palette

Serape, c. 1900

Saltillo

Not on View
brown, tan, red, cream and medium and light blue; central rondel with rhomboid patterns in radiating diamonds and border with pairs of S shaped scrolls; stripes on short sides; border with intertwined Vs; zigzag pattern overall in brown, cream, tan and blue

Serape, c. 1900

Saltillo

Not on View
abstracted black-and-white image of a deceased man seen in profile from the shouilders up; light gray splotch-like sections scattered around outer edges, beginning on the top left, top right edged and down into lower left and right edges; lower left quadrant has white splotches with scattered small white dots that extend into the upper right quadrant; gradated gray and dark spots throughout

%C2%A9 Miguel A. Arag%C3%B3n

Siete cascos percudidos, 2016

Miguel A. AragĂłn; Publisher: Flatbed Press, Austin, Texas

Not on View
shaded sketch of a large eye; red block lettering in top and bottom eyelids: Exposicion Litografias; red block 20 in pupil; black and red text; buff colored paper

%C2%A9 Francisco Dosamantes %2F Taller de Gr%C3%A1fica Popular

Taller de Gráfica Popular: Exposición 20 Litografias, Galeria de Arte de la Universidad Nacional, 1939

Francisco Dosamantes; Publisher: Taller de Grafica Popular, Mexico City

Not on View
image of a woman wearing a long, draping garment; rests with hands behind her head, gazing downward; bare feet

%C2%A9 Estate of Francisco Z%C3%BA%C3%B1iga

Mujer con los Brazos Alzados, 1975

Francisco Zúñiga

Not on View
view down onto an old-fashion tricycle, with front wheel turned to right and a stick beneath its back right wheel

%C2%A9 Mario Fonseca

Tricycle I, 1972 (printed 2018)

Mario Fonseca; Printer: Mario Fonseca

Not on View
young girl wearing a polka dotted dress and a white headscarf, leaning against a wall with her PR leg stretched out, with her foot on a stair step

%C2%A9 Graciela Iturbide

Zihuatanejo, MĂ©xico, 1969

Graciela Iturbide

Not on View
back wheel of old tricycle

%C2%A9 Mario Fonseca

Tricycle II, 1972 (printed 2018)

Mario Fonseca

Not on View
front wheel of tricycle, with pedals

%C2%A9 Mario Fonseca

Tricycle III, 1972 (printed 2018)

Mario Fonseca

Not on View
abstract image; orange figure with yellow wings (?) driving an open red and yellow car, being chased by another orange figure

%C2%A9 Roberto Matta %2F Artists Rights Society %28ARS%29%2C New York

Untitled plate from "Minded Mind" portfolio, 1966

Roberto Sebastian Matta; Printer: Kinji Akagawa; Publisher: Minneapolis School of Art

Not on View
line drawing of man with glasses, bending at waist over horizontal structure

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Jean Charlot, 1930s

Diego Rivera

Not on View
groups of figures wearing white surgical caps, masks, and gown, with one group on a short balcony with railing

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

The Operation, Hospital Juarez, 1935

Manuel Alvarez Bravo

Not on View
Two panel huipil with round cut neck opening; randa joins two sections; red ground cloth with very thin multi-colored warp stripes; elaborate floral embroidery encircles the neck and shoulder area. Surface ornamentation (Needlework)

Woman's blouse, 1975

Maya

Not on View
white plain cotton weave with white supplemental weft and color (tan, purple, pink, green); supplementary weft at borders

Cofradia Tzute, 1955-1960

Maya

Not on View
2 panels sewn together; red fabric with thin stripes in blues, green and purple; brocaded band at bottom in blue, black and purple; fringe on top and bottom of brocade band and on one end

Woman's tzute, 1950-1960

Maya

Not on View

%C2%A9 Estate Carlos M%C3%A9rida %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Moors, 1937

Carlos MĂ©rida

Not on View
Figure of a drummer. Standing figure with fantastic beak-nosed face, mop-like headdress, and disk earrings. The arms are bent at the elbow and rest on a high cylindrical drum decorated with zigzag stripes in yellow and white on a dark red ground. Painted detail on upper body.

