🔎 _exists_:"list:nahm" | Mia

showing 100 of 2031 results matching `*` and `_exists_:"list:nahm"` (clear filters). (load 200 more)

beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag — Man's Pouch, c. 1800
Anishinaabe (Ojibwe) or Dakhóta

G259

kneeling or crouching figure with arms at sides; face jutting forward; frowning expression; knot on top of head, PR side — Pipe, c. 1200
Mississippian

G260

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left — Anthropology: We're Not Your Indians Anymore, 1995
Wanbli Koyake

Not on View

simple, abstracted seated bird shape with large head; greenish-grey banded stone; holes on bottom — Bird stone, c. 1500-500 BCE
Archaic Woodlands

G260

carved wood cup with straight handle; rounded cup has beaver and canoe carved on bottom; tapering two-part handle carved with scroll at end and rows of triangles — Belt Cup, c. 1830
Wendat (Huron)

G260

1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s — Gorget, c. 1200-1350
Spiro Mississippian

G260

1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s — Gorget, c. 1200-1350
Spiro Mississippian

G260

woman's dress; leather with beadwork, copper discs and bells; yoke completely beaded on blue ground — Dress, c. 1880-1890
Lakȟóta

G261

short hide cape with hook at neck and bottom fringe; brown cloth trim at neckline, blue silk trim at front opening; scrolling organic foliate design beadwork with four stars separating foliate motifs; multicolored beads with slight predominance of pink beads — Cape, c. 1840-1890
Dakhóta

G259

Morrison,'Collage IX Landscape',wood,U.S.XXc — Collage IX: Landscape, 1974
George Morrison

G259

ledger book of 16 drawings of various scenes — Book of Drawings, c. 1876
Bear's Heart

G261

Chilkat blankets are woven by the women of the Chilkat branch of the Tlingit tribe, using patterns devised by Chilkat men. Warp is goat hair and yellow cedar bark twine. Dyes are dervived from hemlock bark, lichen and copper. Style and technique may be traced to the Tsimshian tribe. Fringe 20 inches on bottom, 8 inches on side. Catalog card: Gift of Mrs. Folwell W. Coan from the estate of Mrs. Eugene Carpenter. Mended 1974. — Chilkat dancing blanket (Naaxin), c. 1840-1890
Tlingit or Haida

Not on View

collage image, with hand painting; headless body in Native American garments with beaded choker and longer necklaces; Xeroxed images in collage around figure, including repeated buffaloes inside boxes, Perrier labels, Bingo cards, moths, Mickey Mouse ears and hand, silhouettes of dolls with thick curly hair, flowers, pineapple labels, hand with religious figures; red, white and blue painted stripes extending from hand near center; text scattered throughout, including large text at bottom: "What is an American?"; six sheets jointed together, with grommets at top — What is an American?, 2003
Jaune Quick-to-See Smith; Publisher: Brodsky Center, New Brunswick, N.J.

G261

Sources of Strength, Jaune Quick-to-See Smith — Sources of Strength, 1990
Jaune Quick-to-See Smith

Not on View

black buffalo horn with some white streaking carved into a spoon shaped, with a large elongated bowl and a long, thin handle; interior of bowl is scalloped at bottom edge; back on bowl carved with portrait of a man with a goatee wearing a hat and sunglasses, with a butterfly above his head; white and red pointing fingers at edges of bowl with text balloons; "Mixed Blood Guy" carved at bottom — Mixed Blood Guy, 2009
Kevin Pourier

G261

Winter Horse Raiding Episode, Old Bull — Winter Horse Raiding Episode, c. 1910
Old Bull

Not on View

ledger book of 21 drawings of various scenes — Book of Drawings, c. 1870-1890
Attributed to Ohet-toint

G261

Tipi Cover, No Two Horns — Tipi Cover, c. 1915
No Two Horns

G261

stacked vessel with three layers; each layer intricately painted; bottom layer has basket-weave pattern with bright colors; center and top levels have tiny bars with geometric designs separated by bead-like forms of bright colors; squiggle patterns in drip-form at top of lower layers; top layer has two segments of contrasting striping — Overlay, c. 2014
Les Namingha

