03-10; conical structure with raised openwork rectangular shape on one side of top; small hole at top with removable lid that has black painted bamboo stick pierced by pointed top spire; two "screens" of openwork carving at either side of top of body and a few areas of low-relief carving of bamboo trees and leaves — Bamboo Basket #2, 2002
Binh Pho, American, born Vietnam, 1955 - 2017

Not on View

abstracted landscape, viewed from above; purple, rose, and blue sky with rolling landscape with an orange river cutting diagonally across picture plane; numerous figures and animals in vignettes; campground with tents, teepees, and vehicles including a bus with a row of Porta-Potties and a line of figures on horseback in upper left; central section with farm equipment, Jeeps, police car, figures with flame throwers and figures wearing Ku Klux Klan outfits behind barbed wire, confronting people on opposite shore of river holding signs--one of whom has their pants dropped; foreground figures in LLQ include a man in a purple shirt printed "I'M TOAST" in a well, a Black man wearing a tie and holding a saxophone seated on a toilet, a man in a white shirt, a man wearing a feathered Native American headdress and a woman in a blue shirt and yellow vest with arms upraised; blindfolded woman with one bare breast, holding a blue bra and a scale balancing a dollar sign and a glass being grabbed from behind by a blonde man in a suit, with a row of men in suits behind them, smoking and drinking, with three hyenas; helicopters, plane, and a man holding two drones in the sky; received unframed — Standing Rock 2016, 2018
Jim Denomie

G262

dark blue-green glaze; bulbous "arms" extending upward from medium-sized round base element; ends of "arms" are curved/frilled; textured surface overall — Physarum, 2017
Mori Aya

Not on View

Candlestick, 1787

William Adby

G317

man wearing black leather mask, black leather strap across upper torso, and black underwear standing in front of non-descript space; bright blue in upper right quadrant and upper left quadrant with gradated white and pink background — Chris, 2017
Joe Sinness

Not on View

large assemblage with collaged elements; many layered pieces of fabric with elaborate prints and objects coated in resin; two cavities resembling veiled heads in top center; thick, gold chain draped under bottom of cavity on the left; fourteen compact disks in top center; large black circle in URC; white transparent cloths in center right and on the left; scattered green and blue hair curlers in center left, center right and in URC; scattered wooden clothes pins; gray-brown feathers with white spots in LLQ, LRQ, center left and center right — Queen of the Night, 2018
Kevin Beasley

G374

black-and-white drawing that is mostly darkened; horizontal streaky line in LRQ; series of dappled black lines against a gradated gray background in ULQ; small gray spots in top center — Double Feature, 2017
Tom LaDuke

Not on View

darkened sky scene; moon in center with trees ascending toward moon; patching dark veining surrounding sky around moon — Road Narrows, 2017
Tom LaDuke

Not on View

abstract organic shape made up of needle-like spikes, with smaller, lighter clumps in ULQ — Heart Under Attack, 2018
Jenna Murphy

Not on View

image of a single, leafless tree rendered in faded transparent black ink; many thin delicate branches extend outward; simple, white background; certificate of authenticiy in a plastic sleeve on bottom center on back of frame — Study No. 1 for “New Amalgam”, 2016
Roxy Paine

Not on View

blue cloth with embroidered map; green stitching representing continents; pink and orange stitching form linear pattern over map — Reconstructing an exodus history: flight routes from camps and of ODP cases, 2017
Tiffany Chung

Not on View

image of a woman in a blue underwear with her hand on her hip, looking back over her PL shoulder at the viewer; interior scene with light purple walls and a floral couch; clock on the wall above the woman's head is gold with a Pegasus on the right side — Eternity, 2017
Deana Lawson

Not on View

black and white etching of a portrait of a man; gazing toward PR; wearing a dense gray robe with black and white pointed lines; black background — Untitled (Handsome Young Man), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

black and white image of a run-down wooden house behind a picket fence; blades of tall grass at bottom edge of image; trees in ULQ — Tall Grass, Fence, and Cabin, 2020
Dawoud Bey

Not on View

black and white image of a ditch filled with water in C; field and woods on R and L; line of telephone wires on L; cloudy sky; white frame — Irrigation Ditch, 2020
Dawoud Bey

