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a: off-white ground with wavy horizontal red lines hand-painted in bands that extend onto edges; no backing board b: sheet of brown paper with "No baby." typed repeatedly in six columns with "Yes baby." interspersed three times; "Story of a woman" hand-written at bottom in red; signed in peach at bottom; tacked to wall with two brass tacks through upper corners

%C2%A9 Louise Erdrich

Story of a Woman, 2015

Louise Erdrich

G261

felt bag with beaded designs and wide, beaded fringe; one side is red with floral beaded motif; vine motif on the fringe; other side is navy blue with two beaded birds; black and red twisted cord; tassels with shell beads

Firebag, c. 1830

Nēhiyawak (Cree)

G259

lozenge-shaped vessel with very wide shoulder; very small mouth with one side slightly higher; white patina; shoulder has incised decoration with three areas of repeating wavy diagonal lines alternating with three rectangular forms with stepped details, with their centers filled with silver leaf with curved incised lines

%C2%A9 Preston Duwyenie

Shifting Sands, 2016

Preston Duwyenie

G259

cartoonish style; three Native American painted in multicolors, each seated on a white horse with teeth bared, and brightly-colored manes and lips; pastel yellow, blue and green sky with blue-edged white forms and a pink, red, blue and yellow target in URC

%C2%A9 Jim Denomie

The Delegation, 2008

Jim Denomie

G301

woman seated cross-legged with her body completely covered with a brown blanket, with only her face and long loose hair visible; woman looks over her PR shoulder; bronze-colored face

%C2%A9 Allan Houser %2F Chiinde LLC

Young Woman, 1992

Allan Houser

G261

stacked vessel with three layers; each layer intricately painted; bottom layer has basket-weave pattern with bright colors; center and top levels have tiny bars with geometric designs separated by bead-like forms of bright colors; squiggle patterns in drip-form at top of lower layers; top layer has two segments of contrasting striping

%C2%A9 Les Namingha

Overlay, c. 2014

Les Namingha

G259

light tan hide; beaded bodice on front and back with black, white, red, and yellow beads in arcing horizontal rows on front and back, and band of beads on top of each sleeve; hide fringe below bands of beads with larger blue, brown, black, red, and green beads; hide fringe at bottom hem, sides, beneath sleeves, and on sleeve openings

Dress, c. 1875

Nez Perce

G261

dark background with two horizontal red bands with zigzagging lines; black ikat designs within red bands with red hourglass motifs inside; central block is black; borders are dark charcoal gray

Mantle, c. 1900

Pueblo

G255

white textile with wide red bands along long end, each with two parallel white pinstripes; black long borders; densely woven

Mantle, c. 1950

Pueblo

G255

cylindrical shaped with flat bottom and top; edges trimmed in green thread; top decorated with white, green and red quills in a round symmetrical floral design

Covered quillwork birchbark box, 20th century

Anishinaabe

G281

square, rather short box; cover and sides decorated with quillwork flowers in pink, yellow, white and purple with green stems and leaves; edges of cover decorated with pink and white diamonds and brown Xs

Covered quillwork birchbark box, 20th century

Anishinaabe

G281

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip

%C2%A9 Paula Estevan

Black and White Pot #2, 2014

Paula Estevan

G259

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot

%C2%A9 Paula Estevan

Black and White Pot #1, 2014

Paula Estevan

G259

vessel with wide mouth and slightly wider shoulder with slim foot; rim has dip in one side; rim is black and quickly fades to terracotta color; black flecks in terracotta color; glossy around rim and matte finish on bottom; in cotton bag

%C2%A9 Jody Folwell

Japanese Inspired Ceramic, 2015

Jody Folwell

G259

small saucer with flat bottom; shiny black and matte dark grey; rim decorated with repeating feather shapes

Saucer, c. 1920

Maria Martinez

G255

tan/orange body; disc shape with a wide, round body, no neck; round mouth; ring with short perpendicular lines around mouth with four small designs attached; wide dark line around that with 8 panels with geometric designs below on top of widest part of body; no design below widest part of body

%C2%A9 Deborah Clashin

Vessel, 2015

Deborah Clashin

G255

wide shouldered vessel with no neck and wide mouth and slim foot; dark glossy red ground with deeply incised swirl pattern that is matte in the crevasses

%C2%A9 Effie Garcia

Santa Clara Pot, 2015

Effie Garcia

G259

twenty-four rectangular sheets of paper fit together in four rows, six columns to form a panoramic view of landscape with mountains in the background; body of water in center with reflection of building with several small archways surrounded by an inverted triangle; pronounced colorful images in foreground with a combination of abstract shapes, text and figures; two large hands in front center with text in middle; bottom front of image has text that reads 'SUNSHINE ON A CANNIBAL' in white capital letters; each sheet approx. 11 1/4 x 30 1/2"

%C2%A9 Andrea Carlson

Sunshine on a Cannibal, 2015

Andrea Carlson

Not on View
row of figures on horses in purple--five figures hold red and white umbrellas; green grass in foreground with elements of yellow; mottled yellow-orange sky

%C2%A9 Fritz Scholder

Indians with Umbrellas, 1970-1971

Fritz Scholder

G259

curved U-shaped piece of white antler; reclining figure wearing a very tall pointed cap (or ponytail?), with elongated face; legs of figure may be contained in a blanket, or figure may be a merman or mermaid; sled at center bottom being pulled by a whale, porpoise, two seals and a fish; all animals except fish attached to sled by harnesses made of string

%C2%A9 Chris Aula

Hunter (or mermaid/man?) with sled pulled by whale, porpoise, seals, and fish, 20th century

Chris Aula

G260

small rounded pot with small foot; round mouth; white with brown decoration on shoulder of thin brown lines in zigzag/chevron motif

%C2%A9 Lucy Martin Lewis

Jar, 1968

Lucy Martin Lewis

G260

gold background with repeating rows of white hash marks with pink and blue undertones, resembling quillwork; periwinkle, pink, mauve, and blue horizontal bands around outer edges of canvas

