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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros (after Polykleitos), 27 BCE–68 CE

Unknown Roman; Artist: Polykleitos

G241

tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors

Tusk, 1775-1777

Edo

G250

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

4-part plaster and wood model with front columned entry flanked by 2 small porches with columns; colonnades on both sides; curved back with small porch at center

Model of original scheme for the Minneapolis Society of Fine Arts, c. 1912

McKim, Mead, and White

G303

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, early 19th century

G211

Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Coffin of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Shrine head, 12th-14th century

Ancient Yoruba

G250

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D.

Equestrian figure, about 1450

Djenne

G250

Mende Society Mask, wood and raffia, Mende Tribe, Sierra Leone, Africa, XIX c. Msmt.s of helmet only. *Med.Raffia ?- Poss. Human Hair!

Sande mask, second quarter of 20th century

Mende

G254

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror

Power figure, early 20th century

Kongo

G250

Leopard Aquamanile, Bronze, Benin Culture, Africa, XVIIc; covered with incised spots and smnall punch marks. Rare example.

Water pitcher, 18th century

Edo

G250

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

Unknown

G200

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

G274

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784.

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790

China

G210

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance.

Shiva Nataraja (Lord of the Dance), c. 1100

India

G211

Figure

%C2%A9 The Henry Moore Foundation. All Rights Reserved%2C DACS 2014 %2F www.henry-moore.org

Warrior with Shield, 1953–54

Henry Moore

G371

Carrara marble

Ganymede and the Eagle, 1817–29

Bertel Thorvaldsen

G307

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt Harmensz. van Rijn

G311

Portrait of a woman. Dutch golden age. A lady about thirty-four years of age with her fair hair in curls, stands full length at her toilet table, almost facing the spectator. She has a book in one hand and holds up her skirt with the other. She wears a light blue satin dress embroidered with gold lace. On the table, which is covered with a Turkey carpet, are a mirror, a silver box, and a candlestick. A spaniel frisks at her feet.

Portrait of Lucia Wijbrants, 1667

Gabriël Metsu

G309

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G306

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

G355

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570-75

El Greco (Domenikos Theotokopoulos)

G341

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Blind Man's Buff, 1945

Max Beckmann

G371

%C2%A9 The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box

Ewer in the shape of a gourd, 12th century

Unknown Korean

G206

Bowl, polychromed. King seated on a throne with two personages; to left and right of throne two angels; two birds below. Eight figures seated around throne.

Bowl Depicting a Seated King with Attendants, c. 1180-1220

Iran

G243

Bowl, overglaze painted ware; mounted ladies

Bowl Depicting Ladies on Horseback, c.1180-1220

Iran

G243

Ewer, white with gold luster decoration. On body seated figures separated by polygons. Arabesques on neck.

Ewer (water pitcher), late 12th-early 13th century, before 1220

Iran

G243

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman

Wedding chest (cassone), 1475–85

Unknown Artist, Italian (Lucca)

G343

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date

Florence or Venus, first half of the 17th century

Italy

G310

Enshrined Buddha, c. 1850

Myanmar (Burma)

G213

Ceremonial Gate, 1728

China

G217

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

Unknown

G216

Bust of Diana, 19th century

Jean Alexandre Joseph FalguiĂšre

G319

Madonna Enthroned with the Christ Child, marble.

Madonna Enthroned in Majesty with the Christ Child, late 12th century

France

G340

Genre. Cubist. Seated man and woman.

Married Life, 1912

Roger de la Fresnaye

G367

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

standing male nude; represents man awakening to a fuller comprehension of his physical powers

The Age of Bronze, 1876–77 (plaster model); casting date unknown

Auguste Rodin; Caster: Alex Rudier Fondeur

G355

The Fugitives, c. 1868–70

Honoré Daumier

G354

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

Pointillism. Landscape. Fishing port.