Not on View

portrait of a woman in a white dress; facing PR with her eyes looking straight ahead; hair pulled back in high pony tail; white background with black flecks — Untitled (Young Woman), 2010
Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

color image of street scene; white house on L with black metal railing around porch and stairs to front door; orange building on R with advertisement signs for "Multi Wireless" and two mannequins in window, as well as a blue "For Lease" sign at center, over black graffiti that reads: "Fuck this racist asshole president"; silver sedan parked on street in foreground — November 9, Graffiti, New Orleans, Louisiana, 2015
An-My Lê

Not on View

color image of street scene; grass and paved street in foreground with dark gray car on R; small, landscaped area at center with flowers, hedges, palm trees and a large banner hanging between two columns; monument/statue of figure on horse silhouetted against banner; tan building on L in background; moving vehicle on R in background — Monument, General P.G.T. Beauregard, New Orleans, Louisiana, 2016
An-My Lê

Not on View

color image of battle scene on film set; black cloud of smoking rising on L, behind white screen and crew member facing away from viewer; reinforced trench dug into field at center and R, with more explosions in battlefield in background; production crew with equipment in trench foreground, with people dressed as soldiers further back in trench, firing muskets and facing battlefield — Film Set ("Free State of Jones"), Battle of Corinth, Bush, Louisiana, 2015
An-My Lê

Not on View

La Cuisine d'Azzedine Alaia, Paris, 2007

Alec William Soth

Not on View

Photo of back of head and shoulders of figure with bobbed dark hair wearing a shiny garment; two rectangles around figure's head and shoulders; top portion of sleeves in ink; template for no. 43 from the group — Untitled, 20th century
Kenji Nakahashi

G369

Equilibre rouge (gray variant), Arthur Luiz Piza — Equilibre rouge (gray variant), 1967
Arthur Luiz Piza

G255

black and white image of Donald Trump molesting the Statue of Liberty; title in large lettering across bottom of image — Unpresidented, 2017
Sue Coe

Not on View

small blue bird with orange breast and white area on neck, perched on snowy branch; blue ground — Kingfisher in Winter, before 1932
Allen W. Seaby

Not on View

Buckingham Palace, London, England, England — Buckingham Palace, London, England, Date Unknown
England

Not on View

Strada delle Tombe, Pompei, Giorgio Sommer — Strada delle Tombe, Pompei, 19th-20th century
Giorgio Sommer

Not on View

Arcadian Scene, Salomon Gessner — Arcadian Scene, 18th century
Salomon Gessner

Not on View

youth with a halo (Jesus) with long curly blonde hair wearing draping blue garments seated on a raised chair in URQ; male figures seated and standing, gesturing and conversing with each other; man in foreground wearing green skirts and brown shawl seen from back, turning toward PR; man with his PR hand on his chin wearing a blue turban near center with heavy-set man in brown turban behind him, looking over PR shoulder; columns in ULQ; red curtain at top; papers and books in LRQ; circular frame with high relief carvings on fruits and pinecones — Christ Among the Doctors, c. 1685
Luca Giordano

G313

punching bag that has been covered in pony beads and studded spikes on the top half, and 12 rows of silver conical jingles on the lower half; multi colored nylon ribbon in blue, black, red, white and yellow, hangs along the bottom in four rows, 12” of fringe hangs below bag; text in beaded area reads, “each time you love love as deeply as if it were forever nothing is eternal” in four rows — NOTHING IS ETERNAL, 2017
Jeffrey Gibson

G259

recto: orange balloon with eyes, deflating and flying, with cloud of air behind it, against blue sky; verso: boxer seated in an armchair under a hooded hair dryer — Untitled, 20th century
Kenji Nakahashi

G353

large bowl with red ash glaze; reminiscent of lotus flower shape, with an undulating rim that comes to a point in three places; ridged paddle texture; incised outline similar to shape of rim at about mid-height interior; exterior and interior with incised vertical red striations, celadon glaze at basin and on bottom — Red-ash vessel "Wave Circle", before 2017
Kako Katsumi

