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dense cluster of foliage with red flowers and a tiger lily at bottom; groupings of white flowers near center; arching foliage with a few light blue leaves and hanging white flowers above; ivory roller ends — Flowers of Autumn, first half 17th century
Tawaraya Sōsetsu

G219

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Japan

G219

large plate with two purple stylized pumpkins among brilliant, jewel toned green leaves; sinuous vines; yellow background with tiny circles; stylized swirling cloud motif on underside with emerald green background — Plate with pumpkins, c. 1660s
Japan

G219

pink, red, and white hollyhocks in various stages of blossom; bottom stems of blossoming hollyhocks also in ULQ — Hollyhocks, first half 18th century
Ogata Kenzan

G219

calligraphy-inscribed shikishi with underpainting in gold of a full moon — Poem from the Collection of Japanese Poems of Ancient and Modern Times (Kokin wakashū), early 1610s
Calligraphy by Hon'ami Kōetsu; Underpainting by Tawaraya Sōtatsu

G219

four lines of calligraphy of varying sizes on silver paper with ivy leaves in gold — Poem from the Collection of Japanese Poems of Ancient and Modern Times (Kokin wakashū), early 1610s
Calligraphy by Hon'ami Kōetsu; Underpainting by Tawaraya Sōtatsu

G219

red hollyhock at center, with several buds at top; white lily with two buds and one full blossom lower portion of scroll in front of hollyhock — Hollyhock and Lilies, first half 19th century
Suzuki Kiitsu

G219

crooked, moss-covered tree with sprawling branches spotted with pink and red plum blossoms on low green hill at R; tips of blossoming branches at bottom L — Plum Trees, first half 18th century
Ogata Kenzan

G219

inro with four sections, depicting three cranes flying together to UR; stylized lines on opposite side, reminiscent of clouds or waves; presently connected with purple cord, orange ojime, and black lacquered netsuke — Medicine case with cranes and waves, 1810s-1820s
Hara Yōyūsai; Designed by Sakai Hōitsu

G219

Flowers of Autumn, Tawaraya Sōsetsu — Flowers of Autumn, first half 17th century
Tawaraya Sōsetsu

G219

tan gourd painted with grapevine and tendrils; grape flower at L — Gourd painted with vine leaves, 1810s-1820s
Hara Yōyūsai; Designed by Sakai Hōitsu

G219

unsigned — Taima Mandala, early 14th century
Japan

G219

sword set: metal blade with snake decoration and 3 peg holes in tang that has also a gold lacquer signature; signed tsuba with soft metalwork decoration of dragon amidst waves; grip is wrapped, dragon head on tip, 2 silver menuki in form of a tiger on one side and a lion on the other; lacquer scabbard with horimono (metal decoration) at end in form of dragon wrapped around sword, gold and silver mounts; fabric tie — Blade with engraved snake for a long-sword (koto-katana) and mounting with dragon decoration, 16th century
Unknown Japanese; Artist: Tsuba by Ōmori Terumasa

G219

(One of a) Pair of War Stirrups, iron with silver inlay. Inscribed with maker's name. Kuniyuki, maker, sho worked in Knangawa. Wisteria and wave design in silver inlay. — (War Stirrup, one of a pair), 17th century
Unknown Japanese

G219

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck — Helmet in dragonfly shape, 17th century
Unknown Japanese

G219

battle scene on land and sea with energy of battle building as the panels progress — The Battle of Yashima [left of a pair of Scenes from the Tale of the Heike], mid 17th century
Kano School

G219

battle scene at sea and on land — The Battle of Ichinotani [right of a pair of Scenes from the Tale of the Heike], mid 17th century
Kano School

G219

scenes in and around Kyoto showing foreign visitors, some with "Christian" symbols; some of the figures in "western" dress are probably Japanese; other ambiguously clad figures in foreground may be Koreans; famous sites identified by labels; ornate clouds of embossed gold-leaf decorate all panels and are integral visual element of landscape — Scenes in and around Kyoto, early 17th century
G219

orange lacquered bow with dark woodgrain pattern; leather and wide reed grips — Longbow, 19th century
Japan

G219

longbow burnished with silver, with red coloring peeking through; marbled pattern of red, black, and gold at top and bottom ends of bow; wide reed upper grip, with leather strip lower grip — Longbow, 19th century
Japan

G219

black lacquer longbow with decorative reed bands; reed bands at top and bottom have decorative knotting on outside face — Longbow, 19th century
Japan

G219

thin, reddish longbow with groupings of narrow reed bands; reed grip — Longbow, 19th century
Japan

G219

black bow with repeating thin bands of wrapped reeds; each band has gold outline; small decorative swirly knot on face below grip — Longbow, 19th century
Japan

G219

longbow with reddish colored lacquered wrapping forming spiral pattern around bow; dark grip; dark reed bands at grip, top, and bottom — Longbow, 19th century
Japan

G219

Platter with fishnet design, late 18th-early 19th century

Japan

G219

Flat freshwater jar (hiramizusashi) with fishnet design, 17th-18th century

Japan

G219

Basket with square bottom, early 20th century

Japan

G219

Basket with wood handle, late 19th-early 20th century

Japan

G219

Flowers of Summer, first half 17th century

Tawaraya Sōsetsu

G219

Basket in armor plaiting, late 19th-early 20th century

Seichikusai

G219

Hollyhocks, 1801

Sakai Hōitsu

G219

Shinshintō dagger in aikuchi mount with dragon, tiger, and phoenix decor, 19th century

Blade by Yokoyama Sukesada

G219

(War Stirrup, one of a pair), 17th century

Unknown Japanese

G219

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