Port-en-Bessin, 1888

Georges Seurat

G355

Madonna and Child, probably between 1500 and 1504

Giovanni Battista Cima da Conegliano

G343

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Baboon and Young, 1951

Pablo Picasso

G376

Figure

The Tiber Muse, 2nd-1st century BCE

Graeco-Roman

G241

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4

The Fugitives, modeled c. 1850 (casting date unknown)

Honoré Daumier

G354

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell

Black-Figure Neck Amphora, c. 540 BCE

Attributed to the Painter of Vatican 359

G241

One of a pair of marriage portraits (see 57.10)

Portrait of Moritz Buchner, c. 1520

Lucas Cranach the Elder

G342

Still life with meat.

Carcass of Beef, 1925

Chaim Soutine

G377

Ptolomaic Period. Torso, inscribed later with the titles of Roman Emperor Commodus (reigned: 180-192 A.D.) inscription of left side.

Striding figure, 300-30 BCE

Ancient Egyptian

G250

Landscape with cattle

Fontainebleau Oaks, c. 1840

Jules Dupré

G321

figure

The Avenger, modeled 1914, cast 1923

Ernst Barlach

G371

Relief study for the marble relief of Pope Liberius Baptizing Neophytes, in the Cortile de Belvedere in the Vatican, adorning the Fountain of St. Damasus

Pope Liberius Baptizing the Neophytes, 1647–49

Alessandro Algardi

G313

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

The Gamblers, 1623

Hendrick ter Brugghen

G312

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS.

Mrs. T. in Cream Silk, No.2, 1920

George Bellows

G302

Providence parlour, c. 1760-1770

United States

G335

Bagpipes Bagpiper

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Bagpiper, 1910-1911

André Derain

G367

Impressionist. Brook with a bridge.

The Japanese Bridge, c. 1923-1925

Claude Monet

G377

Snow, Boulevard de Clichy, Paris, 1886

Paul Signac

G351

Armor, c. 1520

Germany

G340

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS.

Tudor room, c. 1600

England

G325

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la PépiniÚre

Place Saint-Augustin, 1912-1913

Edouard Vuillard

G355

Interior

The Sunny Room, c. 1920

Edouard Vuillard

G351

Fauve. London: Church. St. Paul's Cathedral

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

London: St. Paul's Cathedral seen from the Thames, 1906

André Derain

G371

Center dipicting a man attacking another, probably representing Cain and Able; reverse has a nude boy holding a plumed helmet

Basin with Hercules and Cacus, c. 1570

Orazio Fontana

G332

Landscape depicting the ruins of the Temple of Vespasian.

Roman Landscape with Cattle and Shepherds, 1676

Johann Heinrich Roos

G309

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

Harbor. Pointillism.

Blessing of the Tuna Fleet at Groix, 1923

Paul Signac

G355

Georgian drawing room, c. 1740

England

G327

Three quarter length self-portrait of Francesco de Mura

Self-Portrait, c. 1740

Francesco de Mura

G307

Pair of "chrysanthemum" Candelabra, 1891-1902

Charles T. Grosjean; Maker: Tiffany & Co.

G350

Seascape. German Expressionism.

%C2%A9 Nolde Stiftung Seeb%C3%BCll

Evening Glow, 1915

Emil Nolde (born Emil Hansen)

G377

Genre. Unsigned.

The Birthday Party, 1885

John Singer Sargent

G351

Worship and devotion non-Christian religions

Young Greeks in the Mosque, 1865

Jean-LĂ©on GĂ©rĂŽme

G357

From the high altar of San Marco, Florence Italy (sold late 18th century)

Saint Romuald, c. 1440

Fra Angelico (Fra Giovanni da Fiesole)

G343

Abstraction. 63.14.1 ter is on P49B MS(old frame)

%C2%A9 The Arshile Gorky Foundation %2F Artists Rights Society %28ARS%29%2C New York

Composition, 1936-39

Arshile Gorky

G376

%C2%A9 2014 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman in an Armchair, 1927

Pablo Picasso

G376

Stoup (holy water basin), c. 1715

Giovanni Giardini da Forli

G308

Saint Humphrey (Onuphrius), c. 1660

Salvator Rosa

G330

Portrait of Cardinal Pietro Maria Borghese

Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s

Pietro da Cortona (Pietro Berrettini)

G313

Harbor in Italy

Imaginary Landscape, Italian Harbor Scene, 1746

Claude-Joseph Vernet

G307

Figure

%C2%A9 Estate of Sir Jacob Epstein

Female Figure, 1913

Sir Jacob Epstein

G367

Study for Improvisation V, 1910

Vassily Kandinsky

G371

Holy Trinity and Purgatory

The Trinity with Souls in Purgatory, early 1740s

Corrado Giaquinto

G308

Life of the Virgin Mary ; The Presentation of the Christ Child in the Temple

The Presentation in the Temple, c. 1490–1500

Jacob Jansz.

