Looking for merasti, mershim, marsi, mensi, merci?

Grand Central, 1987

Frederick Mershimer

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elderly couple seated on opposite sides of a table in a restaurant; pale blue and pink wall with metal sconce with two light fixtures with patterned shades behind couple; woman at left looks at her wedding ring; man at right has a cigarette in his mouth — New Brighton, Merseyside, from "Last Resort", 1983-1986 (printed 2012)
Martin Parr

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**Entrance to the Mersey from Waterloo Sands**, 19th century

Sir Frank Short

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assemblage with torn newspaper clippings, overlapping black and white Xeroxed photos of children playing; repeating images of young girl in black and white and newspaper clippings; adhered, broken green glass bottle; clumps of human hair; cigarette butts, matches; cigarette holes and singe marks; mounted to mauve mat board and framed — All-y All-y in Free, 1996
May Stevens

G374

last supper type arrangement with seven figures seated at a table while a pregnant woman stands at the L edge of the composition; general pink/blue/purple color palette; "Vatican Cafe" is written in mirror above Christ figure's head — Vatican Cafe, 2014
Jim Denomie

G280

abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color — Besides as Before, 1989
Steven Sorman

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Surrealist style; six abstracted head-like forms in various colors with large cutout eyes; six tan spheres in foreground; three rock-like elements connected by black lines; two red forms connected with string-like lines in "eye sockets" of grey head; two other balls--red and blue — Les Corps des Esprits, 1974
Marcel Jean

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full-length silhouette of a female figure with hair flowing upward; grey ground; colored painterly lines around arms and legs with outwardly curved lines from hips to shins — Untitled (Korperfotogram 89), 1966
Floris Neusüss

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collaged pieces of paper covered in a thin layer of white media; float mounted in a white frame — Untitled Composite, 2016
Kevin Appel

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black-and-white 3/4 length portrait of a woman with long dreadlocks or braids, with shorter braids/dreadlocks on the top of her head, with her eyes closed and hands raised with palms facing out; woman wears a headband, beaded necklace with two large gems and two small skulls, and a dark long-sleeved shirt — See-Line Woman (The General), 2019
Renée Stout

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highly abstract image; gray and black charcoal background, scribbled and smeared; overlapping scribbled pockets of yellow, red, green, blue; paper inherently crumpled — Untitled, c. 1955-58
Norman Kanter

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Capriccio, Hans Hofmann — Capriccio, 1945
Hans Hofmann

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punching bag that has been covered in pony beads and studded spikes on the top half, and 12 rows of silver conical jingles on the lower half; multi colored nylon ribbon in blue, black, red, white and yellow, hangs along the bottom in four rows, 12” of fringe hangs below bag; text in beaded area reads, “each time you love love as deeply as if it were forever nothing is eternal” in four rows — NOTHING IS ETERNAL, 2017
Jeffrey Gibson

G259

Old Fashioned Window/2, Ramona Sakiestewa — Old Fashioned Window/2, 1989
Ramona Sakiestewa

G261

multicolored, geometric lettering attached to a multicoloredy, patterned background with alternating black and gray border; angular, geometric shapes create the outlines/suggestion of letters within individual squares, spelling out the title in the CQ; background consists of multicolored triangles in block pattern — KNOW YOU'RE MAGICK BABY, 2019
Jeffrey Gibson; Printer: Lower East Side Printshop, New York; Publisher: Sikkema Jenkins & Co., New York

G259

thin tubes of multicolored fabric forming an oblong shape, braces by thin black pieces of fabric at sides; thicker shape at bottom in blue fabric with lace on it, and a pink flower; red and blue entwined tubes of fabric at PL; green fabric with a black flower in C — The Ninth, from Torções series, 2019
Sonia Gomes

G255

layered collage consisting of old printed linoleum pieces that are torn, worn and layered; faux wood grain patterned pieces of linoleum with cowboy figure and cowboy boots in URQ and moving downward to right center and LRQ; waxy yellowed adhesive in URC and on upper right edge; layered linoleum pieces with floral designs in top center and in center, with yellow adhesive seeping from the edges; geometric patterned linoleum with gray, red and white lined pattern; muted mauve floral pattern on left edge; severely crackled blue and peach floral pattern in LLC; yellow stained backing paper visible in corners — Lesbian Dreams, 1992
Harmony Hammond

