seated figure with legs crossed, hands clasped on lap; shroud over head draping over shoulders; clothing drapes over front knees; remnants of gold pigment; inlaid eyes — Bodhidharma, 14th century
Unknown Japanese

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Bodhidharma, Fūgai Ekun — Bodhidharma, c. 1645
Fūgai Ekun

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head and shoulders of bald man with heavy beard, large eyes and long eyebrows; text at left; 2 seals in LLC, 1 in URC — Bodhidharma, 17th-18th century
Daishin Gitō

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heavy-set, nearly bald standing man wearing a grey drapery covering his entire body except his head, chest and feet; large, wide nose, scowling mouth, earrings, dark beard and chest hair and hair on top of feet — Bodhidharma, 20th century
Unknown Japanese

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male figure in lower half of image area, wrapped in red cloak that covers his head; large eyes gazing off to PR side; a hoop earring in each ear; closely trimmed beard — Bodhidharma, one of a pair, 13th century
Attributed to Yan Hui

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somewhat forlorn looking figure holding tattered red robe together in front of body standing with feet slightly splayed apart; looking outward towards PL; large, gold hoop earring in PL ear; shaggy eyebrows and beard; large open eyes; shaggy hair around temples but bald head at top; very long toenails — Bodhidharma, from a triptych of Bodhidharma and Landscapes of the Four Seaons, 1620s
Unkoku Tōeki

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sparse head and upper body of a man with long bristly whiskers and eyebrows; bald head; protruding eyes; large nose; one arcing horizontal wrinkle on forehead; four text characters in top URQ and three red seals; mount three different multicolored fabrics — Half-length Portrait of Bodhidharma, mid 18th century
Hakuin Ekaku

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seaside village at L, with white buildings, ships, and reeds at LL; sailboat with human figures at LLQ; low, rocky shore, buildings on stilts, and moored boats in middle ground at L; low mountains and a bay with boats in middle distance; at LR, an old lady in white ascends mountain trail at base; towering rock walls at either side of cliff, gnarled pine tree at L of cliff; small structure at center of mountain trail; second large cliff has temple complex at top; large, shadowy mountain continues upward at R — Landscape of Summer and Autumn, from a triptych of Bodhidharma and Landscapes of the Four Seaons, 1620s
Unkoku Tōeki

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mountain and water landscape with temple complexes; large cliffs and boulders rise out of water at LL; small, open structure with pointed thatched roof juts into water; room has tatami floor and is filled with pots; a small boat floats to the R of structure; gnarled, dense trees grow from rocks LLC; temple complex rises out of fog and treetops in middle ground; large, sweeping mountain with temple complex at top at UL; small moon rising center R — Landscape of Winter and Spring, from a triptych of Bodhidharma and Landscapes of the Four Seaons, 1620s
Unkoku Tōeki

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Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

head with elongated earlobes; downcast eyes; headdress with scrolls, tassels and floral forms, with pair of ornaments on either side with three red balls on blue drops; traces of blue pigment at hairline; traces of red pigment on lips; traces of olive-colored patina on skin of face; red, green and blue pigment on headdress; received attached to rectangular black base — Head of a Bodhisattva, late 6th century
China

G200

Gesso, color, kirikane on wood, metal — Jizō, the Bodhisattva of the Earth Matrix, early 13th century
Unknown Japanese

G220

Standing Bodhisattva of white marble, arms broken off below shoulder. The figure wears a narrow scarf, barely defined, and a skirt girdled at the waist, its upper edge finished with a curling line. Jewelled necklace and long chains. High headdress. Feet missing, head restored at throat where formerly broken off. — Standing bodhisattva, one of a pair, late 6th century
China

G200

Figure, Bodhisattva with hands together, with stand. — Bodhisattva, 386-537
China

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figure seated on lotus, proper right leg hanging off and supported by smaller lotus; lotus growing from both palms and flowering at shoulders; elaborate headdress and oversize earrings — The Bodhisattva Avalokitesvara, 1403-1424
China

G212

Jewelled headdress with pendants suspended from the beaks of decorative birds or from projecting scrolls. Right hand is on right knee, left hand is raised toward the chief diety. Sitting in a cross-legged position, the image of his Dhyani-Buddha in his headdress. Hip-length blouse, with wide round neck and rolled over collar, has a center vertical panel which is pulled into the neck when seated. Three-quarter length sleeves. The skirt is finely pleated and caught up slightly on either side of the leg. — Avalokiteshvara Bodhisattva (Guanyin), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953
China