G259

abstracted landscape; primarily rectangular shapes--some curves--forming horizontal bands, delineated with thin red borders; thickly-applied surface pigments with openwork-like unpainted areas allowing bright multicolored underpainting to be visible; purple "sky"; blue-grey "water"; green, lavender, orange and pink "rocks/land" in foreground — Lake Superior Landscape, 1981
George Morrison

G303

Landscape — Emerging Fire, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

G303

Landscape — Openings, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

G303

Abstraction. — Untitled, 1960
George Morrison

G259

bowl, ceramic-blackware, American Indian (Martinez); bowl, clay, polished blackware, avanyu or water serpent pattern — Vessel, early 20th century
Maria Martinez; Artist: Julian Martinez

Not on View

galloping horse with flat, stylized rider (wearing long headdress); flat, stylized figure beneath front legs of horse; incised decoration on both figures (front only); on wooden base (attached) — All Of You Get Out Of My Way! (Hanta Po!), 20th century
Wanbli Koyake

Not on View

old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left — They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995
Wanbli Koyake

Not on View

cover printed "DRAWINGS" with foliate scrolls and vignettes with printed drawings of artists at work; loose drawing (smaller size--not originally from sketchbook) inserted in first page; drawings received in book in the following order: 1. smaller size sheet of ruled paper with drawing of man in uniform, connected to a small horse by a zigzag line and signed "KOBA"; 2. circle of figures wearing predominately red and blue garments; 3. two-page image (signed in URQ of left sheet) of bow hunter fallen off his horse and wounded buffalo at left; 4. two-page image of Native American men on various colored horses; 5. two-page image of buffalo hunt with man on blue horse and buffalo, many wounded; signed at top of left sheet; 6. two-page image (?) with couple on horses, facing one another, on left sheet; figure on horseback with five other figures on right sheet; signed in ULC of left sheet; 7. two-page image (?) of three teepees on left sheet and three warriors on horseback on right sheet; 8. two-page image of antelope hunt with two men on horseback and left--one with a bow and arrow and the second with a pistol; man at right lying on the ground with a rifle, his horse at right grazing; 9. two-page image (?) of four warriors on horseback; signed in URC of right sheet; 10. figures standing in a rectangle around a white and green cloth (?); pages separated by attached thin blotter/tracing sheet — Sketchbook, 1876
Koba

G261

Shield, Attributed to Humped-Wolf; Artist: Full-Mouth Buffalo — Shield, c. 1870
Attributed to Humped-Wolf; Artist: Full-Mouth Buffalo

Not on View

standing Native American woman with long, straight hair; wrapped in a flowing cloak with fringe; holding a fringed bag in her PR hand — Rendezvous, 1981
Allan Houser

G261

a: off-white ground with wavy horizontal red lines hand-painted in bands that extend onto edges; no backing board b: sheet of brown paper with "No baby." typed repeatedly in six columns with "Yes baby." interspersed three times; "Story of a woman" hand-written at bottom in red; signed in peach at bottom; tacked to wall with two brass tacks through upper corners — Story of a Woman, 2015
Louise Erdrich

G261

lozenge-shaped vessel with very wide shoulder; very small mouth with one side slightly higher; white patina; shoulder has incised decoration with three areas of repeating wavy diagonal lines alternating with three rectangular forms with stepped details, with their centers filled with silver leaf with curved incised lines — Shifting Sands, 2016
Preston Duwyenie

G259

cartoonish style; three Native American painted in multicolors, each seated on a white horse with teeth bared, and brightly-colored manes and lips; pastel yellow, blue and green sky with blue-edged white forms and a pink, red, blue and yellow target in URC — The Delegation, 2008
Jim Denomie

G301

symmetrical design with four flowers-two tulips and two five-petalled flowers; tan; received mounted in shadow bow with L2007.168.84, .86-.88 — Birch Bark Flower Spray, Date Unknown
Mrs. Paul Cyrette; Maker: Mrs. Alec LeSage