Figure, 1st century BCE - 3rd century CE

Nayarit

Not on View
Bowl, ceramic, Mexican-Guatemalan (Mayan), VII-IXc cat. card dims H. 3 Dia. 6-3/4' NO PHOTO ON CAT. CARD

Bowl with Geometric Design, 7th-9th century

Maya

Not on View
Female Figure wearing a tall feather-like headdress, broken and mended at legs and waist; burnished tan ceramic

Figure, 400-799

Huastec

Not on View
Standing Figure, stone, Mexican (Olmec), 100 BC-100 AD cat. card dims H 8-1/2 x W 3-1/2'

Figure, 100 BCE - 100 CE

Olmec

Not on View
seated female figure holding hands to raised knees, red clay burnished red slip, Mexican (Colima) 200-700AD

Seated female figure, 200-700

Colima

Not on View
censer with two rounded feet and stylized animal head handle-end; sides perforated with tri-angular cut-outs; flare rim; burnished buff clay. Handle rattles.

Censer, Date Unknown

Mixtec

Not on View
standing female figure, mold made, arms held up at sides, cream slip on red earthenware, 500-900 A.D.

Standing female figure, 6th-10th century

Maya

Not on View
globular bowl, pierced on rim in two places for suspension, red earthenware with red and black designs on cream slip; diameter 4 1/4 in.

Globular bowl, 3rd century BCE - 4th century CE

ChupĂ­cuaro

Not on View
globular bowl, red earthenware with black and white designs over red slip of stylized snakes. Diameter 4 1/2 in.

Globular bowl, 3rd century BCE - 4th century CE

ChupĂ­cuaro

Not on View
melon-shaped bowl, with spout and lug handles; red earthenware with black slip, Michoacan area.

Melon-shaped bowl, 8th-11th century

Tzintzuntzan

Not on View
mask, hammered sheet copper, painted, with pendant copper bells, applique dragonflies on cheeks

Mask, human face with dragonflies on cheeks, 20th century

Mexico

Not on View
Horned Toad Bowl, ceramic, West Mexican (Nayarit), 100BC - 250AD NO PHOTO ON CAT. CARD cat. card dims H 5-1/2'. Clay, red slip, black designs.

Horned toad bowl, 100 BCE - 250 CE

Nayarit

Not on View
Standing female figure, buff clay, applique necklace and eyes, both arms are missing.

Standing female figure, 250 BCE - 300 CE

ChupĂ­cuaro

Not on View
Standing Female Figure with wide shoulders and hips, dangling arms, slash hair decorations, applique lips and nose. Beige clay burnished, Mexican (Ticoman style), 300-700AD

Standing female figure, 300-799

Ticoman

Not on View
Standing Female Figure wearing a triple necklace with dangles across front, flat earplugs, elaborate headdress. Fish style feet, diamond eyes. Tip of right arm missing. Beige clay with traces of red pigments on headdress and necklace traces of white around eyes and headdress, Mexican (Michoacan), 200-600AD

Standing female figure, 200-700

Michoacán

Not on View
Standing Female Figure with incised hair, triple nmecklace with pendant, incised fish style hands. Burnished buff clay. Tip of right arm and left missing. Mexican (Michoacan), 200-600AD

Standing female figure, 200-700

Michoacán

Not on View
Group of 8 rings, all different. .1 is shell, the others earthenware. Seven clay rings, imitating shell variety. Four rings are 1-1/2 in. in diam. Other rings measure 1-3/4 in., 1-15/16 in., and 2 in. in diameter.

Clay Ring, 400-999

Mexico

Not on View
Group of 8 rings, all different. .1 is shell, the others earthenware. Seven clay rings, imitating shell variety. Four rings are 1-1/2 in. in diam. Other rings measure 1-3/4 in., 1-15/16 in., and 2 in. in diameter.

Clay Ring, 400-999

Mexico

Not on View
Standing Female Figure wearing a full skirt thin neckband with pendant side slash earplugs, slash fingers and toes. Unburnished buff clay with two chest holes for suspension, Mexican (Michoacan), 200-600AD

Standing female figure, 200-700

Michoacán

Not on View
Standing Female Figure with large circular loop earspools, necklace with pendant, large breasts, incised leaf style hair, double headband and ritual scarification. Beige clay with traces of red pigment. Left arm and left hollow earspool missing, Mexican (Michoacan), 200-600AD

Standing Female Figure, 200-700

Michoacán

Not on View
side chair with oval ribbon back, loose wood seat, red velvet seat cushion, Guatemalan Chippendale

Side chair, 19th century

Guatemala

Not on View
group of three stamps, one with handle, one elongated and center pierced for rolling, having figures and linear designs, the third for finger rollling, with linear designs

Stamp, from a group of three, Date Unknown

Mexico

Not on View
Figure, flat backed with grooved legs, arms to sides, facial detail

Figure, 300 BCE - 300 CE

Mezcala

Not on View
Pair of Earspools, each having elongated hollow tubular stems with side drilled hole for affixment, and flared ends medium green stone with inclusions.

