Saddle stitched binding, letterpress and red ink stamp of a star, on green wove paper covers; 32 pp. — Vietnam, late 20th-early 21st century
GRRRR; Publisher: Grünkern Produktion, Zürich

Not on View

Vietnam, Inc., Philip Jones Griffiths — Vietnam, Inc., 1968
Philip Jones Griffiths

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03-10; conical structure with raised openwork rectangular shape on one side of top; small hole at top with removable lid that has black painted bamboo stick pierced by pointed top spire; two "screens" of openwork carving at either side of top of body and a few areas of low-relief carving of bamboo trees and leaves — Bamboo Basket #2, 2002
Binh Pho, American, born Vietnam, 1955 - 2017

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black cloth with four scenes stitched in reddish-purple, green, pink, red; helicopters, birds, telephone poles, an elephant (?), a truck, lizards and two deer (?) with antlers; design on borders; black top edge, brown bottom edge — Vietnam War weaving, 20th century
Laos

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Young boy playing a flute, seated on the back of an ox, standing in water — Flute for Two, Vietnam, 1959
Dmitrii Baltermants

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Vietnam, 1995 (printed 2003)

Sebastião Salgado

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two figures at L: one completely in silhouette, one wearing mask and goggles; clouds of smoke in background; light areas at R — Steel Mill in North Vietnam, 1968
Marc Riboud

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many children clustered together; two boys wear pith helmets — Schoolboys in a Village, North Vietnam, 1968
Marc Riboud

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man with upraised fist, shouting, at R; people holding signs, posters and flags, including sign with portrait of Mao Tse Tung, at L and R — Demonstration Against War in Vietnam, Beijing, 1965
Marc Riboud

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helmet with six flowers growing from it; each circle has a photo in center — Anti-Draft Week, March 16-22, 1970, 1970
Mark Morris; Printer: The Philadelphia Reistance Press; Publisher: New Mobilization Center to End the War in Vietnam, Washington, D.C.

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Frontispiece and Title Page to Supplement-Band zu Dr. B. F. Vietz medizinisch-ökonomisch-technischen Pflanzen from Icones Plantarum Medico-oeconomico-technologicarum, Ferdinand Bernhard Vietz — Frontispiece and Title Page to Supplement-Band zu Dr. B. F. Vietz medizinisch-ökonomisch-technischen Pflanzen from Icones Plantarum Medico-oeconomico-technologicarum, 1822
Ferdinand Bernhard Vietz

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Frontispiece and Title Page. Vol. I, from Icones Plantarum Medico-oeconomico-technologicarum..., Ferdinand Bernhard Vietz — Frontispiece and Title Page. Vol. I, from Icones Plantarum Medico-oeconomico-technologicarum..., 1800
Ferdinand Bernhard Vietz

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Paeonie from Icones Plantarum Medico-oeconomico-technologicarum, Ferdinand Bernhard Vietz — Paeonie from Icones Plantarum Medico-oeconomico-technologicarum, 1804
Ferdinand Bernhard Vietz

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Frontispiece and Title Page. Vol. II from Icones Plantarum Medico-oeconomico-technologicarum, Ferdinand Bernhard Vietz — Frontispiece and Title Page. Vol. II from Icones Plantarum Medico-oeconomico-technologicarum, 1804
Ferdinand Bernhard Vietz

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Plate 47 — Schonbluhende Hydrangia, from Icones Plantarum Medico-oeconomico-technologicarum..., 1804
Ferdinand Bernhard Vietz

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Akicita Wasté (Good Soldier), Martin Red Bear — Akicita Wasté (Good Soldier), 1991
Martin Red Bear

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Incense burner, covered three legs, all-over decoration, simple border design of cloud and thunder. (Greek Key) — Incense burner with magical dog, 13th-14th century
G213

see previous exhibition catalog for illustrations of all 50 paintings — #11, 1993-2001
Cy Thao

Not on View

square building with roof covering entryway into open courtyard; ladder in courtyard leading up to largest upper floor room with hallway connecting large room to a smaller room at L; separate roofs on each section of 2nd floor; unglazed — Model of a Farmstead, c. 1st - 2nd century
Vietnam

G213

rectangular building with a removable roof; square opening at center of one long side, which has a small porch — Grain Storage Building, from a model farmstead, c. 1st-2nd century
Vietnam

G213

ovoid body, tapering at top with outward-flaring top section; relief design with teardrop shapes, swirls and zigzags; greenish patina — Ceremonial Bell, 3rd-2nd century BCE
Dong Son

G213

see previous exhibition catalog for illustrations of all 50 paintings — #50, 1993-2001
Cy Thao

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man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element — Deified King, late 10th century
Cham

