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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros, 120–50 BCE

Italy

G230

Shrine head, 12th-14th century

Yoruba

G250

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt Harmensz. van Rijn

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

G355

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

Portrait Of Frank James

© Chuck Close%2C courtesy PaceWildenstein%2C New York

Frank, 1969

Chuck Close

G280

© The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

Carrara marble

Ganymede and the Eagle, 1817–29

Bertel Thorvaldsen

G307

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G321

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570

El Greco (Domenikos Theotokopoulos)

G341

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

Not on View
Figure

© The Henry Moore Foundation. All Rights Reserved%2C DACS 2014 %2F www.henry-moore.org

Warrior with Shield, 1953–1954

Henry Moore

Not on View
tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors

Tusk, 1775-1777

Edo

G250

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, early 19th century

Not on View
low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section

Winged Genius, c. 883–859 BCE

Assyrian

G240

Head of a woman with a base, stone on a marble base, size; 26in.; base R5 column MS

Head, 1911–1912

Amedeo Modigliani

G367

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

China

G216

silver four-door automobile; front in the style of a Volkswagen with three headlights; sloped back with back central vertical fin and back louvered window; brown leather interior; sunroof

Tatra T87 four-door sedan, 1948 (designed 1936)

Hans Ledwinka; Manufacturer: Ringhoffer-Tatra-Werke AG

G379

gallery installation/"period room"

© Mark Dion Studio

Curator's Office, 2012-2013

Mark Dion

G378

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, early 17th century

Japan

G219

vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View
bis pole, mangrove wood, New Guinea, Asmat

Bis Pole, 20th century

Asmat (Bismam group)

G256

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, 1772

United States

G336

Convulsionists of Tangier, 1837-1838

EugĂšne Delacroix

G321

unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind

Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

G253

floating multicolored rocks/metors; four separate videos (#1, 2, 4, 5)

©2013 Jennifer Steinkamp

6EQUJ5, 2012-2013

Jennifer Steinkamp

G380

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror

Power figure, early 20th century

Kongo

G250

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

human face with long ears; open mouth with teeth; red linear designs

Mask, c. 900-300 BCE

Olmec

G260

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element

Deified King, late 10th century

Cham

G213

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC

The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763

Alexander Roslin

G307

white dog standing on all four paws; upright short tail; round red nose

© 2002 Yoshitomo Nara

Your Dog, 2002

Yoshitomo Nara

Not on View
a: wire framework in organic shape with printed tin, plastic and wooden toys and noisemakers attached--Jack-in-the-boxes, various shapes of noisemakers, drums, clickers, tops and tambourines; b: suit installed over black plastic mannequin; colorful sweater fragments pieced together to create a bodysuit with head and face covering; bodysuit covered overall with crocheted doilies and hot pads, embroidered felt fragments and pieced stitched pieces; pink and white doily over face area

© Nick Cave and Jack Shainman Gallery%2C NY

Soundsuit, 2010

Nick Cave

Not on View
sleeping man with his head down on a desk, wearing maroon tights and brightly-patterned jacket and knickers; lynx-like cat on floor behind man; black cat visible behind PL hip of man; owls on desk and flying owls in background behind man; flying bats at top; grey ground; text on side of desk: "Les songes de la raison produisent - ils des monstres en Australie?"

© Yinka Shonibare MBE. All Rights Reserved%2C DACS%2C UK %2F ARS%2C NY

The Sleep of Reason Produces Monsters (Australia), 2008

Yinka Shonibare

G368

Dutch still life with fruit, foliage, and insects.

Still Life with Fruits, Foliage and Insects, c. 1669

Abraham Mignon

G311

Landscape. Architecture.

The Bronze Horses of San Marco, Venice, 1876

Charles Caryl Coleman

G305

The Cat's Paw, c. 1824

Sir Edwin Henry Landseer

G305

Madonna and Child, c. 1310

Segna di Buonaventura

G343

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Little Girl, 1922

Otto Dix

G377

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 Ă  Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base).

Icarus Making Trial of His Wings, modeled 1831

Philippe Grasse

G321

Portrait. George Washington in red drapery, black costume with white frills.

Portrait of George Washington, c. 1820

Thomas Sully

G332

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove.

Portrait of Sarah Allen, née Sargent, c. 1763

John Singleton Copley

G322

Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Bust

Portrait of Luca Salvioni, c. 1536

Agostino Zoppo

G340

Religion: NT.

Destruction of the Beast and the False Prophet, 1804

Benjamin West

G321

Portrait of a young boy, three quarters view, with a dog

Portrait of James Ward, 1779

Gilbert Stuart

G322

Mandala of colored sand on wood; Yamantaka (Conqueror of Death) is represented at the center by the blue 'vajra'; consists of a series of concentric bands; outermost represents burial grounds with a landscape and animals; moving inward are a circle of flames, a circle of 'vajras' and a circle of lotus petals; these bands circumscribe a quadrangle with gates at the four compass points; innermost square divided into triangular quadrants and an inner circle is divided into nine units containing symbols which represent various deities; attributes of the five senses are depicted in the four outside corners

Yamantaka Mandala, 1991

Monks of the Gyuto Tantric University

G212

Still life with meat.

Carcass of Beef, 1925

Chaim Soutine

G377

Three quarter length self-portrait of Francesco de Mura

Self-Portrait, c. 1740

Francesco de Mura

G307

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

Genre.