Ear spool, 3rd-6th century

Michoacán

Not on View
Two-panel huipil joined with a randa;round-cut, embroidered neckline; ground is white with purple, green, red stripes on one side, solid red stripe on other side of panel; brocade designs in purple and red cotton; zoomorphic figures, including peacock, eagle, ; main band of figures includes two ceiba trees and one eagle on each panel; unusual letter-like shapes interspersed with figures.

Woman's blouse (Huipil), c. 1960s

Kaqchikel Maya

Not on View
two 4 selvage pieces sewn together in discontinuous supplementary weft patterning; irregularly striped ground of green, blue, white and yellow with multicolored imaginative figures in diamond shaped patterns

Ceremonial Tzute, c. 1980

K'iche' Maya

Not on View
dark green jade necklace, with light green polished axe pendant

Jade Necklace with Axe Pendant, Date Unknown

Mexico

Not on View
light green jade necklace with eight larger beads at even intervals along its length; a bird and cylindrical bead surmount the pendant and a large cylindrical bead is opposite

Jade Necklace with Avian and Human Head Pendant, Date Unknown

Mexico

Not on View
hole through center of each; strung together with jade beads (96.95.8.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
grey with black lines for wings; green neck; blue head and tail

%C2%A9 Josefina Aguilar

Mallard, 20th century

Josefina Aguilar

Not on View
grey with black and red marks; head raised; tongue out

%C2%A9 Josefina Aguilar

Snake, 20th century

Josefina Aguilar

Not on View
yellow with orange patches and black stripes; white tufts on sides of head; five holes on underside; mouth open; head turned to PL

%C2%A9 Josefina Aguilar

Tiger, 20th century

Josefina Aguilar

Not on View
light purple with yellow on front and back; head turned to PL side; four holes on underside

%C2%A9 Josefina Aguilar

Doe, 20th century

Josefina Aguilar

Not on View

%C2%A9 Luis Gonz%C3%A1lez Palma%2C Courtesy of Schneider Gallery

La Fidelidad del Dolor (The Fidelity of Pain), 1991

Luis González Palma

Not on View
hand-sewn fuchsia silk border; band of apricot silk at top with orange striped cotton hanging tabs at top; at the top, a border of polychrome silk embroidery depicting dancing female angels and cherub heads amidst a lush background of stylized carnations and other florals, highlighted with gold sequins and metallic wrapped thread, dated "1810" in LRC; below is a group of three monochrome white-on-white embroidery and cutwork samplers--left: spot floral motifs and border designs in embroidery, broderie anglais and pulled work ("deshilado") with Angus Dei (Lamb of God) at center holding a pointed flag in its mouth, moth, flowers and two birds eating from a bowl, with "J.S" at top center; second row, center: three scalloped edges featuring different pullwork patterns, central cutwork cartouche with tulle insertion embroidered "ROSAURA MUNOSCANO" (upside down) at center, with birds, goat and flowers and a salmon-colored backing; second row, right: various floral motifs, deer and Angus Dei in embroidery and broderie anglais, with central crowned "IXR" above double-headed eagle motif with the initials "J.J."; third row, left: square sampler divided into four quadrants by central cross with geometric motifs in polychrome (primarily purple, white and yellow) silk and beaded boarders, with "EMILIANA ALCAZAR. DICIEMBRE, DE 1814" at bottom; third row, right: large horizontal embroidery executed in silk on linen mostly in satin and stem stitch, with flowers including rose, passion flower and carnation as well as birds, butterflies, dog and deer surrounding a central floral wreath encircling a female figure in plumed headdress with mask or head of a man; black and yellow bird to upper right carrying a pink-leafed wreath with initials "L.L." in cursive; macaw with banner in its mouth dated "1861"; fourth row, left: two horizontal strips of embroidered flowers--red and pink, and lavender; fifth row, left: sampler with monochrome white-on-white floral broderie anglais motifs and polychrome silk vases/baskets with flowers