%C2%A9 Dyani White Hawk

Untitled (Quiet Strength I), 2016

Dyani White Hawk

G261

indented teardrop shape; long, oval, yellow opening with rough texture; Lichtenstein-like comic on each side: one side pink haired woman and man who is in profile, text says, "Why does he call me Caitlyn??...", teal background; other side has a blue haired woman with a man who is in profile, text says, "When he turns the light out...", orange background

%C2%A9 Susan Folwell

Why Does He Call Me Caitlyn?, 2015

Susan Folwell

G259

3/4 length portrait of a Native American man with his hands folded in his lap; landscape behind man with moon in UR corner

%C2%A9 Marcus Amerman

Moonrise Over Little Bighorn, 1995

Marcus Amerman

G259

two vertical white biomorphic forms with light blue shading; field of blue at bottom of image, green at top

%C2%A9 Estate of George Morrison %2F Briand Morrison

Landscape: Surrealist Forms, 1993

George Morrison

G259

dark brown body with lighter brown trim; V neckline; pullover style; front decorated with two horizontal stripes on shoulders with alternating dark and light brown animal hide squares; horizontal band across chest with pairs of vertical light brown bars flanking a small circle of light brown; double rows of tiny light brown squares between bars and circles; pairs of vertical rows of red felt short fringe under arms, at lower center on back and alternating with dark brown rectangles and one square on center of back; dark brown rectangles at center back decorated with vertical stitching in red, blue, light brown and cream; similar stitching on square at center back except in horizontal rows three vertical decorative stitched lozenges above central back on back

Vest, c. 1800

Unangan or Alutiiq

G260

narwhal depicted resting on its tail, pointing upward at an angle; irregular ovoid base with curving lines forming small ripples/waves; tan body and base of sponge-like bone; white ivory twisted horn

Narwhal, 20th century

Inuit

G260

abstracted landscape; primarily rectangular shapes--some curves--forming horizontal bands, delineated with thin red borders; thickly-applied surface pigments with openwork-like unpainted areas allowing bright multicolored underpainting to be visible; purple "sky"; blue-grey "water"; green, lavender, orange and pink "rocks/land" in foreground

%C2%A9 Estate of George Morrison %2F Briand Morrison

Lake Superior Landscape, 1981

George Morrison

G303

white ground with four central pattern vinettes in dark brown; terra cotta on foot and inside mouth; central pattern with two square swirls vertically and one rounded swirl on each side; step pattern around exterior

%C2%A9 Franklin Peters

Black/White with Red Base, 2014

Franklin Peters

G260

wide shoulder with vertical neck and scalloped rim painted terra cotta; white ground with dark brown step pattern below waves along shoulder

%C2%A9 Franklin Peters

Red Base, Scalloped Top with Waves, 2014

Franklin Peters

G260

hot pink wool with royal blue satin on front placket, at top of arms and one pocket flaps; gold epaulets on shoulders; gold bells hang around bottom hem; lining has black and white images; in center is woman below text with the heading "Treaty of 1808"; two oil well pumpjacks; wheat field on each side of inside lining with gold embroidery highlights; royal blue beaded word above each wheat field image; back has light blue/hot pink ribbon tied in bow at top

%C2%A9 Anita Fields

Wedding coat, 2019

Anita Fields

G261

royal blue, pink and lavender feather plumes that stand upright around top of hat; bottom of plumes wrapped with pink/black plaid ribbon; royal blue and hot pink feathers around brim

%C2%A9 Anita Fields

Wedding hat, 2018

Anita Fields

G261

abstract drawing with grey ground and black geometric forms and curvilinear lines; black, distressed wood frame with a silver inset

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Cap d'Antibes), 1953

George Morrison

Not on View
abstract image with arcs, lines, and hatching

%C2%A9 Estate of George Morrison %2F Briand Morrison

Composition, 1945

George Morrison

Not on View
abstract image with horizontal color bands in background (from top: grey, red, black); vertical biomorphic shapes in brown, tan, red and black; long inscription in lower margin

%C2%A9 Estate of George Morrison %2F Briand Morrison

Red Rock Variation: Surrealist Landscape, 1987

George Morrison

Not on View
abstract image; irregular, primarily vertical floating forms in various colors (primarily oranges and yellow at bottom, brown and purple at top) on top of multicolored ground with high horizon line and blue "sky"

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Surrealist Landscape), 1994

George Morrison

Not on View
abstract image; biomorphic forms with red forms at top and vertical golden brown forms at bottom; horizon line with red dotted "sky" and green shaded "ground"

%C2%A9 Estate of George Morrison %2F Briand Morrison

Surrealist Landscape or Red Rock Variation - Masonic Hospital - U of M – Minneapolis, 1985

George Morrison

Not on View
abstract image; forms with zigzagging edges, grey shading and black outlines floating over orange and purple "ground", black horizon line and dark purple "sky"

%C2%A9 Estate of George Morrison %2F Briand Morrison

Surrealist Landscape, August 8, 1984

George Morrison

Not on View
abstract image; many parallel wavy lines forming woven patterns, rather like braids and weaving in hair; primarily vertical with horizontal section below top quarter of image; grey lines

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1976

George Morrison; Printer: Steven M. Andersen

Not on View
abstract image; rough, irregular grid with some curving lines and circular forms; crosshatching in various patterns

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1948

George Morrison

Not on View
three separate pieces of paper jointed together; slightly abstracted outdoor scene with horizon line near center of image; pinkish sky at horizon line; vertical bare stems; silhouettes of flying birds; large perched black bird silhouette at left; vertical row of flowers at center; red flower in URC with red and black bird; blue water at bottom with reflections of stems; two blue rodent silhouettes

%C2%A9 2015 Emily Arthur

Black Water (with Dark Bird), 2015

Emily Arthur

Not on View
thick black and grey twisting, curving lines primarily clustered in two overlapping areas in LLQ and URQ