A "Bear" Chance, 1907

Philip R. Goodwin

G301

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

Nude female figure lying on a flowered couch

Nude on a Couch, c. 1880

Gustave Caillebotte

G355

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

Portrait. Posthumous mourning portrait of an unknown child.

Portrait of a Boy, 1856

attributed to James B. Read

G304

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath.

Dance Training, 1910-11 (altered 1920)

Ernst Ludwig Kirchner

G371

St. Jerome, c. 1635

Adam Lenckhardt

G341

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown

Crown, about 1920

Yoruba

G236

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

G236

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Coffin representing a rock lobster with five pairs of jointed limbs, two long antennae, which are hinged, and two paired feelers on top. It is painted a green color with six white and black stripes around the body, orange and white paint at sides, and light-purple painted anntenae. The upper body is covered in spines and has a rough texture.

©1993 Sowah Kwei

Fantasy coffin, 1993

Sowah Kwei

G250

black openwork barbed wire cube with 8" sections repeated

© Mona Hatoum

Cube (9 x 9 x 9), 2008

Mona Hatoum

Not on View
five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple

Copyright © 2008 Swoon

Alixa and Naima, 2008

Swoon

Not on View
sound film installation without dialogue; instrumental music with some vocals; views of landscapes and the exteriors of motels; scenes of various animals inside motel rooms--horse, birds, raccoon, deer, bison, fox, rabbits, beaver, mountain lion; total running time: 24 minutes, 28 seconds Certificate of Authenticity in presentation box (copy in object file) Installation and technical requirements: see Notes

© Doug Aitken%2C 2008

migration (empire) - linear version, 2008

Doug Aitken

Not on View
rounded front with front writing desk that tips downward, revealing 12 drawers flaking and above a mirrored recess with columns; landscape transfer designs on top drawer and center drawer; large drawer on exterior below writing desk

Biedermeier secretary, 1834

Probably Hungary

G333

modified telephone; lobster receiver

©Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Aphrodisiac Telephone, 1938

Salvador Dali

G376

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background.

The Fallen Branch, Fontainebleau, c. 1816

Achille Etna Michallon

G321

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

Cottage on Fire, c. 1786-1787

Joseph Wright of Derby

G306

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background.

The Asparagus Vendor, 1675–80

Pieter de Hooch

G309

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea.

Fishing Vessels Offshore in a Heavy Sea, 1684

Ludolph Backhuysen

G309

© The Estate of Sir Frank Brangwyn %2F Bridgeman Copyright

Illustration for Canto XI of the 'RubĂĄiyaĂĄt of Omar KhayyĂĄm', c. 1912

Frank William Brangwyn

G334

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Élisabeth Louise VigĂ©e-LeBrun

G306

Portrait of a woman in red dress, cut low at the neck, with blue sash; white muslin veil falling from her hair; resting her right hand upon the back of a chair.

Portrait of Dorothy Beridge, nĂše Gladwin, 1777

Joseph Wright of Derby

G306

Still life.Trompe l'oeil door, with ephemera tacked to the green door, including image of Abraham Lincoln, money, clippings, and labels. '1809', '1865' and 'ABE' are "carved" into the door.

Reminiscences of 1865, 1904

John Frederick Peto

G322

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary.

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34

Peter Paul Rubens

G313

Landscape with deer

Deer in the Forest, 1868

Gustave Courbet

G321

Mary Magdalene, c. 1460

Attributed to Nikolaus Gerhaerts van Leyden

G342

standing female figure wearing short pleated yellow skirt, belt with tan disks, silver blouse, red and black bolero jacket, silver shoes, and silver necklace with flower or star pendant; woman has long black hair and wide eyes; body intertwined with one snake, another snake around woman's neck; attached black metal mount

Mami Wata figure, 1950s

Igbo

G250

Enshrined Buddha, c. 1800

Burma

G213

Providence parlour, c. 1760-1770

United States

G335

Armor, c. 1520

Germany

G340

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS.

Tudor room, c. 1600

England

G325

Wallpaper, late 18th century

China

G328

Man with halo carries sword and wears sash

Portrait of Shah Jahan, 1700-1720

India

G243

ivory noisemaker; extension carved with flowers and crosshatched designs; plexi stand

Grogger (noise maker), 20th century

Middle East or India

G362

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

cabbage tureen, cover and stnad; porcilain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow

Cabbage tureen, cover and stand, before 1754

France

G333

The Wu Family Reception Hall, early 17th century

China

G218

X-ray of Lady Tashat is at column in Paintings racks in MS

Cartonnage of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Worship and devotion non-Christian religions

Young Greeks in the Mosque, 1865

Jean-LĂ©on GĂ©rĂŽme

G357

Genre. Cubist. Seated man and woman.

Married Life, 1912

Roger de la Fresnaye

G367

Woman with letter and envelope

The Letter, 1791

Michel Garnier

G306

Head of a woman.

© Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Head of a Woman, 1938

Joan MirĂł

G376

Impressionist. Brook with a bridge.

The Japanese Bridge, c. 1923-1925

Claude Monet

Not on View
Harbor. Pointillism.

Blessing of the Tuna Fleet at Groix, 1923

Paul Signac

G351

Woman in a white gown seated next to the sea. Picasso's Classical period.

© Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Woman by the Sea, 1922

Pablo Picasso

G376

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