G224

irregular shapes cut from comics and adhered to white background; some body parts and architectural backgrounds, interspersed with shapes and word bubbles — HMM, 1999
Ray Yoshida

G369

Columnar bundle of clothing (primarily denim) and other textiles, tied together in a bundle with black and white ribbon; fabrics are predominately blues and purples; mirror on one side decorated with black organic lines; rectangular wooden base partially covered with various fabrics and trims including denim and dripping purple pigments on one side; copper colored metal pendant in a type of dreamcatcher form with a crystal on one side, hanging from twisted black ribbon and yarn — Bale Variant No. 0024 (Everything), 2017
Shinique Smith

G374

assembly of rifle butts, machine gun magazines, shell casings, a hammer, and other weaponry and utilitarian objects crating abstracted face; two shell casings within metal O-rings create eyes; offset cylinder mouth — Untitled (mask), 2017
Goncalo Mabunda

G369

street art style portrait of two boys against orange and black background; boy at L holds head down slightly while looking up toward viewer, wearing a white shirt; boy at L looks outward, wearing red and black shirt; collage of painted, slashed newspaper and paper pulp — Les Winzins de Djamtala 1, 2017
Armand Boua

G373

The Green Cosmos, Arthur Luiz Piza; Publisher: La Hune, Paris — The Green Cosmos, 1969
Arthur Luiz Piza; Publisher: La Hune, Paris

G255

abstracted image with flowers in color, and vines and grasses in black and white, emerging from dark split in a rectangular metallic silver element at bottom center; pinkish moth roughly at center, perched on a stem, below a slightly metallic black football-shaped element with some painterly spots and splashes; sepia background — Treasuring Autumn, September 2017
Imamura Yoshio

Not on View

low horizon line; very tall trees at left and right, with windblown tree at right; two farm buildings with orange roofs in LRC; tall clouds; fence in LLC — Summer, 1930s
Sylvan Boxsius

Not on View

group of seven red and pink roses in a blue vase; white background with blue border and blue shading along the bottom — Roses in a Blue Vase, c. 1930
M.E. Schmidt-Wessenberg

Not on View

shell on its end with biomorphic organic designs in background; shell has some added elements making it anthropomorphic--appears to be a woman with side-parted long dark hair dancing in a long full skirt — Molusc, 1974
Monica Poole

Not on View

buildings behind water in foreground; fields in background; no sky; printed in grey and black — Komiža, Dalmatia, 1930
Isabel de Bohun Lockyer

Not on View

yellow flowers and rounded white fluffy flower heads gone to seed against a purple twilight sky — Coltsfoot, 1920-1939
Ivy Anne Ellis

Not on View

image of a landscape with rounded purple rocks/ mountains; green sky on top edge; fluffy white cloud in URQ — Landscape, c. 1930
Jessie Arms Botke

Not on View

two snow covered houses with angled roofs; two entwined trees in front; blue and gray entryway on right house; fence in LLQ; snow covered branches in top sky area — Farmhouse in the Snow, c. 1920
Helene Mass

Not on View

sparse pattern of whitish rectangular and irregular shapes printed over dark blue mulberry paper; overlapping vertical and horizontal hash marks give impression of window screen; simulated insect damage on white shapes; applied thin paper shapes at L and LR with insect losses and Japanese writing; framed — Paper Windows, 2017
Kimura Yuko

Not on View

abstracted image in orange, black and white pigments; thick black swirling lines overlap orange blocked out areas on outer edges; white shapes on right and left — Boozi #1, 1947
Seong Moy

Not on View

black and white image of a group of female figures and children on a beach; two seated figures on left; child bending over with feet in a small puddle in LLQ; seated child holding a ball in LRQ; standing figure holding a child in PL arm on left; linear sky in background — On the Beach, 1957
Margaret Burroughs

Not on View

printed in blue on cream paper, in a fan shape; kneeling figure at right gathering sticks into a bundle; woman at left carrying a bundle of sticks, entering a doorway; dark sky with snow between figures — The Snow, Winter (A Fan), 1907
Charles Haselwood Shannon