G213

brown dripped glaze over tan vessel; drum-shaped; six small handles and ring of petals at top below lip; incised scrolling chrysanthemum designs and stamped circles, and circle and almond-shaped flower forms — Storage Jar, Ly dynasty, 11th-13th century
Vietnam

G213

vertical orientation, black-and-white landscape scene with central light gray unpaved road extending from the foreground into the distance though grasslands; a tree line is seen on the horizon; top half of image is gray sky; white frame — Please come here and witness | Đời Gọi Biết Bao Lần, 2018
Teo Nguyen

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rotting corpse of a young man at C is being supported by three other men, while two women weep at his mangled legs and feet; men supporting corpse all have rotting faces; man at L has stern look on face and holds up two bloody fingers; man at back center smiles; man at R weeps — A Medal for Johnnie, 1967-69
James Ormsbee Chapin

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shallow bowl on short foot ring; whitish-blue glaze; decorated with incised and combed scrolls on interior — Dish, 14th century
Vietnam

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see previous exhibition catalog for illustrations of all 50 paintings — #4, 1993-2001
Cy Thao

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May 18, 2020: IT WILL GO AWAY!, Piotr Szyhalski / Labor Camp — May 18, 2020: IT WILL GO AWAY!, 5/18/2020
Piotr Szyhalski / Labor Camp

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salmon-colored helicopter silhouette with a nude woman nursing a baby, in black and grey wash, above it; "PEACE" in stenciled letters to left and right of woman and child, in brown — P.E.A.C.E., Helicopter, Mother + Children, 1968
Nancy Spero

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blue and white glaze; bowl on a tall, slightly flaring stem; foliate spray at center; foliate bands on interior and exterior rim with geometric design band below on exterior; blue rings on stem — Stem Bowl, early 14th century
China

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see previous exhibition catalog for illustrations of all 50 paintings — #1, 1993-2001
Cy Thao

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image of a man with oblong head, wearing a clear helmet, scrunched textured face, shirtless, with American flag draped around his shoulders; flesh-colored cartoon-like dog in LLQ; bright blue sky with violet clouds in background — Top Man, 1975
May Stevens

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slightly tilted, blurry image of street at night with figure in silhouette in front of building at center; other figures behind a railing at right — Untitled, from the October 21, 1969, International Anti-War Day, 1969 (printed 1980s)
Daido Moriyama

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black ground; red sketchy letters on a diagonal downward from ULQ: WAR (backwards R), with lighter, sketchy version of same letters in reverse behind bright red letters; outlines of sketchy white letters--RAW--behind lighter orange letters — Raw-War, 1971
Bruce Nauman; Publisher: Co-published by Castelli Graphics, New York; Publisher: Co-published by Nicholas Wilder Gallery, Los Angeles; Printer: Cirrus Editions, Ltd., Los Angeles

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round-bottomed jar flaring slightly to a pointed shoulder; flaring lip rim; red body with black bands at interior lip and lip rim, black band with incised marks at shoulder — Jar, c. 5th-2nd century BCE
Vietnam

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short-haired woman at R holding a flower and facing a row of soldiers holding guns with bayonets — Jan Rose Kasmir Facing the Pentagon and Guns, Washington, 1967
Marc Riboud

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red outline drawing of nude bald man seated with bulldog in lap; bulldog wears jersey with American flag motif; solid blue background with various hats and shrouds rendered with tabs to look like paper doll cutouts — Big Daddy with Hats, 1971
May Stevens

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Saigon Under Attack: Exhausted Americans in burned-out ruin, on the outskirts of Saigon, where elements of the 199th Light Infantry Brigade were fighting the Vietcong, Philip Jones Griffiths — Saigon Under Attack: Exhausted Americans in burned-out ruin, on the outskirts of Saigon, where elements of the 199th Light Infantry Brigade were fighting the Vietcong, 20th century
Philip Jones Griffiths

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panoramic view of a rural landscape; snowy scene with a misty view of a farm in the LRC; white sky with a field coated in snow; white outer border around all four sides of image — Untitled 15, 2017
Teo Nguyen

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long skinny silver piece that looks like a river on a map; has four mounting pins — Silver River--Housatonic, 2011
Maya Lin

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cubist inspired geometric painting in gray tones; diagonal columnar forms at L and R edges, with overlapping rectangular and triangular motifs; overlapping circles scattered; in silver metal frame — Eleven or K, 1965
Thomas Kapsalis

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Abstracted image; hawk's head at top on large, hulking, sketchy human silhouette in orange with green and yellow; rust ground; salmon-colored border; scratching in LLC; white symbol in URC; dark brown frame — Mythic Hawk (Egypt), 1999
Rick Bartow

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abstracted image; two Art Deco style buildings with text ("HURRIS" and "KOSM... DINN..") at left and right edges; radiating Art Deco vertical tower-like sign at center: "MOTEL"; flat, barren landscape; curving parallel lines in sky forming clouds; various round, oval, and rectangular stamps in blue and black with sculpture and landscape motifs and illegible handwriting — Untitled, 1969
Saul Steinberg