G342

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained.

Portrait of a Girl, 1547

Georg Pencz

G342

Madonna and Child.

Standing Madonna with Child, c. 1350-1354

Nardo di Cione

G343

Ptolemaic Ruler in the Guise of Hercules, 2nd century BCE

Graeco-Egyptian

G241

Landscape. Tohickon Creek, Pennsylvania.

A Scene on the Tohickon Creek: Autumn, 1868

Thomas Moran

G323

Abstract.

Tahkt-I-Sulayman Variation II%2C 1969 %C2%A9 Frank Stella %2F Artists Rights Society %28ARS%29%2C New York

Tahkt-I-Sulayman Variation II, 1969

Frank Stella

G235

Light golden brown patination. After the monument in Dijon, France, commissioned 1852.

Hebe and the Eagle of Jupiter, model c. 1853-55 (casting history and edition size unknown)

François Rude; Caster: ThiÚbaut FrÚres

G354

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2

Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627

Simon Vouet

G313

Madonna and Christ Child Christ holds apple in one hand and touches a cabbage butterfly with the other

Madonna and Child, c. 1550

Cornelis van Cleve

G341

A wounded officer lying on his couch, at the head of which is seated his wife. An Irish wolfhound is also lying curled up on the sofa. Arched top.

Peace Concluded, 1856

Sir John Everett Millais

G357

model of Frank Lloyd Wright designed house; 3 short flights up a small hill on one long side; semicircular porch on same side; large, sprawling floor plan

%C2%A9 David Swanson%2C Construct Studios

Architectural model, 1998-1999

Construct Studios (David Swanson); Architect: Frank Lloyd Wright

G300

triangular fragment decorated with rust-red and dark brown geometric stamps in 4 repeated rows on 2 sides; beige ground

Tapa Cloth, 1800-1825

United States

G256

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

Composition is very similar to L'Intrigue by Ensor in collection of Royal Museum of Fine Arts, Antwerp, which measures 35 1/2' x 59' and is dated 1890.

The Intrigue, 1911

James Ensor

G371

Genre.

Rural Delivery (Where the Mail Goes, Cream of Wheat Goes), 1906

Newell Convers Wyeth

G301

Genre.

A "Bear" Chance, 1907

Philip R. Goodwin

G301

Landscape.

Dream Castle in the Sky, 1908

Maxfield Parrish

G323

cast no. 2/10; figure

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Large Seated Nude, c. 1923–1925

Henri Matisse

G377

sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air.

Portrait of the Artist Alphonse Legros, 1856

Henri Fantin-Latour

G354

figure, called Moai-Kava-Kava; toromiro wood

Moai Kavakava, 18th century

Rapa Nui (Easter Island)

G256

Mask, 19th century

Guro

G250

One of a pair; see 73.11.1; near view, has conversation group;

View of a Town House Garden in The Hague, 1775

Paulus Constantijn la Fargue

G314

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Silenus, 1838

Jean-Baptiste-Camille Corot

G321

urn-shaped water jar with three handles a pair of horizontal ones on either side and an upright one at the back; two-panel mythological scene around body; an ornate daisy-like floral band between the two panels and stylized palmettes at sides and back; on front center of shoulder 'signature' painted female bust wearing coiffure wrapped in a 'kekryphalos'

Red-Figure Hydria, c. 320 BCE

Attributed to the White Sakkos Painter

G241

Holy Family, 1613

Luis TristĂĄn

G341

Old base (b) R5A2.1 MS

Psyche Abandoned, c. 1800

Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

bust-length profile of a man, carved in relief, with curly hair and a curly beard

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G241

doll, cloth with leather moccasins, two beaded shoulder bags, one containing wood arrows in a quiver, doll has human hair.

