more thumbnails / fewer
bigger / smaller
grow! / shrink! / stop!

showing 40 results matching * and room:"G255" (clear filters)

advanced
info

Pendant, c. 800 - 1100

Veraguas

G255

green, tan and white mottled stone; top carved with squat figure with long plaited beard; red pigment in crevices of carving

Celt, c. 500-750

Costa Rica

G255

two photos attached together on back with Scotch tape; view of rugged mountains in background and ruins of Macchu Picchu

%C2%A9 Estate Martin Chambi %2F Martin Chambi Archivo Fotografico. All rights reserved.

Panoramic View of Machu Picchu, Peru, 1934 (printed later)

Peru

G255

standing figure of green jade; short legs and short arms; frowning expression; wide nose; large incised blank eyes; pierced ears

Figure, 900-300 BCE

Olmec

G255

llama with long, thin body, neck and legs; straight legs; erect ears; large eyes

Figure of a Llama, 1400-1533

Inca

G255

round body with flattened bottom; u-shaped neck with short spout; decorated with 4 applied angry cat figures and s-shaped swirls

Vessel, 1400-1000 BCE

Chavín

G255

two figures seated on round body of vessel with plates of food in front of them; spouts protrude from backs of both figures and joins in a "U" shape; beige with maroon highlights

Vessel, c. 100-200

Moche

G255

%C2%A9 Luis Gonz%C3%A1lez Palma%2C Courtesy of Schneider Gallery

Amerika, 1990

Luis González Palma

G255

Seated female figure, legs missing, wearing a short apron-like garment terminating at the knees. Upper body clothed in a laced jerkin suggested by applied rolls of clay. Wide bands of clay form a turban headdress and wristlets. A thick roll of clay with ball pendant makes the necklace and a ball of clay serves as a nose ornament. There are traces of painted bands around the eye sockets, and around the slit mouth. Ear plugs and rings. The hands, resting on knees, are sketchily modeled. Restored at neck.

Figure, 500-799

Nopiloa (Veracruz)

G255

Cup with trophy heads; polychrome earthenware; Peru, Nazca, VIc.; No Dims on Cat. Cards Cup with slightly flaring mouth painted in polychrome with four rows of trophy heads.

Vessel, 6th century

Nasca

G255

Spherical Jar decorated with a horizontal band showing two figures against a background of conventionalized lines representing water. Polychrome painting. Rounded bottom, stand.

Bowl with Swimmer Motifs, 100 BCE - 600 CE

Nasca

G255

miniature figure of a Man with a Rattle; lost wax casting in gold; this figure was found in the South Central region of Costa Rica, near the town of Buenos Aires

Pendant, 8th-15th century

Ngäbe or Guaymí

G255

Alligator Pendant of cast gold with four spangles on back. Note This pendant was discovered at Venada Beach, an ancient burial site at Howard Air Field in the Canal zone. This new site has revealed a culture similar to the Coole people over 100 miles north, and a strong link with South American metal artistry.

Pendant, 9th-12th century

Venado Beach

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Casa arruinada, 1929

José Clemente Orozco

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

El requiem, 1928

José Clemente Orozco; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

G255

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Head of a Young Girl, c. 1940-50

Attributed to Diego Rivera

G255

mostly black and white painting with two small bands of yellow pigment; irregular shapes floating inside a large irregularly shaped white space, on a black ground; modern brown and black wood frame

No. 6, 1957

Elsa Gramcko

G255

beading and sequins overall; central turquoise drum in front of a gold platform, with an old man with white hair and beard wearing gold pants and a black shirt with green leaves and vines assisting a woman wearing a white hat and blue dress with moons and starts onto the platform; musicians at left and right; man in red knickers and gold shirt playing maracas and man in green pants and black and red shirt playing a lute at right; man in dark blue suit playing an accordion, man in white pants at red shirt with leaves seated on and playing a box-shaped percussion instrument, and man in black tank top playing a harmonica at left; large brown element at top; multicolored beads on border, with symmetrical pattern of maracas, conical horns, and lutes; outer fabric border of patterned khaki, grey, and white fabric, with gold sequined trimming

Bal Kontredans, 2021

Myrlande Constant

G255

thin tubes of multicolored fabric forming an oblong shape, braces by thin black pieces of fabric at sides; thicker shape at bottom in blue fabric with lace on it, and a pink flower; red and blue entwined tubes of fabric at PL; green fabric with a black flower in C

