showing 82 results matching Nagasawa

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peacock standing on rock with wild roses growing behind

Peacock and flowers [right of a pair of Birds and Flowers], c. 1840

Nagasawa Roshū

Not on View
magnolia with a variety of small birds in and flying around its limbs and base

Birds and flowers [left of a pair of Birds and Flowers], c. 1840

Nagasawa Roshū

Not on View
two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs

Family of Cranes [left of a pair], c. 1787

Nagasawa Rosetsu

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ghostly, abstracted image of a full moon ULQ with gray wispy cloudlike dragon over part of moon; pale form lower

Dragon in a Rainy Night, 18th century

Nagasawa Rosetsu

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Kakemono.

Weasel on Rock, c. 1778

Nagasawa Rosetsu

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seated tiger leaning against tree at L; facing R; gold brocade border

Sitting Tiger Roaring with the Wind, late 18th century

Nagasawa Rosetsu

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leopard leaning down to drink from stream; blue and gold floral brocade border

Leopard Drinking from Stream, late 18th century

Nagasawa Rosetsu

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five mice nibbling on long, thin branch of white rice-cake flowers at L; pink flowering sprig across white flowers at L; lone mouse nibbling on end of branch at far R; ivory roller ends

Mice on Rice-cake Flowers, late 1790s

Nagasawa Rosetsu

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male figure in green cloak and white pants crosses bridge; carries two large bundles from long pole balanced over PR shoulder; mountains ULQ

Woodcutter Crossing a Bridge in Rain, second half 18th century

Nagasawa Rosetsu

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two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel

Family of Cranes [right of a pair], c. 1787

Nagasawa Rosetsu

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cluster of branches and a gnarled tree trunk lower, with thin twigs and fat blossoms; long branch cuts up diagonally across image, with thin twigs and fat blossoms; small bird perched LL

Bird on a Plum Tree, 18th century

Nagasawa Rosetsu

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moon at top with diagonal space outlined by ink washes jutting into lower edge of the moon; area immediately below moon demarcated by abstract washes of clouds

Strange Mountain in a Moonlit Night, second half 18th century

Nagasawa Rosetsu

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Orange and black bird perched on a wisteria vine cutting diagonally down image; pink wisteria clusters at top

Japanese Tit and Wisteria, 18th century

Attributed to Nagasawa Rosetsu

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winding line of children holding hands; some children have playfully fallen out of line; brown ground with smattering of gold paint

Chinese Children Playing with an Elephant [left of a pair], late 18th-mid 19th century

Style of Nagasawa Rosetsu

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many small children playing with and climbing on a white elephant that is lying down

Chinese Children Playing with an Elephant [right of a pair], late 18th-mid 19th century

Style of Nagasawa Rosetsu

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barefoot standing man with fuzzy grey hair holding two fish in his PR hand; tree branch above

Man with Fish, 19th century

Spurious signature and seal of Nagasawa Rosetsu

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Collaboration by eight artists

Gathering of Artists, c. 1790

Kawamura Bunpō; Artist: Ganku; Artist: Matsumura Goshun; Artist: Matsumura Keibun; Artist: Nagasawa Rosetsu; Artist: Shibata Gitō; Artist: Utagawa Toyohiro; Artist: Yamaguchi Soken

Not on View
transferred from Record Book in 1982; from tortoise shell album with 30 albumen prints

Nagasaki, c. 1891

Tamamura K.

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unsigned; front view of man in General's uniform, standing with legs close together, PR hand on waist, looking toward R; white pants, short blue jacket with red lining in tails; pink sash, two star decorations, and red-plumed black hat

Russian Admiral, early 19th century

Unknown Nagasaki School

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unsigned; two men in military dress; man at L wears red coat and striped pants, standing with back to viewer; man at R wears short blue coat, white pants, and cravat; both men have swords, triangular black hats, and curly hair; framed

Two Russian Officers, 19th century

Unknown Nagasaki School

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unsigned; Dutch Lady with her Javanese servant and dachshund by the sea; foreign ship in the background

Dutch Lady with Servant, early 19th century

Unknown Nagasaki School

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unsigned; ships entering harbor at L; Western men unloading ships, and walking into walled port at R; multi-storied white building peeking over wall at far R