G373

chair with applied found objects including hoes, shovels, pick ax, wheels, cast iron pan, clothes iron, American flag, chains, padlocks, and metal ornaments — Voyage in Chains, 2000
Joe Minter

G374

Collage with pigments and applied beads; surreal head with face at right and second face at left, on hair bun; large upside down eye at center right; large frowning mouth at right; small ear near center; amphibian or snake eyes on chin of smaller face (on hair bun); small hand in front of leftmost eye on face on hair bun; headless body of seated leopard between back of larger head and hair bun; pink drapery around neck; applied grey and pearl-like beads on forehead of larger face; pink-grey mottled ground; white frame — Pretty Double-Head, 2010
Wangechi Mutu

G374

shapes in brown and black washes on off-white paper; black triangle in upper one-third, black squares at LL and LR corners and other abstracted shapes throughout; off-white mat; framed behind glass in dark brown wood frame — Untitled, 1974
John Walker

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shapes in brown and black washes on off-white paper; brown rectangle in upper one-third and white triangle in lower one-third with other abstracted shapes and marks throughout; off-white mat; framed behind glass in dark brown wood frame — Untitled, 1974
John Walker

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shapes in brown and black washes on off-white paper; light brown rectangle at top, black shape with pointed lower tip at center and other abstracted shapes in lower one-half of sheet; off-white mat; framed behind glass in dark brown wood frame — Untitled, 1974
John Walker

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simplified image of a white rooster with a red comb and waddle, black tail feathers and yellow beak and feet; mottled gray background — Rooster, 1950
Milton Avery

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abstract image with seahorse, Mona Lisa's face, stars, squares, circles and triangles in dark blue — Summer (Blue), 1985-1991
Jasper Johns; Publisher: Brooke Alexander Editions, New York; Printer: Universal Limited Art Editions (ULAE)

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Bound covers with photocopied image and text; 22 pp. — Ablutophobia, late 20th-early 21st century
Unknown

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Saddle stitched binding, image and text photocopied on yellow cover; 8 pp. — Bastard Eye, June 2007
Frank Reynoso; Publisher: Frank Reynoso

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Bound volume with photocopied designs; 22 pp. — The Alarm, no. 2, 2005
RoB; Publisher: RoB , Houston

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Saddle stitched, with photocopied image on coated paper; 6 pp. — Anarchie #1, 2000
Unknown

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Saddle stitched, photocopied image on coated paper; 6 pp. — Anarchie #2, 2000
Unknown

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Saddle stitched, photocopied image on coated paper; 6 pp. — Anarchie #3, 2000
Unknown

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Bound covers, image printed with color offset lithography; 24 pp. — A Strange Day, 2003
Tatiana Gill; Author: David Hurd; Publisher: Origin Comics, Newburgh, N.Y.

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Mini-zine. Date NA. — Lovely Creatures, 2004
John Laughlin; Publisher: Sherwood Press, Toronto

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Saddle stitched binding, cartoonish illustration of a band (silhouettes) performing; 25 pp. — Strings Attached Greatest Hits, 2007
Ali Solomon

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Loose, folded leaves with photocopied text and image; 11 pp. — The Abolition of Work, 1996
Unknown; Publisher: CrimethInc. Worker Collective

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Saddle stitched binding, title printed on cover in the upper center; 16 pp. — slogans are condom, 1989
Unknown

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Single leaf with text and designs. — Flyer: Drunkard's Wife Featuring Fly!, 2015
Fly NYC

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Single leaf with text and designs. — Flyer: Drunkard's Wife Featuring Fly!, 2015
Fly NYC

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Single leaf with text and designs. — Flyer: Drunkard's Wife Featuring Fly!, 2015
Fly NYC

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Single leaf with text and designs. — Flyer: August Lab, 2013
Fly NYC

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Single leaf with text and designs. — Flyer: August Lab, 2013
Fly NYC

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Single leaf with text and designs. — Flyer: Pepo Efferent?, 1991
Fly NYC

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abstract image; white vertical grass-like elements; diagonal black lines in ULQ; organic light and dark forms — Nachtbild (44), 1991
Floris Neusüss

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collaged pieces of paper covered in a thin layer of white media — Composite 4 (frayed), 2016
Kevin Appel

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curved top; flat base; horizontally placed chainsaw between base and top; unfinished surface — Stool, Date Unknown
Asante

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%C2%A9Estate of Roy Lichtenstein