G200

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

Standing Bodhisattva of white marble, right arm broken off below shoulder, left above wrist. Figure wears narrow scarf tied in x-like form at waist, and skirt whose upper edge falls over in narrow peplum effect over girdle. Elaborate jewelled necklace and heavy chains hanging to knees. High headdress. Feet missing; head restored at throat where formerly broken. — Standing bodhisattva, one of a pair, late 6th century
China

G200

plump face and wide nose; nearly closed eyes; wearing a large crown with dragon and foliage designs — Head of a bodhisattva, probably Avalokiteshvara (Guanyin), 12th-13th century
China

G200

PR arm raised, holding object; PR leg bent in front of figure, PL hand rests on PR knee; circle behind figure's head attached by a bronze pin; mounted on a black base; has its own box — The Bodhisattva Kuan-yin, 7th-8th century
China

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one of pair of Bodhisattvas crowned, seated in Dhyana (meditation) mudra on thrones with flame halo; gilt bronze — Pair of bodhisattvas, 1770
China

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one of pair of Bodhisattvas crowned, seated in Dhyana (meditation) mudra on thrones with flame halo; gilt bronze; Tibetan — Bodhisattva, one of a pair, 1770
China

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aubergine, amber and green glazes — Seated Bodhisattva, c. 1600
China

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torso and legs of a figure--head, PL arm at bicep and PR arm at elbow lost; clinging drapery; beaded necklace and long beaded strands from PR shoulder, around knees and down center of back; lotus blossom base; cream-colored stone — Standing bodhisattva, late 7th-early 8th century
China

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white robed figure sitting cross-legged at lower center of image; large, dark rock at bottom center; hanging foliage at upper center — Bodhisattva Kannon, early 17th century
Dōei

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Manjushri Bodhisattva, early 15th century

Kichizan Minchō

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relief sculpture; three figures inside a concave niche; central seated figure on lotus blossom on pedestal flanked by standing figures, incised Chinese characters around front edges; traces of pigment appearing brown--predominately grey — Buddhist votive stele with Buddha and two Bodhisattvas, 678
China

G230

large Buddha at center holding a rolled scroll in his PL hand and seated on a lotus blossom throne; attendant figure at L holds a box in his PL hand and is seated on a smaller throne; 2 other smaller figures at LL corner; white elephant at bottom center — Two versions of bodhisattva Guanyin, c. 1750
Ding Guanpeng

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standing gilt bronze figure in contraposto position, proper left hand in front of body with fingers together pointing upward, right hand down at side holding draped fabric — Figure of Bodhisattvas, one of a pair, 18th century
China

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standing gilt bronze figure in contraposto position, proper left hand open at side, right hand held in front, hanging jewelry highlighted by inlaid stones — Figure of Bodhisattvas, one of a pair, 18th century
China

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standing male figure with tall hairstyle, with a gilt headband and ornament at top front of hair; elongated earlobes; glass eyes and "third eye" on forehead; figure wears long gilded skirts with a sash over his PL shoulder, across his body, with small pieces of fabric wrapped around his lower arms; arms down, with palms up in front of his waist; PR foot slightly in front of PL foot; lotus blossom stepped stand — Kannon, the Bodhisattva of Compassion, 13th century
Unknown Japanese

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figure seated cross legged with hands upturned in lap, folds of garment flowing over legs; elaborate metal necklace with many low hanging pendants; base is intricately carved with open lotus flower on top of demon creature — Miroku, the Bodhisattva of the Future, second half 13th century
Unknown Japanese

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figure seated with legs crossed and PR foot resting on PL knee; open, loose robe is cinched around stomach; arms are bent forward, resting slightly; hands are missing — Jizō, the Bodhisattva of the Earth Matrix, Date Unknown
Unknown Japanese

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framed: thirteen Bodhisattvas standing on lotus blossoms within a cloud; each is dressed differently, and is standing in a different pose, looking in a different direction; figure at top has a sword in PR hand; figure at LR is surrounded by flame, and holding a sword and a rope; black background; metallic halos — Thirteen Buddhas and Bodhisattvas, 16th century
Unknown Japanese

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seated figure holding small branch with opening leaves and four red berries; halo around head; standing figure in LL with hand over girl with head down over deskin foreground — Rakan with Bodhisattva, 13th - early 14th century
Unknown Japanese

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standing Jizo in 3/4 view, holds transluscent ball in left hand, staff in right and each foot on lotus leave base which are on a cloud; rays emanate from head, first immediately around head encircled, then more extensions in back; Jizo is elaborately clad in garment decorated with kirikane in motifs of the various layers of clothing — Welcoming Descent of Jizō Bodhisattva, first half 14th century
Unknown Japanese