Dutchmen Unloading Cargo at Dejima, 19th century

Unknown Nagasaki School

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panoramic view of densely packed rooftops and trees along a bay surrounded by mountains, and filled with boats

Nagasaki Harbor, 1880-1890

Japan

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black ground; nude woman holding a baby

%C2%A9 Nagase Yoshiro

Title unknown [Mother and child], mid 20th century

Nagase Yoshirō

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abstract; orange and gree forms at center; grey ground; grey and white letters, LLQ

%C2%A9 Nagase Yoshiro

Oasis, 1968

Nagase Yoshirō

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black ground; abstracted nude woman in acrobatic position holding a child by one arm

%C2%A9 Nagase Yoshiro

Title unknown [Woman and child], mid 20th century

Nagase Yoshirō

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lower right corner has an empty hut which is partially hidden by two intertwined trees, one bare, the other foliated; above are a group of sailboats and several small birds

An Enjoyable Scene in Nagasaki, 1804

Kō Kaho

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Nagasaki, c. 1891

Tamamura K.

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damaged wristwatch without a band against light-colored fabric background

%C2%A9 Shomei Tomatsu

Atomic Bomb Damage: Wristwatch Stopped at 11:02, August 9, 1945, Nagasaki, 1961 (printed 1980)

Shomei Tomatsu

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Hizen Province: Nagasaki, Mount Inasa, 1856, 5th month

Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

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long sleeved robe with padded hem; printed design with bold flowers and pink ground; bright multicolors--primarily red and orange; cloud-like forms at top and chest are black with grid of gold dots; pair of grey, green, white, and gold birds with very long tailfeathers, with accents in gold embroidery, on stomach; crane above pair of birds; birds on back of sleeves and PR shoulder, with gold details; large crane with gold details on PR lower back; black at ends of sleeves and hem; lined in red

Nagasode kimono, from a five-piece wedding kimono set, 1934

Unknown Japanese

G219

Butterflies of Nagasaki, 1962

Mario Avati

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No. 28, Nagakubo, c. 1835-1838

Utagawa Hiroshige; Publisher: Iseya Rihei

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No. 28, Nagakubo, c. 1835-1838

Utagawa Hiroshige; Publisher: Iseya Rihei

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elaborate gateway in white, grey, blue, and gold, flanked by red, blue, and khaki green structures; row of grey lanterns in foreground; snow

Snow at Yomei Gate, Nikko, 1952

Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Nagashima Michio

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people wearing predominately blue garments working in a field with yellow crops; brown steer at right center; blue mountain peak in background

Harvesting, 1953

Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Nagashima Michio

Not on View
unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background

Emperor Ming Huang and Yang Guifei, around 1600

attributed to Kano Naganobu

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several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward

Landscape in the Style of Taiga, late 18th - early 19th century

Nagamachi Chikuseki

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text with sketchy landscapes, including some scenes with boats and buildings; red guidelines between lines of text; ivory inlays at center of roller ends

Three Distances, 1794

Nagamachi Chikuseki

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wide-mouthed, slightly irregular conical cup; salmon pink inside with earth tones, and rust tones outside

Sake cup (guinomi), early 21st century

Nagaoka Masami

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three large characters written horizontally across long sheet; two smaller, vertical characters (signature) at far L; vertical rectangular intaglio stamp at R center; square intaglio stamp at LL, just under signature; partial gold border along top L edge

Do not Betray Humaneness, 19th century

Fujiwara Naganori

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irregularly shaped cup with deep impressions from forming; gray in color with light green, gray, and dark gray glazes

Sake cup (guinomi), early 21st century

Nagaoka Masami

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large, hoop-shaped basket; with raised mass at center; made of wider, darkly stained bamboo and filled in with lacquer, so it has a muddy appearance; copper tube for water

%C2%A9 Nagakura Ken%27ichi

Circle, 1990

Nagakura Ken'ichi

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landscape with large, rolling rocky outcroppings in foreground with hint of a cascading river at R; rounded mountain in middle rises behind pine trees drawn with horizontal brushstrokes; mountain is dotted with trees; lower mountains and pine trees in background; three line inscription at UL; faded relief stamp at R center, square intaglio stamp at UL

Landscape, 1803

Nagamachi Chikuseki

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two thin, wide sculptural forms arranged with one inside the other with open center