Not on View

black-and-white image of a town; two figures in LLQ, female figure wearing a long skirt and scarf on head, bent over a round wash basin; male figure sits leaning against a fence; house with porch in LRQ; two church steeples in top center; trees in ULQ — Blanchisseuse, 1930
Ralph A. Chessé

Not on View

misty landscape scene; bare tree on right; small mounds of snow along bottom edge and on right, extending past tree; plowed field on left; faint view of a large tree in ULC; mountains along horizon in ULQ — Spring Mist, 1942
James Dexter Havens

Not on View

young man wearing blue outfit of short pants, shirt, tall socks and cap seated near a wooden bridge, fishing; bridge at center of image; weeping willow tree in ULQ — Fishing, c. 1930
James Hiley Milner

Not on View

rippling green water in LLQ; rocky edge of land in white, pink, cream and mauve pigments in LRQ, with fabric covered post rising from cliff in right and moving upwards into URQ; mountains in blue and white pigments in ULQ; green sky with purple edging across top edge of image — Prayer Flags, 1920-1930
Mabel Royds

Not on View

abstracted image with black, white and dark red pigments; white linear shapes with crisscrossing lines and crescent-shaped elements overlaps pigments; white, spotty sections throughout — Frosty Window, 1951
Hildegarde Haas

Not on View

warp knit; black and white marled threads knitted into openwork shawl with subtile spiderweb design — Raschel Spider Web Shawl, 1987
Arai Jun'ichi; Maker: Arai Riko

Not on View

standing leopard with head turned to PR, seen from PR side — Leopard, c. 1790
Thomas Bewick

Not on View

New South Wales Wolf, c. 1790

Thomas Bewick

Not on View

bird with open beak, seen from PR side, perched on foliage (?) with branches and leaves — Bird, c. 1790
Thomas Bewick

Not on View

shallow, wide-flaring bowl with pointed bottom; undecorated interior; exterior decorated with incised curvilinear repeat pattern in red, yellow and white — Bowl, c. 1980-1988
Tshuosh (Sawos)

Not on View

Woven jute with tridimensional parts; shade of brown to charcoal — Abakan Noirovale, 1969
Magdalena Abakanowicz

Not on View

Difference in Time, Kenji Nakahashi — Difference in Time, 1980
Kenji Nakahashi

Not on View

Summertime, Joseph Stefanelli — Summertime, 1955
Joseph Stefanelli

Not on View

surreal, dystopian scene: stripped pole-like greenish trees in background with mounds of detritus at L and R; rocks, odds, and ends, and blue chair on a short column at L; orange and white stripped barricade bottom C; carved out building in wood and corrugated metal at R, with metal stacks, barrels, bricks, ladders at R; white sheet with "NOW" painted near C; burning tree stump nearby; moon-like rock near post with "OTMP" LRC — Base Camp (Nipples and Fur), 2017
Bruce Tapola

Not on View

portrait of three seated women surrounded by plants, flowers and signage; single seated woman on left wearing yellow head scarf, blue shirt, pink floral skirt and leans on purple arm rest; sign reading 'HARVESTING BASICS' with text and drawings in ULC; two seated women on right- one with white scarf and black dress with yellow and pink flowers, PL arm around seated woman on right, who wears blue striped head scarf, red top and blue and pink gradated long skirt, both sitting on purple bench; orange hanging lamp in URC; groups of flowers with signs/ labels in foreground; lattice with climbing plant with blue flowers in background on left — Nimo, Sumiya, and Bisharo harvesting flowers and vegetables at Hope Community Garden, 2017
Aliza Nisenbaum

G368

portrait of a young black woman with her PL fist in front of her chin, wearing a flowered blouse, with her hair in six twists sticking straight out of her head — La Jeune Malienne, 1970 (printed 2017)
Sanlé Sory

Not on View

three black men in front of an adobe-like wall at night; two men in front push on each other with their forearms, while shirtless man in back partially crouches and looks beneath other men's arms; man at right wears a cowboy hat; both men in foreground wear denim jackets, rolled-up jeans and boots — Les Cow-Boys de la Brousse, 1971 (printed 2017)
Sanlé Sory