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standing figure holding staff in PR hand and sphere in outstretched PL hand; standing on tiered carved base with lotus leaves around top; gold leaf on garment and base with some remaining areas of blue and green pigment on garment; figure removes from base with keys on bottom of feet; staff also removes — Jizō, the Bodhisattva of the Earth Matrix, second half 13th century
Unknown Japanese

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Flying Apsaras, left arm outstretched, the right holds a plate of flowers, both legs pendant. — Flying Celestial (Apsara), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953
China

G200

Flying Apsaras, right arm outstretched, left holds a plate of flowers, left leg pendant, right knee flexed. — Flying Celestial (Apsara), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953
China

G200

figure standing on lotus leaf; PR arm is bent up at the elbow, with hand loosely fisted, possibly once holding an object; PL arm extended down with middle two fingers drawn in; eyes closed; pointed hat, sash over PL shoulder connecting to petal-like skirt — Kannon, the Bodhisattva of Compassion, from a group of 1000 (Kōfukuji sentaibutsu 興福寺千体仏), 12th century
Unknown Japanese

G220

bust of Bodhidharma in hooded white robe in lower half; two gold hoop earrings hanging from distended lobes just visible from under hood; characteristic big eyes, bushy eyebrows, and slightly disgruntled expression; hairy chest partially exposed — Daruma, 19th century
Unknown Japanese

Not on View

dark scene with seated figure in center with halo and holding staff; small red skinned figure in LLC and small white skinned figure in LRC — Life-Prolonging Jizō Bodhisattva (Enmei Jizō Bosatsu), early 14th century
Unknown Japanese

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robed figure standing in center with large halo behind head, holding golden staff in PR hand and round black object in PL hand; figure stands on lotus riding on swirling clouds or waves — Welcoming Descent of Jizō, Bodhisattva of the Earth Matrix, early 19th century
Sakai Hōitsu

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framed: Buddha seated cross-legged on lotus platform with PL hand open in lap and PR hand giving an O symbol; two halos and a beaded cloud above head; surrounded on two sides by figures playing instruments floating on clouds; two figures on either side, one praying, the other offering an object; dark background with small Bodhisattva figures — Welcoming Descent of Amida and Twenty Five Bodhisattvas, 16th century
Unknown Japanese

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slightly smaller than life-size sculpture of standing figure with elongated earlobes wearing a crown and garment with draping elements on sleeves and skirts, standing on a small rounded platform, holding a flower bouquet in PL hand; sculpture made up of small vertical pieces of corrugated cardboard with brightly-colored pigments on PL and PR faces; top of bouquet is removable; thin yellow ring at upper back of figure's interior — Eleven-headed Avalokiteshvara Bodhisattva (Jūichimen Kannon), 2012
Honbori Yūji

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Children making a snow ball, Nakajima Raishō — Children making a snow ball, 1820s - 1850s
Nakajima Raishō

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figure seated with one knee up; six arms; of PL arms: one pointing up, one placed on "floor", one outstretched in mudra; of PR arms: one placed next to cheek, one down and holding bracelet, one outstretched holding sphere — Nyoirin Kannon, the Bodhisattva of Compassion with the Wish-granting Jewel, 13th - early 14th century
Unknown Japanese

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images of fierce deities with weapons, flaming halos, grotesque features; text, some in Sanskrit — Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month
Jinken

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different images of Kannon, images of Buddha figures within large halos, with attendants, on lotus pedestals; text, some in Sanskrit — Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month
Jinken

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Standing Bodhissatva, c. 1600

China

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Standing Bodhissatva, c. 1600

China

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seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

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smiling young courtesan daintily plucks at the hairs of Daruma's upper lip; courtesan wears brown and white plaid robe with detailed red and white undergarment; Daruma wears red robe with white around neck; bald head, exaggerated cheek bones; looks painfully up at courtesan — Prostitute Plucking Daruma's Beard, first half 19th century
Inoue Setsuzan

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male figure at lower half of image with a halo, two bald spots, fluffy black hair, and a close-trimmed beard and moustache, wearing a black and red cloak — Sakyamuni, one of a pair, 13th century
Attributed to Yan Hui

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top 3/4 of a male figure wrapped completely in red robe, frowning mouth, eyes gazing slightly upward; three line inscription in black ink at top; one line red inscription bottom — Daruma, c. 1818 - 1837
Mindō Sōsen; Author: Inscribed by Chūhō Sō'u

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Eight Line Poem: "The Bodhisattva Jizo's Seal and Staff Reveal Shining Words", 18th century

Hyakusetsu Gen’yō

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