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Dayton, Ohio), 1960

George Morrison

Not on View
rubbing in grey and brown of woodgrain patterns on small pieces of wood fit together to form a square; primarily rectangular forms, with two half-circle forms and large form at bottom with curving top

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1977

George Morrison

Not on View
abstract landscape with high horizon line; orange sky; blue band (water?) at horizon line; irregular rock formations in tan, orange, purple, blue, black and green

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Lake Superior Landscape), 1999

George Morrison

Not on View
stylized image of man's head at top center, in profile from PR, with darkened spot for eye and bared teeth; man wears a voluminous grey garment with white spots; very large bird in foreground in front of man, in profile from PR; black ground

%C2%A9 Fritz Scholder

Indian with Pigeon, 1970-1971

Fritz Scholder

Not on View
a: "dad": rectangular textile with back ground; 8 horizontal rectangular shapes, top two are white, bottom six are red; gold warp b: "me": rectangular textile with back ground; 8 horizontal rectangular shapes, top five are white, bottom three are red; gold warp c: "mom": rectangular textile with back ground; 8 horizontal rectangular shapes, all are white; gold warp

%C2%A9 2012 Maggie Thompson

Family Portrait, 2012

Maggie Thompson

Not on View
stylized image with three corn plants at left; faces in profile of six singing Native American people, with a stylized Native American drawing of a horned quadruped in profile with red designs on its body below heads of singers; bowl with ears of corn to right of corn plants; earth at bottom with Native American stylized symbols (footprint, dancing figure, hoofprint, turtle, hand); top 1/3 of image is blank negative space; printed in brown, grey, rust red and tan

%C2%A9 Charles F. Lovato

Song of the Earth, 20th century

Charles Fredric Lovato

Not on View
squat, cylindrical basket; primary fibers tan with brownish/red bands in 2 alternating sections near foot and lip; central tan band has 2 ducks, 1 fish and 2 crown motifs

Northcoast basket with ducks and whale, Date Unknown

United States

Not on View
basket and lid with swastika bird and canoe motifs in light and dark brown; sun symbol on center of lid

Small lidded basket with swastika, Date Unknown

United States

Not on View
woven cup form in tan and black fibers with stepped zig-zag design

"Wineglass" coiled jar, Date Unknown

United States

Not on View
cream ground with 45 degree angled surf board shaped linear designs with black tips on each end of board shape

Acoma miniature pot, Date Unknown

United States

Not on View
small pot; lower half: gloss black, upper half: burnt sienna; geometric pattern incised in band; interior: matte brown

Black jar hungawa, Date Unknown

United States

Not on View
primarily black; maskette with round eyes and frowning mouth with red lips and visible white teeth; alternating gold and mother-of-pearl inlays around face; raptor's head at top with wings on back, with rust red inlays on top of wings and mother-of-pearl at center of back; vertical element wrapped with gold wire and tipped in ivory at bottom

%C2%A9 Darrell White

Shaman's curling medallion, 2010

Darrell White

Not on View
rounded body; pointed shoulder; flat bottom; shiny black and matte dark grey; top decorated with repeating stylized stems and pairs of leaves

Pot, c. 1920

Maria Martinez; Maker: Julian Martinez

Not on View
drum shaped basket with flat cover and bottom; birch bark base with quillwork on exterior; cover has white ground with image of a black bear and a border of white stars and brown and white X-shapes; similar stars and X-shapes in two bands on body of basket

Box with black bear motif on cover, Date Unknown

United States

Not on View
light brown; circular form with stepped lid; knob handle; dark brown designs around knob with five triangles forming broken-apart star, two additional triangles and three areas of brown radiating lines; woven V-shapes on outer edges; woven radiating star design on underside

Basket with cover, Date Unknown

Anishinaabe (Ojibwe)

Not on View
tall cylindrical shape, slightly flaring outward toward top, with steep shoulder up to a small mouth opening with one side slightly higher; light rust-colored patina; front has vertical incised design with three forms--from top: dome-shaped form at top with stepped details around edges, rectangle and thinner rectangle with stepped details at bottom edge; center of each form filled with silver leaf with curved incised lines

%C2%A9 Preston Duwyenie

Bomb Pot, 2016

Preston Duwyenie

Not on View
flat bottom; pot flares outward to shoulder, then inward to wide mouth; shiny black patina with band of dull black repeating designs (four repeats) with geometric forms including diagonals and zigzags

Vessel, c. 1920

Maria Martinez; Maker: Julian Martinez

Not on View
oblong shaped ceramic vessel with wavy rim; light brown in color with stylized tan turtles placed uniform distance apart; small dots in black, gold and copper applied in background

%C2%A9 Jody Naranjo

Untitled vessel, 2016

Jody Naranjo

Not on View
line drawing style; standing bearded male figure with curly hair at right, with very long thin arms; bear-like animal with a human head extending upward from its upper back in LLQ, with three butterflies on its body, with a child seated on top of animal, holding an abstracted feather or plant; inscription in unidentified language along right edge

%C2%A9 Norval Morrisseau

Untitled, c. 1990

Norval Morrisseau

Not on View
depiction of textile with large, solid black block across C; thick red blocks at either end with black zigzags

No. 3, 1901

United States

Not on View
rectangular textile in white, brown, wheat colors with decorative blue elements and black border; triangular geometric designs down C in white and wheat, within brown block with zigzagging edges; blue rectangular lines with zigzagging ends within wheat-colored background; thick white inner border with heart-shaped motif in wheat color; black border

Textile, c. 1950

Daisy Tauglechee

Not on View
tan background; black cross at C with blue tips; stylized long, narrow, black, white, and blue human figure holding long object along each edge; pair of smaller human figures standing on each end of cross; blue, black, and white branches coming from three of the interior corners of the cross; yellow and blue zigzag in fourth corner of cross; has heading band