Peace through Chemistry II, 1970

Roy Lichtenstein; Publisher: Gemini G.E.L., Los Angeles

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abstracted image of blurry oil field silhouette in black against yellow with white sun in URC — Oil Field, September 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

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abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom — Industrial Park, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

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abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky — Refugees, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

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abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center — Dead Soldiers, October 2004
Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

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highly abstracted squiggly line drawing, possibly of 3/4 portrait of woman and bust, with hand at LL — Wax Quintuplet, 2008
Chloe Piene

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abstracted image with realistic tree stumps, logs, flowers and foliage at bottom, with the body of a man transforming into star shapes made up of triangles blending in to a background of sky and bare trees made up of similar star shapes made of triangles; white spot (sun or moon?) in URC; text in Old English script in black at bottom: "Dim and dark Indistinct and shadowy By my body After a thousand years of life Thousands of years of death / I quit my body to the Realm of Radiance Find rest knowing Trees will become rocks Rocks will become trees / The Holy Flower of the North Star That together For every nature Everything fashioned And all creation / The Body of Adam All is being dissolved into one root Exists in one another Is drawn to each other" — Body of Adam, 2016
Eric Beltz

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highly abstracted black line drawing, with squiggly lines; rounded shape with rounded peak — Wax Quintuplet, 2008
Chloe Piene

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black line drawing with squiggly lines; highly abstract image; framed in white frame — Wax Quintuplet, 2008
Chloe Piene

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brightly colored print with geometric shapes in background and geometric flowers; pinwheel shaped flower at L with isosceles triangle petals; starburst flower at UL with diamond and triangle petals; flower on long stem at R with diamond petals in pastel colors; diamond, square, rectangular, and circle patterns in background — Atomic Mystic Portrait 3, 2016
Polly Apfelbaum; Publisher: Durham Press, Durham, Penn.

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abstract image with overlapping blocky red, black, and gray forms against white background; framed — Compostion II, 1962
Afro Basaldella; Publisher: Enrico Castelli, Rome

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highly abstracted squiggly black line drawing of roundish form with hand-like shape at LL — Wax Quintuplet, 2008
Chloe Piene

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highly abstracted black, squiggly line drawing; two roundish forms, each with small dot, with concentration of lines at L — Wax Quintuplet, 2008
Chloe Piene

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24 pages; 26 illustrations; cover has six triangles that each have an abstract design on interior; imagery within book is generally geometric with many stars and triangles arranged in shapes reminiscent of a kaleidoscope. Not signed — Untitled (Kaleidoscope book), not dated
James Castle

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large drawing with numerous layers of lines and scribbles overlapping until forming a dark, textured mass that occupies the majority of the center and down into LRQ; squared off section in LLQ — Untitled 978 W, 1997-98
Il Lee

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hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; triangular shaped element at top center — Untitled, 2014
Rosana Castrillo Diaz

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hyper-realistic black-and-white image of folded or creased and crumpled paper and/or cloth; shaded ground space at right — Untitled, 2014
Rosana Castrillo Diaz

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bathroom scene; male figure wearing white underwear, stands in front of a white claw foot bathtub looking to the PR, with PR arm across his chest; PL wrist is bound with a red string or rope and attached to another nude figure in a jumbled, compromised position, draped over the edge of the bathtub; both bodies appear to have been wounded, with suggestions of bloodstains on the edges of the bodies and the bathtub; chair on the right center edge; stool with green fabric draped over it in LRQ; yellow bath mat on a brown tiled floor; yellow walls and blue shower curtain — Tied at the Wrist, 1988
Hugh Steers

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interior kitchen scene; seated figure in red shorts and a white t shirt, cigarette in PR hand, while PL hand holds a pink cup resting on a table; standing figure in a suit holding a stack of money in both hands; stove and sink on center left — The Smoker's Dilemma, 1990
Hugh Steers

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Self-Portrait: I Feel Like Fire Today!, 1981

Luis Cruz Azaceta

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bold and lighter branching wavy lines in brown, in a horizontal format — Lightning Bolt in South Africa, February 2007, from "Echo #3", 2015-2019
Rafael Villares

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heavy brown zigzagging lines at center with lighter and thinner branches extending from it — Lightning Bolt in Arlington, USA, May 2005, from "Echo #3", 2015-2019
Rafael Villares

