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showing 7 results matching * and room:"G252" (clear filters)

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second of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with primarily four characters per page; primarily bold characters; some characters are very pointed; two pages of thin, closely-spaced, freeform characters; two pages of very looping, organic characters

Model Book of the "Thousand Character Classic", pt. 2, second half 17th century

Sasaki Shizuma

G252

two lines of calligraphy with signature at L; brown mount

Temporary Palace at Yoshino, second half 19th century

Murase Taiitsu

G252

6 panel screen with alternating panels of calligraphy, and panels of bamboo stalks with delicate foliage and small inscriptions

Bamboo and Chinese Poems [right of a pair], 1865

Doi Gōga

G252

ten bold characters in black on white; some dry brush areas; dark blue, gold and yellow mount

Stone Shadows, early 19th century

Matsumoto Koryū

G252

6 panels, alternating between large calligraphy, and images of bamboo with rocks, and smaller inscriptions

Bamboo and Chinese Poems [left of a pair], 1865

Doi Gōga

G252

first of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with four characters per page; primarily bold characters; four pages near front of scroll with characters made of very thin lines

Model Book of the "Thousand Character Classic", pt. 1, second half 17th century

Sasaki Shizuma

G252

three characters written horizontally across white sheet; reddish-orange rectangular intaglio stamp URC; four vertical, smaller characters at L; two large square stamps at far L: top stamp contains four squares, three of which are intaglio, the fourth is relief; bottom square with thick outline is relief

Laziness is Truth, late 19th-mid 20th century

Kawamura Keikō

G252

showing 7 results matching * and room:"G252"

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