Sandpainting textile, c. 1950

Navajo

Not on View
wool panel with red, brown, white and gray zig zag pattern; knotted tassels in all four corners; straight lines in gray, white and brown on the two shorter ends

Eyedazzler, c. 1900

Navajo

Not on View
crudely carved kneeling (or standing?) figure with rounded back (or carrying a bag?); short arms in front of body; nose and eyes carved; grey

Human figure, c. 1980

Inuit

Not on View
standing polar bear with neck stretched forward; white stone with yellowish veining

Bear, c. 1990

Inuit

Not on View
dress made of light brown paper with some scattered text and covered with a glue or hardening compound; there are some spots of red pigment scattered on dress; band at waist is reddish in color and ties in bow on back; black cut-out of bird with outstretched wings on chest; lighter brown attached collar and trim at bottom of sleeves and at one pocket off-set on front; electrical fitting for light bulb inside with attached cord; hangs on red wire hanger; artist sent two light blubs GE nightlight 7.5 watts

%C2%A9 C. Maxx Stevens

Childhood, 2004

C.Maxx Stevens

Not on View
seated woman with knees drawn up, wearing a long white dress with 3/4 sleeves; woman is pulling her long hair into a ponytail over her PR ear; printed in brown

%C2%A9 R.C. Gorman

Seated woman arranging her hair, 1972

R. C. Gorman

Not on View
grey, white and two shades of yellow; stripes of various widths and colors; wide yellow stripes with shapes consisting of two stepped forms in white or light yellow flanking a grey stepped form; metal gromet attached to one corner tassel

Rug, Date Unknown

Diné (Navajo)

Not on View
yellow bodice with red trim on sleeves; long, thin green fringe at arm openings; two red silk rosette-like pouches (medicine bundles)--both open and empty--on front chest with long fringe and gold metallic beads; rows of multicolored beadwork diamonds at front and back neckline, edged in white; upper back has similar long fringe with gold beads, one intact red silk rosette-pouch and small cylindrical beaded element with multicolored horizontal rows of beads; natural colored skirt with fringe at sides and bottom hem; two green rectangular tabs and left and right sides at hem, edged with short fringe and white, light and dark blue beading and metal cones; green scalloped design at hem trimmed with similar beading; horizontal row of fringe and metal cones with green, red and white beadwork at middle of skirt, front and back

Dress, c. 1870

Ka'igwu (Kiowa)

Not on View
red background with large tan and navy diamond pattern across C (over shoulder area); stepped pyramid pattern in tan and navy along lower edges; navy and lime colored stripes along borders

Poncho serape, c. 1860

Navajo

Not on View
face of male figure sticking his tongue out at TC, with distorted, overlapping birdlike face just R; figure is holding PR hand to chest; another hand is overlapping scene at lower R; orange drip streaks run down image; red and blue drips; multicolored smears along upper portion; linear marks lower half of image

%C2%A9 Rick Bartow%2C For Luck %2F Froelick Gallery

For Luck, 2003

Rick Bartow

Not on View
abstracted skull at L with red ring around PL eye and abstracted black body extending with arched spine towards R; red borer; ink spatters; text in red at top R; pencil printed text URQ

%C2%A9 Rick Bartow%2C Hyaku Monogatari II %2F Froelick Gallery

Hyaku Monogatari II, 1997

Rick Bartow

Not on View
abstract image of a figure with rectangular head, bat-like ears, with mouth open and hands held up in front of chest; loose orange glasses near eyes; multicolored shirt and bright, multicolored hands and forearms; pencil writing across text with stray lines and marks; " A Dog Boy" scrawled across top

%C2%A9 Rick Bartow%2C A Dog Boy %2F Froelick Gallery

A Dog Boy, 2011

Rick Bartow

Not on View
pencil sketch of a woman's face at C of greenish lined notebook paper; face is partially filled in with pigment; numbers and writing at L

%C2%A9 Rick Bartow%2C Pippa%27s Spring Song %2F Froelick Gallery

Pippa's Spring Song, 2000

Rick Bartow

Not on View
wool dress with red, blue and black dye; dress is connected by loose stitching at the top and on one side in the center with thick, blue thread; blue fringe in all four corners; two bands of red at both top and bottom of both the front and back side with overlaying blue geometric designs; black band of dye in the center of both the front and back side; scalloped edging in blue on the top and bottom red sections with geometric diamond shapes made up of blue squares placed in a line; thin blue lines separate red and black sections

Late Classic dress, c. 1900

Navajo

Not on View
black border; intricate stepped geometric designs in shades of tan, cream and black; has a heading band

Two Grey Hills textile, c. 1950

Navajo

Not on View
rather squat, cylindrical shape with flat bottom and top; quillwork overall; top decorated with white and red maple leaf and brown beaver against white ground; edges of box have vertical band in brown fading to white and red

Covered quillwork box, 20th century

Anishinaabe

Not on View
seated polar bear holding the tail of a vertical seal in its mouth, with a vertical element between bear and seal; grey stone

Bear eating seal, c. 1970

Inuit

Not on View
four-sided box with convex sides; four side panels and curving bottom panel attached together with greenish basswood fiber lacings; sides and cover each decorated with a maple leaf; square top panel/cover attached to box with leather thong (received detached)

%C2%A9 Margaret Hill

Birchwood box, 1992

Margaret Hill

Not on View
fan made of cluster of brown and white eagle feathers, all except one with beaded tubes around feather quills; handle of fan beaded; white twisted leather fringe at end of handle with some short dangles with metal beads and teardrop shaped pendants; beadwork is predominately pink and light blue with zigzag and diamond motifs; some fragments of red and green small feathers at base of eagle feather quills

Fan, c. 1950

Tsistsistas (Cheyenne)

Not on View
white ground with pattern of tight linear lines making a geometric flower or star shape; dark rim; ring under design alternating in black and white; wide shoulder with short neck and wide mouth; small foot