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some thick brushstrokes in brown ink with thinner tendrils — Roots from Helonio Plant, from "Echo #3", 2015-2019
Rafael Villares

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bold and thin wavy lines in brown with some wide areas especially along right side of form — Mackenzie River Basin, from "Echo #3", 2015-2019
Rafael Villares

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brown thick and thin branching lines in the form of a human heart — Arteries and Veins of the Heart, from "Echo #3", 2015-2019
Rafael Villares

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some thick brown lines extending down from central top point; thinner slightly wavy lines extending down — Roots from Rosemary Plant, from "Echo #3", 2015-2019
Rafael Villares

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zigzagging bold and lighter wavy branching lines in a horizontal format — Yangtze River Basin, from "Echo #3", 2015-2019
Rafael Villares

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treelike form with even branching in brown — Meningeal Arteries, from "Echo #3", 2015-2019
Rafael Villares

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wide area of bold and lighter wavy lines extending down from top, in brown — Lightning Bolt in Rio de Janeiro, Brazil, 2001, from "Echo #3", 2015-2019
Rafael Villares

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heavy brown zigzagging line extending diagonally from ULC to LRC with thinner branches extending from it — Lightning Bolt in California, USA, 2009, from "Echo #3", 2015-2019
Rafael Villares

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thick rather straight horizontal line in brown with thinner branching wavy lines extending from it — Veins from the Lower Leg, from "Echo #3", 2015-2019
Rafael Villares

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thick brown wavy lines extending down from vertical line, with some thinner wavy branches extending down — Roots from Acacia Tree, from "Echo #3", 2015-2019
Rafael Villares

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brown zigzagging lines with branches in mainly horizontal format — Cauto River Basin, Cuba, from "Echo #3", 2015-2019
Rafael Villares

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brown branching lines in the form of a human brain — Cerebral Arteries, from "Echo #3", 2015-2019
Rafael Villares

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heavy and light brown wavy lines extending down from a central point at top — Grass Roots, from "Echo #3", 2015-2019
Rafael Villares

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black ring against gray-white ground with grey pencil line grid at center, with pencil lines radiating outward inside and outside black circle; received framed in black and silver frame — Circle of Multifarious Precisions, 1979
Richard Pousette-Dart

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red pigments with black shading; large bomb in center; text at top of image that reads "9000 lbs. "LITTLE BOY"= 12,500 tons of T.N.T...."; heart etched in bottom left of body of bomb, with the inscription reading "FERMI OPPENHEIMER TELLER" inside of the heart; blue print of bomb at bottom center of image; grid with tiny black dots in LLC: white, small airplane in ULC — The Hiroshima Bomb, 1984
Robert Arneson

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brown branching and zigzagging lines primarily in a diagonal from UR to LL — Amazon River Basin, from "Echo #3", 2015-2019
Rafael Villares

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lines forming geometric shapes; bold black lines form large hexagon; bold red lines form smaller hexagon; many triangle, rectangles, and diamonds; red, orange, green, black, and gold lines with some geometric forms filled in with stipple and wavy lines; received in white frame — Geometric, 2014
Monir Shahroudy Farmanfarmaian

G243

central painted panel with geometric shapes including abstracted letters, in various bright multicolors (predominately warm colors at left, cool colors at right), surrounded by a white frame; outer band of beadwork in predominately red, black, and blue with white text: "WHAT WE WANT / IS FREE"; outer white frame — WHAT WE WANT IS FREE, 2020
Jeffrey Gibson

G304

bright, colorful image of a Black man dressed in white, lying in a flower bed, surrounded by groups of flower varieties; bees hovering in the margins on a solid green background; in a blond wood frame — The Late Spring Arrival, 2022
Lamar Peterson

G301

large abstract painting in multicolored pigments; thick, blue bands of color across top and left side of canvas; light orange squared off section with darker puce wash of color overlapping and merging outwards toward center left edge; two curving bands of yellow pigment in upper right edge of canvas; vertical green and red bands of pigment in URC; smeary wash of puce pigment with dimension in LRQ; thin pink horizontal line in LRQ — Rio Grande, 1987
Helen Frankenthaler

G378

colorful image; grouped figures in T quadrants; colorful, horizontal planes along B quadrants, representing walls and the ground; bench in BC; window in URC; single figure in LLC; brown wavy lines along bottom edge of image; floating mount, with a brown wood frame — Untitled, 1965
Agatha Wojciechowsky

