Red Totem I, George Morrison — Red Totem I, 1977
George Morrison

G375

Collage of flat pieces of found, weathered wood--some with paint traces; circles, rectangles, and wedges in irregular organic forms; blues, tans, white, and various wood tones — Untitled, 1992
George Morrison

G369

abstract image with ovoid forms and wavy lines; black, blue, grey, red and dark rose; received in distressed wood frame — Black Ravine, 1949
George Morrison

G261

Untitled (New York), George Morrison — Untitled (New York), 1954
George Morrison

G261

abstracted landscape; primarily rectangular shapes--some curves--forming horizontal bands, delineated with thin red borders; thickly-applied surface pigments with openwork-like unpainted areas allowing bright multicolored underpainting to be visible; purple "sky"; blue-grey "water"; green, lavender, orange and pink "rocks/land" in foreground — Lake Superior Landscape, 1981
George Morrison

G301

Landscape — Openings, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

G303

Landscape. — Far Echo, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

G259

Landscape — Mount Maude, c. 1942
George Morrison

Not on View

Abstraction. — Untitled, 1960
George Morrison

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Collage IX: Landscape, George Morrison — Collage IX: Landscape, 1974
George Morrison

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abstract image with arcs, lines, and hatching — Composition, 1945
George Morrison

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abstract image with horizontal color bands in background (from top: grey, red, black); vertical biomorphic shapes in brown, tan, red and black; long inscription in lower margin — Red Rock Variation: Surrealist Landscape, 1987
George Morrison

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thick black and grey twisting, curving lines primarily clustered in two overlapping areas in LLQ and URQ — Untitled (Dayton, Ohio), 1960
George Morrison

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abstract image; rough, irregular grid with some curving lines and circular forms; crosshatching in various patterns — Untitled, 1948
George Morrison

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abstract image; irregular, primarily vertical floating forms in various colors (primarily oranges and yellow at bottom, brown and purple at top) on top of multicolored ground with high horizon line and blue "sky" — Untitled (Surrealist Landscape), 1994
George Morrison

Not on View

rubbing in grey and brown of woodgrain patterns on small pieces of wood fit together to form a square; primarily rectangular forms, with two half-circle forms and large form at bottom with curving top — Untitled, 1977
George Morrison

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abstract image; forms with zigzagging edges, grey shading and black outlines floating over orange and purple "ground", black horizon line and dark purple "sky" — Surrealist Landscape, August 8, 1984
George Morrison

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two vertical white biomorphic forms with light blue shading; field of blue at bottom of image, green at top — Landscape: Surrealist Forms, 1993
George Morrison

Not on View

abstract drawing with grey ground and black geometric forms and curvilinear lines; black, distressed wood frame with a silver inset — Untitled (Cap d'Antibes), 1953
George Morrison

Not on View

abstract image; biomorphic forms with red forms at top and vertical golden brown forms at bottom; horizon line with red dotted "sky" and green shaded "ground" — Surrealist Landscape or Red Rock Variation - Masonic Hospital - U of M – Minneapolis, 1985
George Morrison

Not on View

Untitled, George Morrison — Untitled, 1949
George Morrison

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Untitled, George Morrison — Untitled, 1950
George Morrison

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abstract landscape with high horizon line; orange sky; blue band (water?) at horizon line; irregular rock formations in tan, orange, purple, blue, black and green — Untitled (Lake Superior Landscape), 1999
George Morrison

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Abstracted landscape — Untitled, 1972
George Morrison

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abstract image; layered lines in mostly red pigments; black vertical line in C; washy, yellow background, with some green and pale red pigments — Untitled, 1957
George Morrison

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Untitled (Paris), George Morrison — Untitled (Paris), 1952
George Morrison

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Abstracted landscape with distant horizon line — Untitled, 1973
George Morrison

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Untitled, George Morrison — Untitled, 1960
George Morrison

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Landscape — Emerging Fire, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

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Landscape. — Departure, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

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abstract image; thick, black lines throughout image; washy red pigment in background — Untitled, 1960
George Morrison

Not on View

Landscape: Surrealist Forms, George Morrison — Landscape: Surrealist Forms, 1984
George Morrison

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Untitled, George Morrison — Untitled, 1959
George Morrison

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abstract image; washy black lines that form an irregular pattern, with black section in CR; washy blue lines in ULQ and at L edge of image; pale blue-gray shading in crayon; notebook holes on L edge of sheet; spots of orange pigment in CL of image — Untitled (Dayton, Ohio), 1962
George Morrison

