four sparrows huddled together at bottom of composition amidst bamboo stalks and leaves; one of the stalks extend upward and curve, forming an 'o' shape, and then extending towards the middle of the surface; one sparrow is perched on this bamboo stalk right around the center of the composition; the bamboo stalks, leaves, and sparrows are all against a void background; the upper half of the composition is blank

Five Sparrows on Bamboo, 16th century

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In the 1500s and 1600s Japanese painters created works inspired by the Chinese Zen monk-painter Muqi Fachang (active c. 1210–after 1269). Sometimes they painted in his style, and other times they painted subjects associated specifically with him. This painting does both: the subject matter and the painting style hearken back to Muqi. Japan’s military rulers owned a painting of sparrows on bamboo by Muqi. This painting became well known because it was copied and distributed widely. Japanese people came to associate this subject with Muqi.

Here, a Japanese artist shows a family of sparrows on a corkscrewing shoot of bamboo. Four chicks are huddled near the ground, while their mother watches over them from above. The birds are all painted without any outlines; instead, their bodies are described using areas of diluted ink-wash on top of which small brushstrokes indicate the birds’ eyes, beaks, feathers, etc. This technique, known in China and Japan as “boneless” (i.e., without contour lines), was associated in Japan with Muqi, whose works helped introduced this technique to Japan.

Details
Title
Five Sparrows on Bamboo
Artist Life
1504 - 1589
Role
Artist
Accession Number
2013.29.32
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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four sparrows huddled together at bottom of composition amidst bamboo stalks and leaves; one of the stalks extend upward and curve, forming an 'o' shape, and then extending towards the middle of the surface; one sparrow is perched on this bamboo stalk right around the center of the composition; the bamboo stalks, leaves, and sparrows are all against a void background; the upper half of the composition is blank