Wall hanging with embroidered samplers, 1810-1861

Rosaura Munoscano; Artist: Emiliana Alcazar; Artist: Soledad Santaella

Not on View
white background with black and red spots, large diamond shape in coral, pink, black, and yellow at C; red inner border with spots interlacing in diamond pattern; wide borders at short ends with red and navy blue thin stripes

Serape, c. 1900

Saltillo

Not on View
Two panel huipil with square cut neck opening; red ground cloth with thin stripes in brown, blue, yellow and purple; randa extends down entire center seam; open on sides; pair of brocaded birds, predominantly in purple, on front and back below collar with multicolored brocaded geometric patterns at shoulders and down center of chest and back; blue velvet at collar and shoulders.

Woman's blouse (Huipil), c. 1965

Maya

Not on View
close-up portrait of a young woman with long dark hair wearing a crown of fabric flowers with sepia ground

%C2%A9 Luis Gonz%C3%A1lez Palma

Hija de la Vida, 2016

Luis González Palma

Not on View
oval face with large nose and long ears, dimple on chin; one hole at bottom of each ear; one hole at top and bottom of each side; dark green in color with brown on PL side of nose at bottom and PR upper forehead

Maskette, c. 550 - 900

Maya

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
woman's bare feet in doorway, water on floor; one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Threshold, 1947

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Retrato de lo eterno, 1932-1933

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
round bottom bowl, ceramic (terra cotta), Costa Rican (Nicoya-Guanacaste), 1000-1500AD; acquired in Managua, Nicaragua by donor before 1959; owl faces in banded design; red and gray pigments on beige ground

Bowl, 11th-16th century

Nicoya

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
metate in the form of a Jaguar, with a running band of 'S' scrolls around the rim; the animal is realistically suggested, with head in full relief, four legs, and curling tail

Metate in the Form of a Jaguar, 900-1299

Costa Rica

Not on View
Child with Helmet, earthenware, Mexico, Olmec culture, 1000-500BC

Figure, 11th-6th century BCE

Olmec

Not on View
Remojadas Seated Figure, ceramic, Mexican (Totonac) IV-Xc cat. card dimsH. 7-1/2' NO PHOTO ON CAT. CARD

Figure, 9th century

Totonac

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Bicicletas en Domingo, 1968

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Violin Huichol, 1965

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Carrizo Y Tele, 20th century

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
mask, wood, attached goat horns, painted orange, green, brown,red, yellow, black Triple-face mask with human face to left, dog to right and Diablo (devil) in center under goat horns. Communal beard. Iguala area.

Triple faced mask, early 20th century

Mexico

Not on View
red, cream, and brown ground with discontinuous supplementary weft and warp patterning in purple, yellow, white, and brown

Woman's Belt (faja), 20th century

Maya

Not on View
Bowl, wide-mouthed, with a shaped painted band representing two owls, wings outspread, around the rim. The painting is in grey, black, orange, and buff on a cream slip ground. Jar cracked vertically on one side.

Bowl, 11th-14th century

Chorotega

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

The Man from Papantla, 1934-1935

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
Standing male figure, with whip handle in proper right arm wrapping around behind back to proper left arm. Whip, outline of head, and garment around figures waist are red. Black diamond shapes over each eye.

Male figure with a whip, 200 BCE - 400 CE

Nayarit

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Ventana a los Magueyes, 1976

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
standing female figure, mold made with drilled ear lobes, cream slip on red earthenware,

Standing female figure, 6th-9th century

Nopiloa (Veracruz)

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
Pot in the form of a Seated Figure,polychrome earthenware,Mexico, Casas Grandes,XIIc. Red, black, and brown on cream slip. Pierced eyes, open mouth, incomplete head, applique arms.

Vessel in the Form of a Seated Figure, c. 1100-1299

Paquimé (Casas Grandes)

Not on View

Poncho, 19th-20th century

Mapuche

Not on View
Miniature Figurines, Burnished Earthenware, Mexico(Puebla),1500-1150 B.C. Five total; .1 2-1/16 in. .2 1-15/16 in. .3 2 in. .4 2-1/16 in. .5 1-15/16 in.

Miniature figurine, 1500-1150 BCE

Pueblo

Not on View
from a portfolio of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Tentaciones en Casa de Antonio, 1970 (published 1981)

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Paisaje Chamula, 1972

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

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