%C2%A9 Nagae Shigekazu

Chain Formation, 2009

Nagae Shigekazu

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small, cone-shaped basket with pointed bottom nestled within thin, curving twigs; twigs sweep elegantly upward at top; black lacquered bamboo cylinder for inside

%C2%A9 Nagakura Ken%27ichi

Drooping Bamboo Light, 2004

Nagakura Ken'ichi

Not on View
gnarled, heavily textured pine tree growing up out of LRC; dense needles made from brisk brushstrokes at center and top, extending upwards to top edges; trunk and branches lightly washed with light brown pigment; gnarled, twisted branches bend downward at top of tree; light grey slope (?) with hints of foliage and circular blue-green flowers (or trees?) near trunk of pine tree at base; inscription at LL

Pine Tree after Wu Chen, 1803

Nagamachi Chikuseki

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many turtles swimming down stream towards small rapids; many other turtles downstream swim up towards rapids; even more turtles climbing over rocks and over each other at rapids at center

One Hundred Turtles, summer 1860

Seki Nagatoshi

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round tray with straight, short sides on a tall, round pedestal and wide base; black ground with gold flecks, and gold and mother-of-pearl chrysanthemum design

(Ceremonial Offering Stands, one of a pair), 18th century

Nagata Yūji

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shelf stand with shelves of various dimensions (one at left is shaped like an open fan), doors set with tortoise shell and a revolving square cabinet with a variety of small doors; top decorated with gold roundels with flower and bird motifs; landscape scenes depict the 8 Views of Omi--landscapes with figures, boats, birds, insects, foliage

Shelf stand with motif of the Eight Views of Omi, 19th century

Minota Nagahisa

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large rectangular form made of woven, braided, overlapping masses of bamboo rope; mounted to black board

%C2%A9 Nagakura Ken%27ichi

The Clinging, Fire, 1993

Nagakura Ken'ichi

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simplified rendering of a scholar's waterside retreat beneath a grove of broad-leafed trees; faint image of a mountain peak emerges beyond a blank middle ground

Autumn Landscape, 19th century

Nagai Unpei

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(Canopy for viewing cherry blossoms), c. 1820

Nakamura Nagaharu

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Kyokusui Poetry Party, 1810s

Nakamura Nagaharu

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Asters and Red Leaves, 1810s

Nakamura Nagaharu

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Camellia Flowers, c. 1820

Nakamura Nagaharu

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Plum and Camellia Branches, 1829

Nagayama Kōchoku

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round tray with straight, short sides on a tall, round pedestal and wide base; black ground with gold flecks, and gold and mother-of-pearl chrysanthemum design

(Ceremonial Offering Stands, one of a pair), 18th century

Nagata Yūji

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seated Buddha with hands in lap; wearing necklace, bracelets, earrings and hatlike crown; coiled snake body throne; 7 horselike heads on back of throne, each with a floral medallion under chin

Naga-enthroned Buddha, 12th-13th century

Khmer

G213

rolling rock formation at LR with tall tree near L bank; rolling embankment in background with small hut at center and waterfall at UL; a man stands on the L shore talking to a seated man in a boat at L

Landscape after Ike Taiga, early 19th century

Ishikawa Gengaku; Artist: Nagamachi Chikuseki

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oval shaped rock listing to R with a few sprigs of thin foliage; two smaller boulders to L

Rock, early 19th century

Nagamachi Chikuseki; Artist: Ishikawa Gengaku

Not on View

(Boating party), 1820-1849

Nakamura Nagaharu; Artist: Murata Yoshikoto

Not on View

%C2%A9 %C5%8Cta Masamitsu

No. 8, Actor Ichikawa Ennosuke II as Akutarō, 1951-1952

Ōta Masamitsu; Carver: Nagai Otokichi; Printer: Itō Harutarō

Not on View

%C2%A9 %C5%8Cta Masamitsu

No. 10, Actor Kitamura Rokurō as Otsuta of "Fukeizu", 1951-1952

Ōta Masamitsu; Carver: Nagai Otokichi; Printer: Itō Harutarō

Not on View

%C2%A9 %C5%8Cta Masamitsu

No. 6, Actor Nakamura Kichiemon as Kiyomasa, 1951-1952

Ōta Masamitsu; Carver: Nagai Otokichi; Printer: Itō Harutarō

Not on View
seated Buddha with hands on lap; small pointed hat on top of head; coiled snake body throne; 7 doglike heads on back of throne; smiling expression