The Ninth, from Torções series, 2019

Sonia Gomes

G255

Abstracted landscape; red-brown mountina shape with lines, "cracks"; mottled blue-black sky; pale yellow moon orb

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Paisaje con luna, 1977

Rufino Tamayo; Printer: Taller de Gráfica Mexicana, Mexico City (now Mixografia, Los Angeles); Publisher: Taller de Gráfica Mexicana, Mexico City (now Mixografia, Los Angeles)

G255

human face with long ears; open mouth with teeth; red linear designs

Mask, c. 900-300 BCE

Olmec

G255

flat stele with square body and square head; three vertical indentations on body; owl-looking eyes on head; grey/ beige in color

Figure, 4000-3000 BCE

Valdivia

G255

Large, white canvas with crisscrossing pencil grid lines; abstract, quilt-like motif following gridlines at center of canvas, bursting into grid in greens, blue, yellow, and gold leaf

%C2%A9 Gabriel Orozco

Untitled, 2016

Gabriel Orozco

G255

torso and arms of a woman wearing a sweater, skirt, and shirt with horizontal stripes of various widths, in front of a plaid fabric panel, holding a framed photograph of a young woman wearing a headscarf and vertically striped blouse, with a horizontal line across her cheeks and nose and geometric designs on her cheeks

%C2%A9 Graciela Iturbide

Retrato Seri, 1979

Graciela Iturbide

G255

geometric abstraction in bright red, bright blue, and yellow-gold; vertical column of three biforked symbols with one tri-forked symbol at the top; symbols are yellow-gold on a red ground; yellow-gold border across bottom; on both sides is wider outer border of blue and thin inner border of yellow-gold; simple brown stained wood frame

Emblema - 1972, 1972

Rubem Valentim

G255

black pot representing Corn God, surrounded by ears of corn; cracked

Vessel, 11th-15th century

Chimu

G255

pendant, probably representing a jaguar; cast by the lost wax method, showing part of the clay and charcoal core; this pendant was discovered at Venada Beach, an ancient burial site at Howard Air Field in the Canal Zone; this site has revealed a culture similar to the Coole people over 100 miles north and a strong link with South American metal artistry

Pendant, 9th-12th century

Venado Beach

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La Bandera, 1928

José Clemente Orozco; Printer: George C. Miller

G255

etched glass water tumbler sitting on graph paper

Copyright of the artist%2C artist%27s estate%2C or assignees

Paper in Glass, 1931 (printed 1985)

Grete Stern; Publisher: Rudolf Kicken Gallery, Cologne, Germany

G255

Large oval jar with the neck representing a human head. The face is slightly modelled, with nose and chin in full relief, but with eyes and hair painted. The upper section of the jar is painted to represent a poncho worn over the shoulders. The poncho is striped vertically in dark brown, rust, and cream on the front and in the back in stripes of dark brown only, possibly to represent the hair of the figure. This jar is interesting as illustrating the manner in which ponchos were worn. Late Nazca per Schoeler--MWS.

Jar, 3rd century BCE - 6th century CE

Nasca

G255

string against dark boards; egg ULQ

Copyright of the artist%2C artist%27s estate%2C or assignees

Egg and String, 1932 (printed 1984)

Horacio Coppola; Publisher: Rudolf Kicken Gallery, Cologne, Germany

G255

frontal bust-length portrait of a woman

%C2%A9 Estate of Ren%C3%A9 Portocarrero

Female Figure, 1948

René Portocarrero

G255

Olla, red and black on buff, with a design of scrolls on a horizontally hatched ground, triangles, and stepped motifs. Bottom scorched, paint worn in some areas, Casas Grandes type, rim restored. Ramos polychrome. Tardio phase.

Pot (Olla), c. 1000-1300

Paquimé (Casas Grandes)

G255

Pendant, 9th-15th century

Diquis

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La retaguardia, 1929

José Clemente Orozco; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

G255

black stone; carved with glowering figure

Celt, c. 500-750

Costa Rica

G255

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Equilibre rouge (gray variant), 1967

Arthur Luiz Piza

G255

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

The Green Cosmos, 1969

Arthur Luiz Piza; Publisher: La Hune, Paris

G255

Copyright of the artist%2C artist%27s estate%2C or assignees

Mujer de Taxco, 1937 (1947 edition)

Luís Arenal; Publisher: Associated American Artists, New York

G255

Piège de lumière (Light Trap), 1965

Jesús Rafael Soto; Publisher: Edition MAT, Cologne, Germany

G255

showing 40 results matching * and room:"G255"

Download results as CSV