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abstract image; many parallel wavy lines forming woven patterns, rather like braids and weaving in hair; primarily vertical with horizontal section below top quarter of image; grey lines — Untitled, 1976
George Morrison; Printer: Steven M. Andersen

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abstract; geometric shapes with wood grain texture; narrow black wood frame around outer edge — Untitled, 1976-1978
George Morrison; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Untitled, George Morrison; Printer: Vermillion Editions Limited, Minneapolis — Untitled, 1976-1978
George Morrison; Printer: Vermillion Editions Limited, Minneapolis

Not on View

Untitled, George Morrison; Printer: Vermillion Editions Limited, Minneapolis — Untitled, 1976-1978
George Morrison; Printer: Vermillion Editions Limited, Minneapolis

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Untitled, George Morrison; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1987
George Morrison; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

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Untitled, George Morrison; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1987
George Morrison; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

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Surrealist Landscape, George Morrison; Printer: Akasha Studio, Minneapolis; Publisher: Akasha Studio, Minneapolis , Minneapolis — Surrealist Landscape, 1990-96
George Morrison; Printer: Akasha Studio, Minneapolis; Publisher: Akasha Studio, Minneapolis , Minneapolis

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Red Cube, George Morrison; Printer: Land Mark Editions, Minneapolis; Publisher: Land Mark Editions, Minneapolis — Red Cube, 1983
George Morrison; Printer: Land Mark Editions, Minneapolis; Publisher: Land Mark Editions, Minneapolis

Not on View

Untitled, George Morrison; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1977
George Morrison; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

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Churinga, 1990

George Morrison

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Plate 1 — Saint George the Victorius, 1914
Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

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Monstrosities of 1821, George Cruikshank; Publisher: George Humphrey, London — Monstrosities of 1821, May 20, 1821
George Cruikshank; Publisher: George Humphrey, London

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Caricature — Plate 2, from The Dancing Lesson, Pt. 2, March 6, 1824
George Cruikshank; Publisher: George Humphrey, London

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Caricature — Very Unpleasant Weather, or the Old Saying Verified. "Raining Cats, Dogs and Pitchforks"!!!, April 27, 1820
George Cruikshank; Publisher: George Humphrey, London

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Caricature, from Monstrosities of 1824--Pt. 7, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1824--Pt. 7, July 8, 1824
George Cruikshank; Publisher: George Humphrey, London

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Plate 1; Caricature — The 1st Position, from The Dancing Lesson, Pt. 1, July 8, 1822
George Cruikshank; Publisher: George Humphrey, London

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Caricature, from Monstrosities of 1825 and 1826, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1825 and 1826, February 10, 1826
George Cruikshank; Publisher: George Humphrey, London

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Caricature, from Monstrosities of 1818, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1818, October 3, 1818
George Cruikshank; Publisher: George Humphrey, London

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Plate 4; Caricature — The Sailors Hornpipe, from The Dancing Lesson, Pt. 4, March 1, 1825
George Cruikshank; Publisher: George Humphrey, London

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Plate 3; Caricature — L'Ete, from The Dancing Lesson, Pt. 3, March 1, 1825
George Cruikshank; Publisher: George Humphrey, London

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Caricature — Coming it!, November 24, 1824
George Cruikshank; Publisher: George Humphrey, London

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Caricature, from Monstrosities of 1827, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1827, 1827
George Cruikshank; Publisher: George Humphrey, London

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birds and animals; plate 294 — The Dodo and the Guinea Pig, 1757
George Edwards; Engraver: George Edwards

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Inconveniences of a Crowded Drawing Room, George Cruikshank; Publisher: George Humphrey, London — Inconveniences of a Crowded Drawing Room, May 6, 1818
George Cruikshank; Publisher: George Humphrey, London

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Monstrosities of 1819, George Cruikshank — Monstrosities of 1819, November 29, 1819
George Cruikshank

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Shells — Plate B. II., from "Deliciae Naturae Selectae", 1750-1772
George Wolfgang Knorr

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A Face in the Crowd, George Grosz — A Face in the Crowd, 1932 (printed 1977)
George Grosz

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Young American, George Grosz — Young American, 1932 (printed 1977)
George Grosz

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Matrosen, George Grosz — Matrosen, 1932 (printed 1977)
George Grosz