Not on View

cardboard cover with brown and blue printed designs; drawings (and one reproduction plate) received in book in the following order: 1. three figures--two on horseback--one figure skinning a buffalo; 2. two figures on horseback hunting antelope with bows and arrows; 3. row of seated figures at bottom; figure cooking, two figures with fans and figure smoking pipe at top, left of center; three teepees; 4. image of a paddle wheel boat; 5. reproduction plate printed, "PLATE SEVEN: THE HONORING"; 6. original image from reproduction with teepee at right; row of figures at bottom; two figures with horses at top; 7. yellow, brown and green steam locomotive engine with bearded conductor; 8. image with teepee at left; figures in three rows at edges of sheet, facing center, with figure on horse at ends of rows at left; 9. hunters on horseback with spears, bows, gun and tomahawk, hunting antelope and turkeys, accompanied by two dogs; 10. figures standing around a structure affixed with feather headdresses, shields and long spear; woman with papoose at left center; 11. horse at left; hunter near center with rifle, hunting antelope at right; 12. soldiers holding a line with an anchor (?) at left; boat with sails at right; 13. Native American dancers at center; European figures surrounding dancers, observing them; 14. figures on horseback hunting buffalo; 15. European sailors on a sailboat; 16. European men eating around a campfire, ULC, in a wooded area with lighthouse at right; 17. dancers with spears, gun and tomahawk; three teepees in background; pages separated by thin blotter/tracing sheet (irregularly spaced between images) — Sketchbook, 1876
William Cohoe

G261

Hide painting depicting the Wolf Dance, c.1880. Elk hide, pigments. Hide painting depicting the Sun Dance, about 1880. — Scenes of Plains Indian Life, c. 1880
Cadzi Cody

Not on View

Necklace; 10 strands very fine hand-drilled turquoise beads; silver cone and clasp. Joe and Mary Ann Calabaza; Santo Domongo NM. J# 1078, no Cat# — Necklace, 20th century
Joe and Mary Ann Calabaza

G259

Drawings - Watercolor — Prayer for the Mother, 20th century
Archie Blackowl

Not on View

fox head handle — Ladle, 1927
Arthur Black Cloud Sr.

Not on View

Red and bright blue feathers, each with small black and white, blue, red and yellow feathers attached to quill end; quills wrapped in red and green ribbon and connected to leather tubes; tubes bundled into multicolored beaded handle with white fringe — Feather Fan, 1999
Barry Belindo

Not on View

light tan hide; beaded bodice on front and back with black, white, red, and yellow beads in arcing horizontal rows on front and back, and band of beads on top of each sleeve; hide fringe below bands of beads with larger blue, brown, black, red, and green beads; hide fringe at bottom hem, sides, beneath sleeves, and on sleeve openings — Dress, c. 1875
Nez Perce

G261

large squat, oval basket with small, erect black-brown feathers; diagonal woven decorations in black, of double triangles, and lines with small checks; white buttons with red or blue beads stitched into black details — Oval Basket, c. 1915
Pomo

G259

beige background with tan stripes, red outlines; two sets of thin blue stripes and thin gray stripes; three bands of diamonds in blue and cranberry colored stripes; stepped diagonal pattern at corners in beige, blue, and cranberry; blue tassels; has Velcro heading band — Navajo Classic Serape, c. 1860
Navajo

G275

horizontal bands of coral colored stripes with tan and blue checks running through; diagonal blue and yellow borders along coral stripes; horizontal bands alternating in natural tan/gray — Banded serape, c. 1890
Navajo

G275

three lines of three large red and white ikat shapes; dark background of alternating black and navy blue bands; thinner horizontal red and white stripes — "Moki" blanket, c. 1889
Navajo

G275

red wool panel with thin blue stripes on outer edges and in center; thin green bands along the side edges and in the center with thick brown bands in between; four hexagon shapes in cream and brown bands of dye in all four quadrants; staggered bands of blue color surround hexagon shapes; blue threaded band around outer edge; blue fringe in all four corners; small cloth tag sewn in corner; has a Velcro heading band — Third phase variant, c. 1900
Navajo

G275

wool panel with cream, blue and brown dyed bands of color in horizontal stripes; blue bands have cream colored geometric design in the form of diamond and zig zag patterns; brown and cream dyed fringe in all four corners; thin border of cream colored thread on two shorter ends; brown colored threading on two longer ends — Navajo "slave" blanket, c. 1875
Navajo

G262

cranberry, blue, white, tan lined diamonds overlapping striped background; black and white stripes in background; three bands, edges and C with checkered design in navy, cranberry, and mustard; has Velcro heading band — Third Phase variant, c. 1880
Navajo