%C2%A9 Franklin Peters

Fine Line, White Base with Stripes, 2014

Franklin Peters

Not on View
white ground; wide shoulder with no neck and wide mouth; small foot; dark drown pigment with terra cotta colored bottom; four step patterns around rim with central swirl pattern on each 4 "sides"; step pattern between swirls with central triangle

%C2%A9 Franklin Peters

Red Base, Large Circles, 2014

Franklin Peters

Not on View
glossy black pot with four red circles, matte incised designs in surface - possibly phoenix; in circles, face with headdress and earrings and elongated circular figures

Santa Clara pot, 20th century

Grace Medicine Flower

Not on View
black and tan woven dish with black flower in center; four ladder designs and 3 figures with red tunics

Tray with central daisy and figures, Date Unknown

United States

Not on View
wall hanging/relief; boat-shaped element at bottom with white on right side and red on left side and a cross inside a circle in black pigment at center; loop of thick wire at top with partial grid made of thinner wires; child-sized black three-dimensional hand hanging from loops of wire at top right; bulbous element in brown with encrustations at top attached on lower left with wire

%C2%A9 2015 Ren%C3%A9e Stout

Crossroads Marker with Little Hand, Reaching, 2015

Renée Stout

Not on View
round plate, two holes with two leather hangers at top; cream ground with brown and black design; 3/4 portrait of masked figure holding two feathers in each hand and gesturing to the PL; figure wears mask with elaborate headdress; double ring around outside of painting

Polacca Plate, c. 1890

Nampeyo

Not on View
rounded body; pointed shoulder; slightly concave bottom; shiny black and matte dark grey; top decorated with repeating feather shapes

Pot, c. 1920

Maria Martinez

Not on View
silver necklace comprised of beads constructed by fusing together two dimes, three sliver dollars interspersed on left, another three on the right, and a squash blossom pendant at bottom center encircling a seventh silver dollar

Lady Liberty dollar coin squash blossom necklace, c. 1923

Diné (Navajo)

Not on View
horizontal stripes and stepped rows of various widths and colors--olive green, orange, tan, purple, blues, brown; blue triangle at one corner with stepped triangle in various shades of yellow; twisted dark blue tassels in two corners--two-strand yarn tassels in opposite two corners; weft-face tapestry weave, continuous warp

%C2%A9 Berdine Begay

Indigo Scape, 2015

Berdine Begay

Not on View
each earring consists of a tiny open basket with three tan horses on exterior hanging from two strands of beads with each strand terminating in a black bead; baskets suspended from ring beneath a silver stud earring with butterfly backs

Pair of earrings, c. 1920

Californian

Not on View
depiction of red textile with blue and white zigzagging horizontal lines, creating diamond pattern

No. 14, 1904

United States

Not on View
depiction of off-white textile with parallel stripes of blue and mauve; wider bands of purple along outer edges, with off-white zigzag in each

No. 20, 1904

United States

Not on View
depiction of red textile with small, occasionally overlapping indigo, orange, teal, and white square motif; gray horizontal bands; tassels; framed

Watercolor, 20th century

United States

Not on View
depiction of textile with thick band of thin blue and red stripes across C; white stripes separated by thinner red and blue stripes

No. 10, 1904

United States

Not on View
depiction of textile with horizontal stripes in red, black, and off-white; separated by wide off-white bands

No. 7, 20th century

United States

Not on View
watercolor image of textile with white bakcground; black and red diamond outline motif; framed

Watercolor, 20th century

United States

Not on View
depiction of textile with green, tan, red stripes; red, tan, pink zigzags down C; green border; framed

Watercolor, 20th century

United States

Not on View
depiction of a textile with close black and gray stripes separated by wider bands of red; red tassels at corners

No. 16, 1904

United States

Not on View
depiction of white textile with red and blue horizontal bands; larger blue, red tassels; LRC is askew

No. 13, 1904

United States

Not on View
red background with rows of small navy and orange squares with small teal and tan overlapping squares; 4 gray bands; small red tassels at corners; heading band; Velcro header on reverse

Twilled Saddle Blanket, c. 1890

Navajo

Not on View
wool panel with cream, red, brown, orange, and yellow stripes, all varying in size; orange fringe in all four corners; thin band of orange threading across top and bottom; brown thread on the two longer sides

Blanket, c. 1890

Navajo

Not on View
wide cream stripes with narrower blue, red and cream stripes; red and blue tassels at corners; tiny leather patch/tag at one corner

Double twill saddle blanket, c. 1875

Navajo

Not on View
depiction of white textile with black fringe; red, green, white diagonal lines along borders; two diamond designs in lower margin

Watercolor, 1908

United States

Not on View
depiction of red textile with large zigzagging blue, green, brown, and white bands; geometric motifs between zigzags; framed

Watercolor, 20th century

United States

Not on View
red, white, blue textile; wide band of thinner blue and red stripes down C, with narrower blue and white bands continuing on either side; white bands; gray tassels

Child's blanket, c. 1860

Navajo

Not on View
depiction of red textile with interlocking blue and white zigzagging diamonds; tassels; framed

Watercolor, 20th century

United States

Not on View
depiction of off-white textile with white, blue, and brown horizontal stripes; three bands of diamonds; apparent holes, losses depicted

No. 23, 1908

United States

Not on View
brownish-black wide band down C flanked by two red bands on side with navy blue zigzagging lines

Biil, c. 1865

Navajo

Not on View
bold, wide red and gray zigzagging lines connecting to form diamond pattern against white background; black, red, and white borders

Transitional Blanket, c. 1895

Navajo

Not on View
small, tightly woven textile with tiny, alternating black, red, and white diamond pattern with spots; black fringe along short ends; black and white diamond border under border of diagonal green, white, red, and cranberry stripes

Double twill saddle blanket, c. 1900

Navajo

Not on View
beige background with tan stripes, red outlines; two sets of thin blue stripes and thin gray stripes; three bands of diamonds in blue and cranberry colored stripes; stepped diagonal pattern at corners in beige, blue, and cranberry; blue tassels; has Velcro heading band