Not on View

two standing women, facing each other, with heads turned to face picture plane; shorter woman at left holds a small bouquet of flowers; taller woman at right has her PL hand on her hip and wears a headwrap and a lace blouse; blouse and skirt of woman on left and skirt of woman on right are the same circle-patterned fabric; dotted curtain behind women; checked tile floor — Les Deux Amies au Pagne, 1972 (printed 2017)
Sanlé Sory

Not on View

portrait of a black man wearing a paisley patterned long-sleeved shirt, with his PR elbow on his PR thigh and his PL hand on his PL thigh, holding a pipe in his PR hand — L'homme a la pipe, 1970 (printed 2017)
Sanlé Sory

Not on View

portrait of a young man wearing an Aussie hat and a black and white striped knit scarf with a striped short-sleeved shirt — La Belle écharpe, 1971 (printed 2017)
Sanlé Sory

Not on View

three young men crouching in foreground, with young man at left handing a pack of cigarettes and young man at center holding a record album; two young couples standing behind young men, with their arms around each other; young women are wearing blouses with the same geometric patterning (the only difference being the direction of the patterning--horizontal on girl at left, vertical on girl at right) and skirts with the same patterning of a planet with rings; girl at left wears sunglasses; painted backdrop of buildings on city street behind figures; patterned tile floor — Les Jeunes Mélomanes, 1974 (printed 2017)
Sanlé Sory

Not on View

portrait of a black man wearing dark glasses, dark suit jacket and dark tie, with a cigarette in his mouth; card with printed text in man's jacket pocket — L'homme qui fume, 1971 (printed 2017)
Sanlé Sory

Not on View

portrait of a black man wearing a simple military uniform with a flat-topped hat and with a medal on his PR breast pocket; picture of a plane behind man — Le commandant, 1976 (printed 2017)
Sanlé Sory

Not on View

young man wearing a dark suit and large round sunglasses, with a fringed shoulder bag, seated on a motorcycle; fragment of painted decoration with flowers, foliage and swags behind man — Yamaha de Nuit, 1972 (printed 2017)
Sanlé Sory

Not on View

two seated men; younger man on left wearing glasses, hat, Adidas t-shirt, pants and flip-flop shoes, holding a boom box on his lap; man on right holding a stringed instrument with a lozenge-shaped body on his lap, wearing matching garments (pants, long shirt, jacket) with brocade pattern and sandals; painted backdrop with buildings on a street — Mali Djeli, 1984 (printed 2017)
Sanlé Sory

Not on View

calm river with reflective grey water; foot bridge at right in middle ground with a figure; three grazing animals on opposite bank left of center; some tall trees on opposite bank, reflected in water; white and orange flowers, LRC — Wiston River, c. 1900-1911
Frank Morley Fletcher

Not on View

panoramic view of a rural landscape; snowy scene with a misty view of a farm in the LRC; white sky with a field coated in snow; white outer border around all four sides of image — Untitled 15, 2017
Teo Nguyen

Not on View

dark blue background with stars; large horizontal rocket ship in lower half, with text reading "JOURNEY TO THE MOON"; moon in LLC; planet with upside down house on an island in URC; one of 17 color woodcuts of the series — Star Path, 2017
Tom Hammick; Printer: Tom Hammick; Publisher: Hammick Editions, East Sussex, England; Publisher: Peacock Print Studio, Aberdeen, Scotland

Not on View

image of a shirtless smiling man holding a camera in front of his stomach, viewed in a small mirror against a concrete wall — Autoportrait au Miroir, 1966 (printed 2017)
Sanlé Sory

Not on View

geometric shape rendered three-dimensionally, floating in space, with three open spaces in shape; rust-orange color — General Mills, 1973
Charles Huntington

Not on View

ivory; seven different integrated weaves (back and front); example: coarse and fine, herringbone and loose woven, etc.; button and top machine surged by company for display panels — Basket Weave, 1985
Arai Jun'ichi; Manufacturer: Nuno Corporation

Not on View

ribbed vessel with deep "V" shape on top; maroon and chocolate brown in color; two black lacquer lids — Water container (mizusashi), 2017
Yamamoto Izuru