G262

wool panel with red, brown, white and gray zig zag pattern; knotted tassels in all four corners; straight lines in gray, white and brown on the two shorter ends — Eyedazzler, c. 1900
Navajo

G275

stylized frog-like figure outlined in buttons against navy blue background; red border; figure has three-pronged head, and is seated upright, with arms to side, displaying its belly; stylized ribcage pattern and embellished stomach decoration; in plexi shadowbox — Northwest Coast Button Blanket, c. 1900
United States

G261

wool dress with red, blue and black dye; dress is connected by loose stitching at the top and on one side in the center with thick, blue thread; blue fringe in all four corners; two bands of red at both top and bottom of both the front and back side with overlaying blue geometric designs; black band of dye in the center of both the front and back side; scalloped edging in blue on the top and bottom red sections with geometric diamond shapes made up of blue squares placed in a line; thin blue lines separate red and black sections — Late Classic dress, c. 1900
Navajo

G275

brown central panel; blue strips on either long side; blue strips woven with diamond pattern; dark blue tassels — Mantle, c. 1900
Hopi

G259

red background; connected diamond patterns of zigzagging double lines in black and white; black tassels at corners; has Velcro heading band — Late Classic serape, c. 1875
Navajo

G275

small, tightly woven textile with tiny, alternating black, red, and white diamond pattern with spots; black fringe along short ends; black and white diamond border under border of diagonal green, white, red, and cranberry stripes — Double twill saddle blanket, c. 1900
Navajo

G262

red background; zigzagging bands of gray, yellow, white, orange, and red triangles segment the red background into diamond pattern; geometric designs within diamonds; tassels at corners — Sampler textile, Date Unknown
Navajo

G275

horizontal zigzagging motif across C in red, orange, and coral; horizontal stripes in green, white, red, and orange; green and orange double border; brown and white fringe along bottom; has Velcro heading band — Saddle blanket, c. 1865
Navajo

G262

wider cranberry colored band across top and bottom edges with zigzagging white line, and blue stripes; off-white background with four sets of two thinner cranberry lines; yellow tassels; has Velcro heading band — Saddle blanket, c. 1860
Navajo

G262

bands of thin black and gray stripes; five wider orange bands with thin black and magenta stripes; small red tassels at corners — Transitional saddle blanket, c. 1895
Navajo

G262

bold, wide red and gray zigzagging lines connecting to form diamond pattern against white background; black, red, and white borders — Transitional Blanket, c. 1895
Navajo

G275

red background with tan and blue double-lined zigzagging pattern; Velcro header on reverse — Serape, c. 1880
Navajo

G275

wide cream stripes with narrower blue, red and cream stripes; red and blue tassels at corners; tiny leather patch/tag at one corner — Double twill saddle blanket, c. 1875
Navajo

G262

red, white, blue textile; wide band of thinner blue and red stripes down C, with narrower blue and white bands continuing on either side; white bands; gray tassels — Child's blanket, c. 1860
Navajo

G262

red background with rows of small navy and orange squares with small teal and tan overlapping squares; 4 gray bands; small red tassels at corners; heading band; Velcro header on reverse — Twilled Saddle Blanket, c. 1890
Navajo

G262

wool panel with cream, red, brown, orange, and yellow stripes, all varying in size; orange fringe in all four corners; thin band of orange threading across top and bottom; brown thread on the two longer sides — Blanket, c. 1890
Navajo

G262

brownish-black wide band down C flanked by two red bands on side with navy blue zigzagging lines — Biil, c. 1865
Navajo

G275

blue wool with red, white and yellow stripes at long sides; edged with blue ribbon at short sides; floral beadwork at short sides; three pairs of beaded red horses edged in white along bottom — Dance blanket, c. 1900
Otoe-Missouria

G260

headdress with leather cap/headpiece with beaded band around front top with white beads with two lines of blue triangles, two red bars and two lines of red and orange triangles at either end; long red wool strips at each side of headdress, backed with buffalo hide; brown and cream eagle feathers overall; some feathers at top have light brown horsehair strands attached to ends; eagle feather at center back accented with bright red and bright purple feathers; images of cows' heads drawn on leather beneath feathers on crown of head — Headdress, late 19th-early 20th century
Tsistsistas (Cheyenne) or Lakȟóta