Doll, c. 1900

Anishinaabe (Ojibwe)

G260

Light yellow interior; short, bulbous body resting on a splaying foot with a flaring wide neck; neck decorated with 3 circular cartouches surrounding horses with crowns on their backs and dark blue pseudo-Islamic text against a light blue ground; white 'text' and foliage on body; floral designs on foot

Vase in the form of a mosque lamp, c. 1870

Joseph-Théodore Deck

G243

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 Ă  Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base).

Icarus Making Trial of His Wings, modeled 1831

Philippe Grasse

G321

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows.

Madonna and Child Enthroned, c. 1490

Nicola di Maestro Antonio (di Ancona)

G343

silver gilt, separates into five parts; fluted foot and bowl with four panels embossed with scenes of the life of the emperor Caligula and capped with a cast and chased figure of Emperor Augustus

Tazza, c. 1587–1599

Unknown Netherlandish?

G350

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads

Saint John the Baptist, c. 1755

François Boucher

G308

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory.

Kiss of Victory, 1878–1881

Sir Alfred Gilbert

G357

lacquered and giltwood, gilt bronze mounts; writing desk and chest-of-drawers which opens

Writing desk, c. 1760

Italy

G308

Cupboard, 1870

Aslak Lie; Sponsor: John Eriksen Engesaethe

G304

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges.

Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-LĂ©onor Aubry with Her Son LĂ©onor, c. 1700

Nicolas de LargilliĂšre

G308

Landscape.

Tornado over St. Paul, 1893

Julius Holm

G303

Portrait. Posthumous mourning portrait of an unknown child.

Portrait of a Boy, 1856

attributed to James B. Read

G304

Frame probably designed by the artist. It is inscribed 'Mater Amabilis' meaning 'Mother worthy of Love'

Madonna and Child, 1855

Franz Ittenbach

G357

painting on white ground

Standing Deity Holding Horn and Bucket, 1st century

Roman

G241

Catafalque Flambeau, wrought iron bobĂšche tray (6-3/8 in.), wooden bobĂšche with pomegranate seed and leaf carvings (6-Âœ in.), baroque carved structure skeleton(49-Âœ in.), iron pole shaft (40-Âœ in.), wrought iron tripod base (14 in.), triangular marble plinth, overall H.112 in., gessoed polychrome and gilded wood and wrought iron

Funeral torch, c. 1720

Italy

G310

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath.

Dance Training, 1910-11 (altered 1920)

Ernst Ludwig Kirchner

G371

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key

Lady’s writing desk, c. 1750

Jean Gaspard Feilt

G314

marquetry

Center table, c. 1680

Hans Daniel Sommer

G312

Dancing, drinking and amorous peasants in LRC; bathers in water at right; village buildings in distance

Merry and Rowdy Peasants at an Inn, 1653

Philips Wouwermans

G311

Religion: OT. Moses at a well meets the seven daughters of Jethro

Moses Defending the Daughters of Jethro, 17th century

SĂ©bastien Bourdon

G313

'Hill tray' presented to James J. Hill by seventeen prominent Minneapolis businessmen, kidney shaped in outline, has large flat central are engraved with a view of Minneapolis showing the Stone Arch Railroad Bridge completed 22 Nov. 1883; around the perimeter of the scene, within molded reserves, are eight vignettes representing significant incidents in J.J. Hill's career, separated by a profile medallion of Hill (top center), six animal head trophies, and a monogram of Hill's initials; all parts individually designed and manufactured, separately cast and joined to central panel

James J. Hill Presentation Tray, 1884

Tiffany & Co.

G261

Penitent Magdelene, c. 1650–65

Bartolomé Esteban Murillo

G340

Clock with vestals, c. 1790

Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background.

The Asparagus Vendor, 1675–80

Pieter de Hooch

G309

multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom

Skylight panel from a set of six, 1913

William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

The Cat's Paw, c. 1824

Sir Edwin Henry Landseer

G305

Yellow and orange glass; red and yellow neon tubing

%C2%A9 2019 Chihuly Studios %2F Artists Rights Society %28ARS%29%2C New York

Sunburst, 1999

Dale Chihuly

G100

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea.