Navajo Classic Serape, c. 1860

Navajo

Not on View
wider cranberry colored band across top and bottom edges with zigzagging white line, and blue stripes; off-white background with four sets of two thinner cranberry lines; yellow tassels; has Velcro heading band

Saddle blanket, c. 1860

Navajo

Not on View
bands of thin black and gray stripes; five wider orange bands with thin black and magenta stripes; small red tassels at corners

Transitional saddle blanket, c. 1895

Navajo

Not on View
horizontal zigzagging motif across C in red, orange, and coral; horizontal stripes in green, white, red, and orange; green and orange double border; brown and white fringe along bottom; has Velcro heading band

Saddle blanket, c. 1865

Navajo

Not on View
red background; connected diamond patterns of zigzagging double lines in black and white; black tassels at corners; has Velcro heading band

Late Classic serape, c. 1875

Navajo

Not on View
red background; zigzagging bands of gray, yellow, white, orange, and red triangles segment the red background into diamond pattern; geometric designs within diamonds; tassels at corners

Sampler textile, Date Unknown

Navajo

Not on View
red background with tan and blue double-lined zigzagging pattern; Velcro header on reverse

Serape, c. 1880

Navajo

Not on View
horizontal bands of black and white; central band of navy blue punctuated with coral blocks; similar navy blue and coral bands across top and bottom edges; has heading band

Second phase chief blanket, c. 1880

Navajo

Not on View
red wool panel with thin blue stripes on outer edges and in center; thin green bands along the side edges and in the center with thick brown bands in between; four hexagon shapes in cream and brown bands of dye in all four quadrants; staggered bands of blue color surround hexagon shapes; blue threaded band around outer edge; blue fringe in all four corners; small cloth tag sewn in corner; has a Velcro heading band

Third phase variant, c. 1900

Navajo

Not on View
wool panel; gray background with a red and blue geometric border; blue, black, gray and cream chevron design on top and bottom; large, eight-sided shape in center with cream colored diamond in the middle with red stripes and black geometric iris shape in the center; abstract pillar shapes in brown, black and cream dye on right and left sides of center design

JB Moore style textile, c. 1950

Navajo

Not on View
wool panel with cream, blue and brown dyed bands of color in horizontal stripes; blue bands have cream colored geometric design in the form of diamond and zig zag patterns; brown and cream dyed fringe in all four corners; thin border of cream colored thread on two shorter ends; brown colored threading on two longer ends

Navajo "slave" blanket, c. 1875

Navajo

Not on View
cranberry, blue, white, tan lined diamonds overlapping striped background; black and white stripes in background; three bands, edges and C with checkered design in navy, cranberry, and mustard; has Velcro heading band

Third Phase variant, c. 1880

Navajo

Not on View
three lines of three large red and white ikat shapes; dark background of alternating black and navy blue bands; thinner horizontal red and white stripes

"Moki" blanket, c. 1889

Navajo

Not on View
brown and cream borders; grey ground with two stepped diamonds with brown centers and orange and dark brown borders, with orange triangles at corners; stepped squares in light brown, dark brown, cream and orange at long sides; two corners have twisted brown tassels

Red Mesa textile, c. 1920

Navajo

Not on View
horizontal bands of coral colored stripes with tan and blue checks running through; diagonal blue and yellow borders along coral stripes; horizontal bands alternating in natural tan/gray

Banded serape, c. 1890

Navajo

Not on View
small oval box; flat top and bottom; top and edges of cover decorated with starburst and X designs in white, pink and red quills

Covered quillwork box, 20th century

Anishinaabe

Not on View
square box with rounded sides; flat on top and bottom; attached flap cover with loop of leather; each side and top decorated with floral embroidery in multicolors; purple trim

%C2%A9 Margaret Hill

Box, c. 1989

Margaret Hill

Not on View
rectangular box with cover; medium brown; white quillwork with spray of flowers on cover and individual blossom on each side of box; X motif trim

Covered quillwork box, 20th century

Anishinaabe

Not on View
horizontal, slightly wavy stripes; light cream at top with shades of green, brown and grey; cream tassels at top corners, dark green tassels at bottom corners; some raised twisted ribs

%C2%A9 2015 D.Y. Begay

Blessing of Rain, 2015

D.Y. Begay

Not on View
five figures in Native American dress all following front figure bending down and holding a skull; bright blue sky; tipi along R edge; palette in atmospheric blues and purples

%C2%A9 Christopher Rowland

Massaum Ceremony (Study for a larger work), 1988

Ma'heonehoo'estse (Christopher James Rowland)

Not on View
flat, wide, disc shaped pot with small round mouth; painted square detail around mouth with one geometric bird design below each side, for a total of four birds; orange ground with black and terra cotta detail

%C2%A9 Deborah Clashin

Hopi Tewa Pot, 2015

Deborah Clashin

Not on View
abstract painting with blocked sections of color, each with different patterns that vary, rendered in blue, yellow, green, red and brown pigments; hand in LRQ; abstracted fish shape with a blue face in center left

%C2%A9 Aziz Osman

Exodus, 2004

Aziz Osman

Not on View
shiny black patina; small flat foot; wide rounded shoulder; wide mouth opening; band around shoulder with repeating geometric pattern with steps, rounded area, and V-shaped zigzag in dull grey/black

Vessel, 1943-1954

Maria Martinez; Artist: Santana Martinez

Not on View
diptych; left panel: painting in browns, greens, salmon of barren mountainous land forms; right panel: panel in relief with vertical slit at center; mottled brown; row of round blue gems and sparkling copper colored material inside slit

%C2%A9 Kay WalkingStick

Venere Alpina, 1997

Kay WalkingStick

Not on View
landscape/waterscape in series of blue and greys; thin island at left, middle ground in dark blue; mist on water's edge in white, longer yarn; tassel of three tied threads at all four corners

%C2%A9 D.Y. Begay

Nahookosji Hai (Winter in the North)/Biboon Giiwedinong (It is Winter in the North), 2019