G261

beading on top of each foot: green ground with two American flags; clear beaded band around side of each foot with alternating blue and red H's (two black H on left foot); vertical band of alternating beaded red and light blue strips up back of heel — Pair of child's moccasins, Date Unknown
United States

G259

small nearly square bag with two deerskin handles and deerskin top decorative trim with zigzag edge; light tan bag with woven design on each side--one side has geometric stepped radiating diamonds, each with a pair of geometric claw-like elements, in red, greens, yellow and orange; opposite side has four star designs edged in black with yellow, light pink and turquoise — Corn Husk Bag, c. 1910-1960
Plateau

G261

dark greyish-brown; slightly rounded bulbous foot; round body with low shoulder; rounded neck with slightly outward-flaring mouth; incised wave-like, curving patterns on body — Vessel, c. 1300-1600
Mississippian

G260

triple band with 30 rectangular cut turquoise and a central chrysacola — Bracelet, c. 1930
Pueblo or Diné (Navajo)

G259

dark blue wool with yellow, red and white stripes at one end; appliquéd silk ribbon in white, lavender, light blue and medium blue forming U-shaped section with strips of symmetrical stepped flower and leaf designs; 4 red silk hand silhouettes, trimmed in white beads; green silk trim — Friendship Blanket, c. 1900
Wazhazhe (Osage)

Not on View

soft tanned hide of extreme thinness with finely cut fringe along arms, wrists, sides, bottom and V neck; back, front and arms are painted with red linear elements outlined in black; V neck is accentuated with red lines coming down from the shoulders to the point of the V; at the shoulder, on either side of the neck and on the bottom of the sides are triangular tab appendages with stepped edges and diamond shaped perforations; larger tab at back of the neck — Shirt, c. 1720-1750
Woodlands

G260

back panel carved in low relief and decorated with four blue birds, four small birds in a nest, tall twining flowering vine; small bear in LRC; brightly-colored pigments; top "handle" carved with twisted design and painted in yellow and red; footboard painted with radiating U shapes — Cradleboard, c.1850-1880
Kahnawake Mohawk

G260

standing figure with arms bent at elbows and forearms raised; long dark hair; large flat headdress with stepped edges; three 3-D hairpins on top of heard; tunic and skirt with patterned designs; rectangular eyes; diamond-shaped mouth; brilliant orange (especially on headdress), black, peach, yellow and light blue — Butterfly Maiden Kachina, 1880-1920
Hopituh Shinumu (Hopi)

Not on View

patchwork shirt with skirt-like bottom section; machine sewn with horizontal multicolored bands, red and yellow saw tooth band, black and white diagonal band, red and white vertical bar bands and pink and black checkered bands; blue under arms and on shoulders; red rickrack at front opening; hook closures — Shirt, c. 1930-1940
Seminole

G260

long two-sided blade; handle wrapped with light-colored leather thong; top is carved in the form of a bear's head, baring its teeth; abalone inlay eyes — Fighting dagger, c. 1825-1830
Tlingit

G261

black and blue backing and trim; front of pouch and strap beaded overall with large, bright floral and leaf forms on white ground; beaded floral spray above pouch; blue squared-off linear border at pouch edges; transparent blue bead and blue yarn fringe — Bandolier Bag, 19th century
Anishinaabe (Ojibwe)

Not on View

hide panel with beadwork at each end; wider end open; long fringe on each end and sides; geometric design beadwork with red felt and blue bead trim — Gun Scabbard, c. 1890-1910
Apsáalooke (Crow)

Not on View

hide shirt with fringe on arms and neckpiece and short fringe on bottom; beaded strips on sleeves and over shoulders; triangular beaded flaps at neck, front and back; pink beaded ground with geometric multicolored designs — Shirt, c. 1890
A'aninin (Gros Ventre)

Not on View

uppers beaded overall with background panels of blue and pink, and geometric square designs; large plain tongues, trimmed in blue beads; fringe on heels — Pair of Moccasins, c. 1890
Nakoda (Assiniboine)

Not on View

dog shape, with rounded body; thick, tapered tube-shaped tail; small head with large, protruding teeth; small, upright pointed ears; light orange, dark orange and white pigment designs — Vessel, c. 1500
Ugahxpa (Quapaw)

G260

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes — Bow Case and Quiver, c. 1885
Apsáalooke (Crow)