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Double-Decker, George Grosz — Double-Decker, 1932 (printed 1977)
George Grosz

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Remembering, George Grosz — Remembering, 1932 (printed 1977)
George Grosz

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New York, George Grosz — New York, 1932 (printed 1977)
George Grosz

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Shoeshine, George Grosz — Shoeshine, 1932 (printed 1977)
George Grosz

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Erste Landung, George Grosz — Erste Landung, 1932 (printed 1977)
George Grosz

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Over the Rail, George Grosz — Over the Rail, 1932 (printed 1977)
George Grosz

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Fellow Traveller, George Grosz — Fellow Traveller, 1932 (printed 1977)
George Grosz

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birds; plate 32 — Greater and Lesser Humming Birds from Surinam, 1743
George Edwards

Not on View

birds; plate 328 — The Brazilian Saw-billed Roller, 1802-1805
George Edwards

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birds; plate 327 — The Swallow-Tailed Indian Roller, 1802-1805
George Edwards

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Monstrosities of 1822, George Cruikshank — Monstrosities of 1822, October 19, 1822
George Cruikshank

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**Map of George Edwards' Travels**, 1743

George Edwards

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The Brook, George Overby "Pop" Hart — The Brook, 1926
George Overby "Pop" Hart

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Caricature — A Real Rubber!/ At Whist, c. 1824
M. Egerton; Engraver: George Hunt; Publisher: George Hunt

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Omega, c. 1951-1958, from 21 Etchings and Poems, Irene Rice Pereira; Author: Poem by George Reavey; Publisher: Morris Gallery, New York — Omega, c. 1951-1958, from 21 Etchings and Poems, 1960
Irene Rice Pereira; Author: Poem by George Reavey; Publisher: Morris Gallery, New York

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Sir Charles Hayter, Father of Sir George, 1819

Sir George Hayter

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**St. George Liberating the Princess**, 1508

Lucas Huygensz van Leyden

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"The Rights of Women" or the Effects of Female Enfranchisement, from The Comic Almanack for 1853, George Cruikshank; Publisher: D. Bogue — "The Rights of Women" or the Effects of Female Enfranchisement, from The Comic Almanack for 1853, February 10, 1826
George Cruikshank; Publisher: D. Bogue

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Vis à Vis. Accidents in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Vis à Vis. Accidents in Quadrille Dancing, April 11, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature — A Swarm of English Bees Hiving in the Imperial Carriage!! Who Would Have Thought It??? A Scene at the London Museum Piccadilly,..., January 1816
William Humphrey; Engraver: George Cruikshank

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Plate 1; Caricature — Dos a Dos/ Accidents in Quadrille Dancing, from Quadrille Dancing, March 4, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature — Monstrosities of 1816, Scene from Hyde Park, March 12, 1816
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Les Graces. Inconveniences in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Les Graces. Inconveniences in Quadrille Dancing, April 9, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Plate 2; Caricature — Vis a Vis/ Accidents in Quadrille Dancing, from series Quadrille Dancing, April 15, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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International Workers Order (IWO), Rockwell Kent; Printer: George C. Miller — International Workers Order (IWO), 1941
Rockwell Kent; Printer: George C. Miller

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See P.17,373. The Conclusion of the 1st Vol. — Title Page, Vol. I, from The Caricature Magazine,/ Or/ Hudibrastic Mirror, September 1, 1807
George Moutard Woodward; Etcher: George Cruikshank; Publisher: Thomas Tegg , 111 Cheapside, London

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The Longest Tailed Huming Bird, published according to Parliament, May, 1742 by George Edwards, 1742

George Edwards

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The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, 1807-1809
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, 1808
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Hudson River Bridge (George Washington Bridge), 1930

Howard Cook

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**Portrait of George-Louis Leclerc**, Comte de Buffon, April 25, 1801

John Chapman; Publisher: J. Wilkes

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Abbey Church, St. Georges de Boucherville, 1822

John Sell Cotman; Workshop: J. & A. Arch Cornhill, London

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Bridge Street Row, Chester, 1851

George Pickering; Lithographer: George Hawkins Jr.

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Calceolaria plantaginea, from The Botanical Cabinet, 1817-1833

George Cooke; Engraver: George Cooke

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Viola pubescens, from The Botanical Cabinet, 1817-1833

George Cooke; Engraver: George Cooke

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