G353

image of a hammerhead shark lying on piece of land; body of water in washy red pigment on L, with mountains in the background; red sky that gradates to blue at horizon line, with black diagonal scribbles throughout; red building on the R, with two palm trees at entrance; boat in CR; anchor in ULC — Untitled (Hammerhead Shark), 1974
H. C. Westermann

G353

Black woman at left wearing a red skirt suit with white buttons, red and white striped blouse, and red hat with white pompon or flower; Black woman to right of first figure wearing a black blouse, tan skirt, and tan hat with white bow, holding a baby wrapped in a white blanket; Black couple at right, with woman in a brown skirt suit and brown hat with white band, reaching out for baby, and man wearing a dark suite and dark hat; two Black children at center; small framed portrait of a Black man in a black hat against a turquoise ground, on a shelf at top center; received in white frame — The Beginning, 2002
Winfred Rembert

G322

abstracted image with nine female figures in a wheel-like shape with their heads overlapping at the center (many not visible), wearing tan bodices and long white skirts; green ground; flowers at bottom edge; received in black frame — Arose, 2020
Shahzia Sikander

G243

astract image; mostly square, rectangle, and triangular shaped torn pieces of paper and fabric in muted tans, pale orange, greys, creams, and some collage elements with drips and lines of black and blue ink; in white shadowbox frame — Untitled (No. 708), 1953
Anne Ryan

G369

Front Room, 2022

Pamela Phatsimo Sunstrum

G368

oversize color photograph of two Black women with short hair reclining in a bed with a blond wood headboard; one is lying down with eyes closed, the other is behind, embracing her partner's shoulder and gazing down at her; the women are wearing tank tops with lower bodies partially covered by a white duvet; arrived in a black frame, no overmat — Gina & April, Minneapolis, Minnesota, 1998
Catherine Opie

G368

abstract imagery in warm tones; yellow gradient color along top edge; a white rectangle shape with a half circle at top center with a pink gradient on the interior of the rectangle; magenta pink along L edge; yellow to brown gradient along R edge; wavy vertical shapes in light green, yellow and tan at bottom center — Gorodiva, 1968
Miyoko Ito

G375

beading and sequins overall; central turquoise drum in front of a gold platform, with an old man with white hair and beard wearing gold pants and a black shirt with green leaves and vines assisting a woman wearing a white hat and blue dress with moons and starts onto the platform; musicians at left and right; man in red knickers and gold shirt playing maracas and man in green pants and black and red shirt playing a lute at right; man in dark blue suit playing an accordion, man in white pants at red shirt with leaves seated on and playing a box-shaped percussion instrument, and man in black tank top playing a harmonica at left; large brown element at top; multicolored beads on border, with symmetrical pattern of maracas, conical horns, and lutes; outer fabric border of patterned khaki, grey, and white fabric, with gold sequined trimming — Bal Kontredans, 2021
Myrlande Constant

G255

view of an underground London subway station with entrance gates at right and stairs leading upward at left; many people--elderly woman with shopping bag, man with wheeled suitcase, woman wearing hijab, woman with child; vending and signs at left — Terminus, 2012
Clive Head; Printer: Paupers Press, London; Publisher: Clive Head

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abstract image in muted multi-colored pigments; large, blooming shape with circular, dripping blobs in shades of black, gray, orange, red and yellow; tiny, bubbling textured shapes along outer edge; dark shapes migrate off the edge of the image onto the margin of the paper; swirling orange blob in LLQ; small, textured black blobs along bottom edge — "Blumen in einer Glasvase" nach Jacob van Hulsdonck nach 1608 (7/9), 2017
Joachim Schulz

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rectangular abstract image with horizontal roughly triangular forms with stripes in primarily reds and blues; waxy vertical drips on image; applied masking tape at edges of triangular forms and at edges of rectangle; received framed in black frame — Untitled (Dayton's Gallery 12), 1972
Ed Moses

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Black and white image of a forested area; horizontal fallen tree with thick dark trunk and branches layered over the top of the log in center; thin, layered gradated leaves throughout. — Lake Quinalt Deadfall II, 2018
Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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Black-and-white image of a forested area; gradated trees against a white sky; two darker branches in center right edge; single dark, twisting branch in LLQ, extending upwards into URQ. — Humphrey Head IV, 2018
Michael Kareken; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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