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Signs, Robert Rauschenberg; Printer: Styria Studio, New York; Publisher: Castelli Graphics, New York — Signs, 1970
Robert Rauschenberg; Printer: Styria Studio, New York; Publisher: Castelli Graphics, New York

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abstract image; orange figure with yellow wings (?) driving an open red and yellow car, being chased by another orange figure — Untitled plate from "Minded Mind" portfolio, 1966
Roberto Sebastian Matta; Printer: Kinji Akagawa; Publisher: Minneapolis School of Art

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2 oval-shaped discs with flat sides; slightly wider at bottom; brown stone with dark and light streaks — Pair of Slit Disc Earrings, c. 6th-2nd century BCE
Thailand

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long, with slits at sides; blue with white, tan and blue trim; predominately brown cross-stitch around neck and front opening; white, tan, green and yellow embroidery at hem in back; trimmed with black and white beads and brown tassels; metal stars around neck — Coat, from a seven-piece costume, 20th century
Dong

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Animals and people in scenes of village life embroidered on dark blue background. Made in Thailand, 1983. From a letter from the artist: 'This village scene tells about the village Phou Bia in Laos. The house that the two dragons surround was a place that the Hmong's army chief (General Vang Pao) used to live. It also used to be a temple for the Hmong population to praise the Lord. The other things on the bottom tell about the Hmong's life in Laos. They used to feed the chickens and pigs and go to the farm. It also mentions the fruit and food that Hmong people produced in a year. Hmong were happy to celebrate the New Year. This is from Thailand made in 1983.' -Pa Lee Thao — Village Story Blanket, 1983
Pa Lee Thao

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Ji Halberd, 4th-2nd century BCE

Vietnam

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map-like image in light teal; land plates of various sizes separated by wide and narrow snaking waterways — Geography Lesson 9, Ghost, 1999
Maya Lin; Publisher: Solo Impression, New York

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map-like image in dark teal; land plates of various sizes separated by wide and narrow snaking waterways — Geography Lesson 9, 1999
Maya Lin

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War Drawing Jacket, 1982-2011

Kim Jones

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The Hmong Migration, 1993-2001

Cy Thao

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The Follies of Old Age, from "In Praise of Folly", 1972

Fritz Eichenberg; Publisher: Aquarius Press

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small half-hoops with large ovoid pendants, decorated on bottom with overall filigree work, central creamy white gem and four gems in purple and pink tones — Pair of Earrings, 9th century
Vietnam

G213

large ring with central cloudy brown-grey gem with dark brown fleck; gold wire filigree work overall with eight other small gems around central stone; small gems in shades of purple and pink — Ring, 9th century
Vietnam

G213

large floral-shaped earrings with green stone set into diamond shape at center; green stone and dark pink glass inlays; 2 prongs on back of each — Pair of Earrings, 8th-10th century
Vietnam

G213

Kent State, 1970

Richard Hamilton; Publisher: Dorothea Leonhart, Munich

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shallow bowl with lid with scalloped, upturned rim and domed shape; cream glaze with traces of underglaze iron designs — Bowl with Lid, Le or Tran dynasty, 13th-14th century
Vietnam

G213

light brown, black, yellow, white; plain and patterned weave over green stripe — Skirt, early 20th century
Vietnam

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pair of round earrings with open centers; light green — Pair of Slit Disc Earrings, c. 4th century BCE - 1st century CE
Vietnam

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Wine Cup, Vietnam — Wine Cup, 14th-15th century
Vietnam

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indigo cylinder with rectangle of twelve multicolored bands applied near finished cuff — Sleeve, one of a pair, 20th century
Mien

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Wine Cup, Vietnam — Wine Cup, 14th-15th century
Vietnam

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striped cloth in rust, brown, tan and gold bands of stripes separated with band of geometric design — Shoulder cloth, 1945-1975
Tai Khao

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pouch with outer pocket on each side; tan double strap handle; blue with green, gold and purple embroidery with floral and geometric motifs — Handbag, 20th century
Nung

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tan with black, geometric embroidery with four wide bands at ends; self fringe — Shaman's sash, first half 20th century
Yao

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small plate; foot ring; green glaze; rim decorated with impressed ovoid shapes — Plate, 1st century BCE - 1st century CE
Vietnam

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black pants with multicolored appliqué square panels on legs; squares have triangle motifs with stripes on two sides; ten squares on each leg — Pair of pants, 20th century
Lolo

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black panel with white, rust and grey embroidery; two strips of print fabric around edges separated by embroidery; one strip of fabric applied horizontally in center section; geometric designs — Coat tail, mid 20th century
Red Yao