D.Y. Begay

Not on View
tans, yellows, blues, greens, browns, grey and black pigments; man with wrapped braid laying barefoot on rectangular bed with head turned and eyes closed; potted palm plant, slippers with flower pattern, bottle with drinking straw and large abstract rug on wooden floor; flying black bird, arrow and exposed brick on wall; window in ULC shows erupting volcano, horned bison (?) skull and jagged edges of rock visible; grey dog or coyote-like figure with extended tail and tongue next to bed

%C2%A9 David P. Bradley

Awakening from a Dream, c. 1980

David P. Bradley

Not on View
owl-like rounded face, slightly flattened at bottom; pointed flattened nose; horizontal open raised slits for eyes; two arcs make up mouth; grey/tan bone with sponge-like holes

Mask, c. 1935

Inuit

Not on View
pot with concave bottom; rounded body with wide neck tapering inward from shoulder; wide mouth; white on exterior with dark brown and rust red painted designs with repeating ovals with pairs of horizontal elements, brown triangles with parallel radiating lines and flag-like forms; pattern with hatching and scallops around neck

Olla, c. 1900

Zuni

Not on View
black/purple/red quilt; round medallion at center with red profile; beaded in red and white; wampum and glass bead strands below profile; sunburst-like design around center medallion surrounded by black ground and purple silhouettes of people; machine and hand appliqued and quilted; rod pocket on verso

%C2%A9 Carla Hemlock

Boomin' Out, 2015

Carla Hemlock

Not on View
blue wool with red, white and yellow stripes at long sides; edged with blue ribbon at short sides; floral beadwork at short sides; three pairs of beaded red horses edged in white along bottom

Dance blanket, c. 1900

Otoe-Missouria

Not on View
pendant: in the form of a turtle; double-sided; top has coral and turquoise eyes; red coral square at tip of tail; turquoise, lapis and coral beads at points of starburst on shell, with coral gem at center; back has green and black inlaid eyes; red coral square at tip of tail; flat shell on back is inlay in geometric design with dark blue ground with circles, lines and tapering bars in various colors of gemstones; neck collar: curved design, open at back; asymmetrical decoration with hand and arrowhead connected with a zigzag at PR, with inlaid tiny round gems around zigzag; two stepped triangles right of center with turquoise and coral round inlay; hand with predominately blue inlays connected to zigzag at PL near back; ends of collar have inlays--opal on PR, various gems on PL with lines and circles

%C2%A9 Jesse Monongya

Turtle pendant and neck collar, c. 2000

Jesse Monongya

Not on View
tall cylindrical shape, slightly flaring outward toward top, with steep shoulder up to a small mouth opening with one side slightly higher; brick red patina; front has vertical incised design with three forms--from top: dome-shaped form at top with stepped details around edges, rectangle and thinner rectangle with stepped details at bottom edge; center of each form filled with silver leaf with curved incised lines

%C2%A9 Preston Duwyenie

Bomb Pot, 2016

Preston Duwyenie

Not on View
black vessel with metallic sheen; wide body with short but wide neck

%C2%A9 Robert Vigil

Nambe Pot, 2015

Robert Vigil

Not on View
orange ceramic with metallic fleck; tear drop shape with skinny opening at top; openwork with circle pattern through out

%C2%A9 Hubert Candelario

Pot, 2015

Hubert Candelario

Not on View
stylized frog-like figure outlined in buttons against navy blue background; red border; figure has three-pronged head, and is seated upright, with arms to side, displaying its belly; stylized ribcage pattern and embellished stomach decoration; in plexi shadowbox

Northwest Coast Button Blanket, c. 1900

United States

Not on View
brown central panel; blue strips on either long side; blue strips woven with diamond pattern; dark blue tassels

Mantle, c. 1900

Hopi

Not on View
small round box with flat top and bottom; quills overall with white fading into brown on sides; top decorated with red flower with white center and three brown leaves

Covered quillwork box, 20th century

Anishinaabe

Not on View
text on R side includes phrase "Author of liberty"; image of L of flowers surrounding a photo of Lincoln that is ringed by green circles and red triangles; beading around Lincoln’s head in red

%C2%A9 2002 Tom Jones

Dear America: Author of Liberty, 2002

Tom Jones

Not on View
image of a young man holding a dread raccoon along R edge; background image of Native American people in front of a pine thatched shelter; hand written inscription LL corner; "Sweet land of liberty" in type within inscription

%C2%A9 2002 Tom Jones

Dear America: Sweet Land of Liberty, 2002

Tom Jones

Not on View
Image of a seated elderly woman with a younger woman standing behind her; background of a shore scene with a woman holding a flag; "My country tis of thee" written UL; "These colors will not run" in the bottom corner

%C2%A9 2002 Tom Jones

Dear America: My Country Tis of Thee, 2002

Tom Jones

Not on View
image of children lined up in front of a building; 12 figures standing on a porch above children with "Our father's god to thee" typed above their heads; hand written text along R edge

%C2%A9 2002 Tom Jones

Dear America: Our Father's God to Thee, 2002

Tom Jones

Not on View
two men in Native American dress, on standing and one seated; with a drum; on a lake shore; "Of thee I sing" beaded in red along top; white frame

%C2%A9 2002 Tom Jones

Dear America: Of Thee I Sing, 2002

Tom Jones

Not on View
two seated women in shawls facing one another lighting a cigarette; white frame

%C2%A9 2002 Tom Jones

Dear America: With Freedom's Holy Light, 2002

Tom Jones

Not on View
old sepia-toned photograph of standing elderly Native American man wearing a cap, wrinkled shirt, beaded necklaces and beaded knee bands, and holding a pipe in each hand, flanked by two young boys wearing Western clothing; text in black at top: "Land where my fathers died"; text written at bottom in white and black pigment