Fishing Vessels Offshore in a Heavy Sea, 1684

Ludolph Backhuysen

G309

classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion) Description (consistent for each cooler): Classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion). Coat of arms: those of Sawbridge-Erle-Drax with Grosvenoer in pretence, probably for Johan Samuel Wanley Sawbridge of Olantigh Towers, Kent, Holnest House, Co. Dorset, and Ellerton Abbey, Co. York (1800-1887). He married in 1827 Jane Frances, sister and sole heiress of her brother Richerd Erle-Drax-Grosvenor, M.P., of Charlborough Park, Dorset (dd. 1828). By 1853, Burke's Visitations of Seats and Arms, vol. 2, records this latter house as the seat of John Samuel Wanley Erle-Drax, M.P., Captain of the East Kent Militia. Stamps/Inscriptions/Stickers: 1a-c) - D. ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/091 - in black, on bottom of base; - EEBJW - and three stamps near top of liner; - 2 - etched three times on bottom of removable liner. 2a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/ - and illegible numbers in black, on bottom of base; - EEBJW - and three stamps near top of liner and side of collar; - A501/692 - in black, on bottom of removable liner. 3a-c) - D.ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/693 - in black, on bottom of base, bottom of liner and bottom of collar; - M209810 1(4) - on sticker on bottom of base; - EEBJW - and three stamps near top of liner and side of collar. 4a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - M209810 1(4) - sticker on bottom of base; - A501/691 - in black, on bottom of base, liner and collar; - EEBJW - and three stamps near top of liner and

Set of four wine coolers, 1828

Edward, Edward, James, and Barnard (a.k.a. Edward Barnard & Sons); Retailer: David Ellis

G350

crescent shaped headrest atop a house with four post legs; all on a rectangular base

Headrest, c. 1880

Yaka

G255

Courtly procession on a tree-lined road, moated castle in left distance. Large coulisse tree in left foreground, open hillside before woods beyond at right. Man in center foreground standing on his head. The work depicts Margaretha van Mechelen riding out with Prince Maurits near Abspoel House in the vicinity of Oegstgeest.

Courtly Procession before Abstpoel Castle, 1619

Esaias van de Velde I

G312

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown

Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century

China

G200

Door Panel, Mamluk dynasty, wood carved with geometric and arabesque patterns, inlaid with ivory. Panel has modern mount and is set in seperate base which has four small decorative wood panels inset. Remounted 1984.

Door Panel, 14th century

Egypt

G242

seventeenth-century Dutch landscape

River Landscape with the Pellecussen Gate near Utrecht, 1648

Jan van Goyen

G311

Chest with five painted and studded iron bands; painted blue with organic designs between bands; large c-shaped handles; key has circular top element with teardrop shape with small hole extending from shaft; key in key cabinet MS

Chest, 1777

Ivar Kvalen (Quallen)

G304

Dutch and English battle at sea

The Four Days’ Battle, 1666

Abraham Storck

G309

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron

Chest, c. 1590-1610

England

G310

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Portrait of Juan de Pareja, the Assistant to VelĂĄzquez, 1960

Salvador Dali; Depicted: Juan de Pareja

G376

Cottage on Fire, c. 1786-1787

Joseph Wright of Derby

G306

Genre. History. Native American. Indian.

The Death Song of Lone Wolf, 1901

Charles M. Russell

G301

Woman with a basket containing a large fish and a stingray presenting them to a man on a white horse with a dog; rocky coastal scene with boats at left.

Selling Fish, 1792

George Morland

G306

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details

Armchair from a pair of armchairs, 1835

Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile

Votary Figure, c. 470 BCE

Ancient Greek

G241

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons

Jewelry box, c. 1730

Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

Frame Dutch, mid-XVII century, bolection profile in ebonized fruitwood with sight wave mouldings, ripple-and-reed panel and border mouldings, accessioned for use on Dou, 88.50.1.

A Hermit Praying