Naga Buddha, 11th century

Cambodia

Not on View

%C2%A9 Yoshida T%C5%8Dshi

Sunny Day at Nagaoka, Izu, 1967

Yoshida Tōshi (self-published)

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%C2%A9 %C5%8Cta Masamitsu

No. 4, Actor Nakamura Utaemon VI in the play "Dōjōji", 1951-1952

Ōta Masamitsu; Carver: Nagai Otokichi; Printer: Kitajima Hidematsu

Not on View

%C2%A9 %C5%8Cta Masamitsu

No. 2, Actor Ichikawa Ebizō IX as Sasaki Moritsuna, 1951-1952

Ōta Masamitsu; Carver: Nagai Otokichi; Printer: Kitajima Hidematsu

Not on View

%C2%A9 %C5%8Cta Masamitsu

No. 11, Actor Nakamura Ganjirō as Kamiya Jihei, 1952

Ōta Masamitsu; Carver: Nagai Otokichi; Printer: Iwata Yasuji

Not on View
Buddha, figure of, seated on coils of a snake and sheltered by his seven expanded hoods. Monastic garment covers the figure (greatly weathered) leaving right shoulder bare; pendant ears, without jewelry. The Usnisa, or flame, is cone shaped; the hair is apparently plaited. The figure and serpent were originally ornamented with gilding, some of which remains, especially on coils of serpent and rear of his expanded heads. The serpent is in three coils. Provenance Angkor region.

Naga-Enthroned Buddha, 13th-14th century

Cambodia

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river with mountains in background; buildings at R midground and on opposite river back in center background

%C2%A9 Estate Clifton Karhu

Scenery in Gifu, Nagara River, 1961

Clifton Karhu

Not on View
nishiki-e

Shimonoseki Port, Nagato Province, 1856, 3rd month

Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

Not on View

Actor Arashi Kitsusaburō l as Nagai Genzaburō, 1821

Utagawa Kunihiro; Publisher: Tenmaya Kihei

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diagonal branch across image with smaller, thin branch with delicate pink and white blossoms; inscriptions top and bottom

Cherry Blossoms with Poems, c. 1790-1820

Kubo Shunman; Poet: Ōta Nanpo; Poet: Ishikawa Masamochi; Poet: Sugawara Nagane; Poet: Kitagawa Kihei

Not on View
unsigned, no publisher seal

No. 55, Kōdo: Cormorant Fishing Boats on the Nagae River, c. 1835-1838

Eisen; Publisher: Takenouchi Magohachi

Not on View
pleated blue pants with beige symbols on L and R legs and at front waistband; two long ties attached to either side; open slits down both sides; bottom cuffs and top waistband are sewn shut;

Long trousers (nagabakama) for kyōgen theater [from a set], early 20th century

Unknown Japanese

Not on View
cloth trousers with straps that go over shoulders; sage-green at top of trousers that fades into an indigo color; white emblem at top flap of trousers, with stacked white liner hexagons throughout top green area; stylized origami birds and same scalloped design that is at the top flap are throughout the middle blue area; thin maroon straps attached at PR and PL outer leg area

Long trousers (nagabakama) for kyōgen theater [from a set], early 20th century

Unknown Japanese

Not on View

No. 55, Kōdo: Cormorant Fishing Boats on the Nagae River, c. 1835-1838

Eisen; Publisher: Takenouchi Magohachi

Not on View
unsigned, no publisher seal

No. 55, Kōdo: Cormorant Fishing Boats on the Nagae River, c. 1835-1838

Eisen; Publisher: Takenouchi Magohachi

Not on View

The Abalone Shell, 1821

Katsushika Hokusai; Author: Poem by Tsukihanano Nagame; Author: Poem by Yamamichi Nuime; Author: Poem by Kado Marume; Author: Poem by Kanjinsha Nijinari; Author: Poem by Shūchōdō Butsuryō

Not on View

Alamogordo Blues, 1986

Patrick Nagatani; Maker: Andrée Tracey

Not on View

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