%C2%A9 2002 Tom Jones

Dear America: Land Where My Fathers Died, 2002

Tom Jones

Not on View
old sepia-toned photograph of two lines of young Caucasian women wearing blankets and headbands with feathers, with their hair in braids; "Land of the Pilgrims'" printed in black at top; "Pride" at bottom center, covered in black sequins

%C2%A9 2002 Tom Jones

Dear America: Land Of The Pilgrims Pride, 2002

Tom Jones

Not on View
old sepia-toned image of running man wearing swimming trunks with large waves on water in background; "Dear" hand-written in black in LRC; "America" in strings of red, white and blue beads in LRQ

%C2%A9 2002 Tom Jones

Dear America, 2002

Tom Jones

Not on View
old sepia-toned photographic image of two men dressed as cowboys with guns pointed crouching behind boxes in front of a painted backdrop of a log cabin and mountains; "LET FREEDOM RING" in brown at bottom with sketches of Native American people seen from back wearing blankets in a row beneath text; metal stars at left and right sides of text

%C2%A9 2002 Tom Jones

Dear America: Let Freedom Ring, 2002

Tom Jones

Not on View
old sepia-toned image of group of Native American men seated in front of teepees, with standing man wearing eagle feather headdress pointing to one of the seated men; mountains in background; text around and at bottom of image, with "INDIAN LAND FOR SALE" printed at top

%C2%A9 2002 Tom Jones

Dear America: From Every Mountain Side, 2002

Tom Jones

Not on View
old image of two Native American with braids on the shores of a body of water, with pueblos in background; printed text below image: "Long may our land be bright"; hand-written text about the Taos Pueblo at bottom

%C2%A9 2002 Tom Jones

Dear America: Long May Our Land Be Bright, 2002

Tom Jones

Not on View
three old sepia images--from left to right: Sonoma County geyser, New Mexican kiva and Multnomah Falls; hand-written text at bottom; printed text at top: "GREAT GOD, OUR KING!"

%C2%A9 2002 Tom Jones

Dear America: Great God Our King, 2002

Tom Jones

Not on View
old photographic image of a running man wearing swimming trunks at right, with crashing waves behind him; hand-written text in ULQ: "Sincerely, White Eagle"

%C2%A9 2002 Tom Jones

Dear America: Sincerely, White Eagle, 2002

Tom Jones

Not on View
white ground with terra cotta and dark drown detail; wide shoulder with short vertical neck and wide mouth; small foot; terracotta band around neck with dots below central pattern is geometric in terra cotta color and stylized vegetal forms in dark brown

%C2%A9 Franklin Peters

White, Orange with Flowery Leaves, 2014

Franklin Peters

Not on View
white ground with four rows of squared swirls in tight linear maze pattern; wide, round shape with no neck and small mouth

%C2%A9 Franklin Peters

Mazes Seed Pot, 2014

Franklin Peters

Not on View
neon yellow poster board; image of two lines of people facing the L side of the image; large tree at top and L side of image; building with "Americans ofis" written on it at UL corner; man in uniform with two cars, below two flags in LL corner

%C2%A9 Hassan Nor

Refugees II, 2010s

Hassan Nor

Not on View
two sided drawing (?) on blue paper board; one side has a large tree across the top with figures arranged in a semi-circular pattern at LR; crosshatched section at LL; second side is a scene with eleven figures either seated or standing and generally facing another figure (possibly unfinished)

%C2%A9 Hassan Nor

Dhaanto Dance, 2010s

Hassan Nor

Not on View
large squat, oval basket with small, erect black-brown feathers; diagonal woven decorations in black, of double triangles, and lines with small checks; white buttons with red or blue beads stitched into black details

Oval Basket, c. 1915

Pomo

Not on View
pendant: standing figure holding pompon-like elements; silver mask with wide smiling mouth with visible teeth lifts to reveal a fossilized ivory face with mouth in an O shape; PR arm is hinged; element in PL hand is movable; figure wears skirt with alternating brown and white veined and grey stones, bordered with ivory band with black vertical and horizontal lines and red dots; figure wears green, tan and brown mottled boots; pin on back; necklace: alternating oval elements--gold flatter mask-like element with incised designs alternate with raised inset ivory elements with black designs

%C2%A9 Denise Wallace

"Yup'ik Dancer V A" pendant and necklace, 2009

Denise Wallace

Not on View

Black and White Pot #3, 2014

Paula Estevan

G259

Relative from the Blue World, 2017

Marwin Begaye

G259

Wonder of the Night, 2018

Aziz Osman

G254

Basket with cover, 20th century

Mary Friday

G260

Basket with cover, 20th century

Leota Sundown

G260

Morning Hummer fan, 2015

Monty Claw

G259

Morning Hummer rattle, 2015

Monty Claw

G259

Untitled, 2012

Andrea Carlson

G259

Birchbark coffee container, 20th century

Mike Butler

Not on View

Basket with cover, c. 1900

Anishinaabe

Not on View

Basket, c. 1925

Anishinaabe

Not on View

Basket, 20th century

Anishinaabe

Not on View

Miniature canoe, 20th century

Anishinaabe

Not on View

Birchbark pouch/basket with cover, 20th century

Anishinaabe

Not on View

Birchbark basket, 20th century

Anishinaabe

Not on View

Birchbark basket, 20th century

Anishinaabe

Not on View

Birchbark basket with leather handle, c.1990-1989

Anishinaabe

Not on View

Seminole shirt, c. 1955

Seminole

Not on View

Livestock, 2010s

Hassan Nor

Not on View

Walks In The Dark costume/dance wand, 2013

Wendy Red Star

Not on View

Walks In The Dark costume/dress, 2015

Wendy Red Star

Not on View

Walks In The Dark costume/dance wand, 2013

Wendy Red Star

Not on View

Walks In The Dark costume/headdress, 2015

Wendy Red Star

Not on View

Walks In The Dark, 2011

Wendy Red Star

Not on View

Necklace with two removable pendants and removable mask ornament, 1987

Denise Wallace

Not on View

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