Not on View

open on top and one end; blue, black and green beaded strip on top; flowers, butterflies, birds, stars and cattle heads in quills on sides; green, purple and orange ribbons — Cradle board cover, c. 1880
Dakhóta

G259

pouch and strap of finger-woven yarn in green and dark red with zigzag rows of white beads in fibers; beaded, tasseled and undecorated fringe at strap ends and bottom of bag; dark green pouch backing; blue and tan plaid backing on strap — Bandolier Bag, c. 1830-1850
Anishinaabe (Ojibwe)

Not on View

convex circular form, carved in high relief with a mask bearing a combination of human and hawk attributes; painted with red, yellow, green and black pigments; encircled by 14 abalone shell plaquettes in round and oval shapes — Frontlet, c. 1820
Tsimshian

G261

drawings of figures, horses, teepees and other objects in browns and tans around the edges of a stretched canvas — Winter Count, 20th century
Lakȟóta

G261

large bowl with rounded bottom; "handle" in the shape of a stylized animal head, with brass tack eyes — Bowl, c. 1750-1850
Dakhóta

G259

bag with wide shoulder strap with beaded geometric designs; back of strap and interior of bag printed brown fabric; front panel of bag beaded with geometric shapes; top panel and back of bag red wool; 17 short beaded hanging tails with red wool tassels; body of bag trimmed in blue — Bandolier Bag, c. 1870-1900
Anishinaabe (Ojibwe)

Not on View

Ear Spool, Spiro Mississippian — Ear Spool, c. 1100-1400
Spiro Mississippian

Not on View

Ear Spool, Spiro Mississippian — Ear Spool, c. 1200-1350
Spiro Mississippian

Not on View

bird pin with wings extended; pointed beak at top; movable tailfeathers; tie tack pin with earring back — Pin, 20th century
Diné (Navajo)

Not on View

fringe at hem and sides with long fringe around arm openings; sleeveless; rectangular areas of geometric beading (mostly white) on shoulders with iridescent blue and matte beads around neck; 2 rows of bone fragments carved to resemble elk teeth on chest and upper back with one beaded rectangular stripe and another row of bone fragments below; hanging pairs of decorative laces throughout; beading at hem — Girl's Dress, c. 1860-1870
Tsistsistas (Cheyenne)

Not on View

small wooden box with hinged lid; metal handle, hinges and closure; decorated with painted and low relief carved flag and eagle on top, cross on PR side, feather fan on PL side, rattle and drum on front and feather fan and pipe (?) on back; glass and metal pendant portrait of Jesus attached to lid; lined with blue velvet — Medicine Box, 20th century
United States

Not on View

beaded overall, including soles; blue beaded ground with triangles and squares in white, red, dark blue, green, yellow and black; fringe at heel, plain tongue; tie at front — Moccasins, c. 1880-1910
A'aninin (Gros Ventre)

Not on View

wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area — Miniature Gunstock War Club, c. 1860
Anishinaabe (Ojibwe)

Not on View

carved in half of hollowed-out log and painted; animals are based on a whale, then bear, fish (flat) in foreground, with whale in background; bird, bear with frog in mouth; remains of pigment in blue/green (malacite), black and red — Totem Pole, after 1850
Haida

Not on View

Bracelet; silver band with stamped design; 43 turquoise. J# 1080, No Cat# — Bracelet, c. 1950
Pueblo or Diné (Navajo)

G259

Bridle black leather with silver; two conchas (oval) with inset turquoise; center of bridle has 3 oval turquoises with carinated wire naja with turquoise center pendant; stamped decoration; sheet mountings on the leather bands. J. #721, Cat. # 875, Illus p 181 — Bridle, 1960s
Diné (Navajo)

G259

Single strand large silver beads; 12 squash blossoms, double band, cast carinated naja with large green turquoise pendant, stamped design at ends. stamped plate at top of shank J.#505, Cat.#389. — Necklace, c. 1930
Diné (Navajo)

G259

Single strand of very large silver beads; 6 sq. blossom, 4-pronged, triple band ox bow naja with filed designs, 4 Cerrillos turquoise. J.#473, Cat.#391. — Squash-blossom Necklace, 1920s
Diné (Navajo)

G259

showing 100 of 2031 results matching * and _exists_:"list:nahm". (load 200 more)

Download results as CSV