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blanket with geometric designs in many colors; horizontal stripes of colors with vertical stripes of dark green geometric designs; highly textured surface; made of two panels jointed at center — Blanket, 20th century
Maa

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round base; top and rim slightly ovoid; creamy yellow — Bowl, 1st century BCE - 1st century CE
Vietnam

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tube skirt; horizontal stripe bands in brown rust, tan and grey alternate with solid brown bands; bottom two bands have white beads woven into brown bands in diamond and triangle motifs — Skirt, 20th century
Katu

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blue with geometric embroidery covering about half of leg area; crotch gusset; tan and light blue waistband; embroidery is tan and burgundy; red piping on leg bottoms — Woman's pants, c. 1960
Yao

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blue/black cotton with most of legs covered in geometric embroidery in muted purple and yellow; red piping on cuffs; gusset — Woman's pants, mid 20th century
Yao

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black; primary design is on five appliqued and embroidered squares; various geometric bordered with small strips of appliqued embroidery; red, tan, yellow, blue; off-white lining — Shirt collar, 1930-1960
Red Yao

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dark blue with geometric embroidery on lower half of legs; crotch gusset; embroidery is burgundy and white; printed red piping on leg bottoms — Woman's pants, 20th century
Red Yao

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unfinished - not dyed; hand woven; patterned--flowery meo; blue and yellow was on white in square and diamond design — Skirt panel, 20th century
Mong leng (Blue Hmong)

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red; primary design has five geometric shapes connected to each other in black and tan; bordered with small strips of embroidered appliques; brown lining — Shirt collar, 1930-1960
Red Yao

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blue; extended button placket on front with appliqued red, blue and yellow stripes; embroidered linear strips and strip applique on sleeves; rectangular embroidered panel on back — Jacket, 20th century
Yao (Dao)

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square of off-white cloth with red trim on two edges; nine small embroidered sections with star and flower motifs, in red, grey and green — Head Cover, 20th century
Kinh

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white body embroidered with geometric and star patterns, predominately in blue and purple; red printed and blue fabric trim — Headpiece, 20th century
Yao

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brown with red, orange, yellow and cream stripes and geometric patterned strips; open slits on sides — Skirt, 20th century
Vietnam

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black skull cap; partially line; geometric cross stitch in reds and beige; horizontal design; uneven width around hat — Boy's hat, 20th century
Yao

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predominately black with red and white geometric patterns in horizontal stripes; vertical strip of red, black and white fringe on PL — Skirt, 20th century
X'Tieng

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dark red; pirmary design has six embroidered geometric shapes; bordered with small strips of applique; black, tan on orange; brown lining — Shirt collar, 20th century
Red Yao

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flat foot; body flares up to rounded shoulder; wide ring mouth; four small decorative handles; tan — Jar, 1st century BCE - 1st century CE
Vietnam

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two panels stitched together, horizontally and vertically; center seam has wide navy stripes; various widths of stripes in red, yellow and white complete patterns on both panels with slight variation in blue and white stripes; very heavy — Skirt, Date Unknown
Kratu

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tube skirt; brown; woven with rust, blue and tan stripes and also woven with white beads in zigzags, triangles, diamonds, stars, crosses, X's and stick figures — Skirt, Date Unknown
Katu

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dark indigo; jacket style; white stars along bottom hem; short sleeves; white and red design at lower back; placket with six coins at upper back — Blouse, 20th century
Coin Yao (Dao Tien)

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dark indigo; embroidered geometric designs at ends and center; ends sewn wrong side out; white beads at ends — Sash, from a four-piece set, 20th century
Coin Yao

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shallow dish with short foot; light grayish glaze; pair of lightly molded dragons around bottom of rim on interior — Dish with Molded Dragons, c. 13th-14th century
Vietnam

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round earring with open center; transparent light blue; flat on one side — Slit Disc Earring, c. 4th century BCE - 1st century CE
Vietnam

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flattened body with pointed shoulder on inward-flaring foot; small outward flaring lip rim; red with black stripes at outer and inner lip, shoulder, body and foot — Jar, c. 5th-2nd century BCE
Vietnam

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pair of round earrings with large open centers; purple stone with tan and white flecks — Pair of Slit Disc Earrings, c. 4th century BCE - 1st century CE
Vietnam

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counted stitch embroidery of black on off-white; geometric design with triangles, diamonds and swastikas; long fringe on short sides — Headdress, early 20th century
Kim Mun Lantien

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pair of round earrings with open centers; white stone with grey flecks — Pair of Slit Disc Earrings, c. 4th century BCE - 1st century CE
Vietnam

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round earring with open center; transparent light green — Slit Disc Earring, c. 4th century BCE - 1st century CE
Vietnam

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pair of round earrings with open centers; white jade — Pair of Slit Disc Earrings, c. late 20th -early 10th century BCE
Phung Nguyen (?)

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