Not on View

rounded vessel with narrow base; intentional divots in surface in several areas; neck is short, and narrowed from shoulder; rounded, wider opening; color is brown with a white/blue glaze loosely applied around mouth of vessel — Vessel, 2017
Maruta Munehiko

Not on View

Saddle stitched binding, photographic image of plate and flatware with text printed in offset lithography on wove paper covers; 44 pp. — Cometbus, no. 58: Zimmerwald, 2017
Aaron Cometbus; Publisher: Aaron Cometbus , New York

Not on View

Bound volume, text and images printed in offset lithography; 14 pp. — Anti-Social Music = PEOPSSONGS + CHEWY FOOT, 2017
Fly NYC; Author: Franz Nicolay , et al.; Publisher: Anti-Social Music, New York

Not on View

Saddle stitched binding, letterpress text and a photomechanical illustration of flexing pens, an eraser, and a stapler printed in offset lithography on wove paper covers; 24 pp. — Comixville, no. 3, 2002
Trevor Alixopulos , et al.; Printer: Stumptown Printers, Portland; Publisher: Comixville Collective, Portland

Not on View

Saddle stitched binding, letterpress printed on wove paper covers; 5 pp. — Taking it to the Streets! The Art + Design of Posters and Flyers on the Lower East Side in the 80s + 90s, 2017
Seth Tobocman; Publisher: ABC No Rio, New York

Not on View

abstract image; black ground; irregular shaded grey grid in a rectangular cube-like form — Rolling Contagion, 2017
Nishimura Ryo

Not on View

abstract image reminiscent of wire sculpture against black ground; thin, drip- or stream-like vertical elements pooling into a "splash" at bottom — Melting Fall, 2017
Nishimura Ryo

Not on View

calendar page; pasted on image of boat in black on blue; "K. MUTO" at bottom — Calendar page for September 1947 with bookplate of a ship, 1946
Mutō Kan'ichi

Not on View

Folded leaf, image printed in color offset lithography with letterpressed text; 4 pp. — Bulletin, no. 9, May 18, 2017
Tom McGlynn , et al.; Author: Andrew Castrucci , et al.; Publisher: Bullet Space, New York

Not on View

Some People Are MMMM Maniacss, 2017

Fly NYC; Publisher: Squatter Oughtta Media, New York

Not on View

Single leaf folded into an 8-page mini-zine, featuring illustrations, text, and designs; 8 pp. — Difficult People #4: Excuses or Reasons, 2017
Fly NYC

Not on View

thick brown brush at upper center of image with thick heavy black stroke in lower half of image; textured brown background; — Passed Days, 1962
Yoshida Chizuko

Not on View

carriage drawn by two horses with rider on horse on PL; man with walking stick seated inside carriage; carriage has "T.B." on door; spotted dog running alongside horses; church steeple in background — Horse-drawn Carriage, c. 1790
Thomas Bewick

Not on View

Wild Cattle, c. 1790

Thomas Bewick

Not on View

black and white image of a small creature with round dark eyes and large, looped ears; round mushroom-shaped body with geometric shapes — The Bug of Marianne Moore, 1945
Dudley Huppler

Not on View

%C2%A9 Estate Dudley Huppler

Ralph Pomeroy the Poet, 1955

Dudley Huppler

Not on View

Loose, folded leaves, phtomechanical illustration of monkey-like figure bust with designs and text printed in color offset lithography on newsprint; 35 pp. — New York Waste, 2017
Tony Millionaire , et al.; Publisher: New York Waste Publishing Corp., New York

Not on View

Loose, folded leaves, photographic image of burning car with letterpress text printed in offset lithography on newsprint; 10 pp. — New York Post-Left: The Late Capitalism Edition, May 2017
Unknown

Not on View

Loose, folded leaves, photomechanical illustration of Trump as the Grinch, with text and designs, printed in offset lithography on newsprint; 23 pp. — The Shadow, no. 59, 2016-2017
Seth Tobocman , et al.; Author: Chris Flash , et al.; Publisher: SHADOW Press, New York

Not on View

General Mills, Charles Huntington — General Mills, 1973
Charles Huntington

Not on View

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