G373: Dolly Fiterman Gallery | Mia

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showing 10 results matching `*` and `room:"G373"` (clear filters)

two dimensional object with a mixture of photographs and collage-like elements; surface is slightly raised with photographs and shapes imbedded like puzzle pieces; gray textured backing; series of red plus signs dispersed across upper half; two horizontal red lines-one in upper left quadrant and one in upper right quadrant; red vertical line on upper middle right side, and runs downward to bottom, intersecting with a small square-shaped black and with photograph of a cratered rock; five red circles with photographs of space, portraits and life scenes placed in middle of circle; other photographs of life scenes and space dispersed across surface; various colored dots in orange, blue, red, black and white decorate background — Bess, 2016
Sadie Benning

G373

Fantastical images of animals (primarily elephants), figures and machines on winding elevated paths; primarily reddish-pink ground; collage, drawn and painted elements; machine (printing press?), LRC; people painting, LLC; central greenish tower with cat; architectural elements; some ink stamped elements — Red Roil, 2014
Josh Dorman

G373

A grid of collage on postcards: 153 separate collages on Bockley Gallery exhibition announcements with a black and white photograph by Frank Stefanko of musician and artist Patti Smith, wearing a jacket, t-shirt, necklace and small hoop earrings; printed text on the back with information about an exhibition of Frank Stefanko photographs at the Bockley Gallery, Minneapolis. — Untitled (Patti Smith), 2012
Frank Big Bear

G373

street art style portrait of two boys against orange and black background; boy at L holds head down slightly while looking up toward viewer, wearing a white shirt; boy at L looks outward, wearing red and black shirt; collage of painted, slashed newspaper and paper pulp — Les Winzins de Djamtala 1, 2017
Armand Boua

G373

layered collage consisting of old printed linoleum pieces that are torn, worn and layered; faux wood grain patterned pieces of linoleum with cowboy figure and cowboy boots in URQ and moving downward to right center and LRQ; waxy yellowed adhesive in URC and on upper right edge; layered linoleum pieces with floral designs in top center and in center, with yellow adhesive seeping from the edges; geometric patterned linoleum with gray, red and white lined pattern; muted mauve floral pattern on left edge; severely crackled blue and peach floral pattern in LLC; yellow stained backing paper visible in corners — Lesbian Dreams, 1992
Harmony Hammond

G373

paper collage with various images including standing figure at center with raised red elements on legs and shoulder and flame on chest, cans of Coke at bottom center, face of Statue of Liberty in URQ, woman with cat eye in ULQ; applied small round mirrors surrounded by colored (red, turquoise, pink, white) threads; applied green lotus pods; some applied elements recessed in ground including tray with pink and white petunias, green tray in the shape of the letter "U", silver and bronze cups, and pear-shaped form; long and short pins (some with white heads) stuck into surface at varying depths with irregular spacing overall--many pins have either a single black or clear sequin or a cutout paper collage element with various imagery (heads, skulls, insects, body parts) — Revolutionary Song, 2016
Elliot Hundley

G373

Abstract image; rectangle with black irregular streaks and spots; iridescent gold and bronze; spiderwebbed areas at bottom center and center right; collaged broken glass and brown paper elements; black canvas ground mounted on tan stretched canvas mount; received unglazed — Skinning the Mirror #12, 2021
Edgar Arceneaux

G373

gray cloth-covered album bound with dark green twine; bound volume of 51 double-sided prints in rich colors and metallic, shimmery inks; prints depicting superimposed silhouettes of nude men, body parts, and printed words — Untitled (Loving Repeating 3), 2020
Dutes Miller; Artist: Stan Shellabarger

G373

large print in shades of orange, black, gray, and blue; blues appear to be hand-colored; image appears to be a mechanical technical drawing in which the components have been squashed, deformed, and exploded across the page; jumbled and whirling geometric forms, cooking utensils, and egg beaters in blue on the right side of sheet; curving black lines and orange shading on the left side of sheet; on cream-light yellow paper; hinged to mat, in blond wood frame — All the Wars in the World (Fire): Come and Get Me, 2020
Alice Aycock

G373

Twisted and zigzagged pieces of silver metal with weathered, scratches and painted coatings: predominately white, some red and blue splatters — Local Cannibal, 1992
John Chamberlain

G373

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