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showing 24 results matching `*` and `room:"G200"` (clear filters)

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

Standing Bodhisattva of white marble, arms broken off below shoulder. The figure wears a narrow scarf, barely defined, and a skirt girdled at the waist, its upper edge finished with a curling line. Jewelled necklace and long chains. High headdress. Feet missing, head restored at throat where formerly broken off. — Standing bodhisattva, one of a pair, late 6th century
China

G200

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

Jewelled headdress with pendants suspended from the beaks of decorative birds or from projecting scrolls. Right hand is on right knee, left hand is raised toward the chief diety. Sitting in a cross-legged position, the image of his Dhyani-Buddha in his headdress. Hip-length blouse, with wide round neck and rolled over collar, has a center vertical panel which is pulled into the neck when seated. Three-quarter length sleeves. The skirt is finely pleated and caught up slightly on either side of the leg. — Avalokiteshvara Bodhisattva (Guanyin), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953
China

G200

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown — Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century
China

G200

baldheaded figure with closed eyes, wearing a robe which falls in folds at stomach, lower arms and legs; slightly leaning to proper left, with a small space between proper right arm and body; hands folded at waist — The Monk Ananda, 9th century
China

G200

armless figure--bottom edge at middle of thighs; heavily muscled torso; wearing skirt with tie at waist; frowning, angry expression; headdress; dark stone with white veins — Dvarapala (Guardian Figure), 8th century
China

G200

deep relief carving; Buddha at L seated on a throne with PL hand on head of kneeling Bodhisattva with clasped hands; 7 other figures stand behind and to R and L — Buddha Stroking the Head of a Follower, late 8th century
China

G200

Flying Apsaras, right arm outstretched, left holds a plate of flowers, left leg pendant, right knee flexed. — Flying Celestial (Apsara), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953
China

G200

head with elongated earlobes; downcast eyes; headdress with scrolls, tassels and floral forms, with pair of ornaments on either side with three red balls on blue drops; traces of blue pigment at hairline; traces of red pigment on lips; traces of olive-colored patina on skin of face; red, green and blue pigment on headdress; received attached to rectangular black base — Head of a Bodhisattva, late 6th century
China

G200

Humility Brings Prosperity gate, China — Humility Brings Prosperity gate, 1858
China

G200

relief sculpture; three figures inside a concave niche; central seated figure on lotus blossom on pedestal flanked by standing figures, incised Chinese characters around front edges; traces of pigment appearing brown--predominately grey — Buddhist votive stele with Buddha and two Bodhisattvas, 678
China

G200

figure slightly smaller than life size, seated cross-legged with hands one of top the other in lap; eyes closed; mottled green glaze with silver liquid-appearing beads and drips overall — Reduction I, 2013
Kondō Takahiro

G200

Tendai Priest (Patriarch) Portrait of one of the eight high priests of the Tendai Sect of Buddhism in Japan. Kamakura. 1185 to 1392 A.D. Single wood construction; no restoration. — Figure of a Monk, 9th-10th century
China

G200

Amida, the Buddha of Infinite Light, Unknown Japanese — Amida, the Buddha of Infinite Light, 12th century
Unknown Japanese

G200

Mandalay style; Buddha seated in the bhumisparsamudra pose, his left hand is held in his lap and his right hand touches the pedestal — Shakyamuni Buddha Calling the Earth to Witness, 18th century
Myanmar (Burma)

G200

Figure of a Maitreya Buddha, porbably Avalokitesvara, seated as if on a stool, his legs crossed at the ankles, his body slightly bent forward, and his hands in the 'do not fear' attitude. The upper part of the body is partially covered with a scarf which falls over the upper arms in pointed cap sleeves and merges with the skirt drapery. The ribbon-like ends of the scarf are knotted in an x-form over the abdomen. The skirt hangs in flaring, rippled pleats over the legs, which are clearly visible under the drapery. The face is typical of the Wei style of Lung Men, with lips and nose firmly modelled, eyebrows falling to meet the lines of the nose, eyes set low beneath the brows, and lids cut in a narrow almond. The hair is parted in the center, and crowned with a square tiara with a figure of Amitabha in front. This figure comes from the Ping Yang cave at Lung Men. — Maitreya (The Buddha of the Future), early 6th century BCE
China

G200

One of the twelve generals of Yakushi Buddha, with strong remains of original pigments. Original wood stand — Divine General, late 12th century-early 13th century
Joga

G200

Stone head of Buddha. A fragment consisting of the face only, modelled in the style that heralds the Tang. — Head of a Buddha, 570-577
China

G200

standing Buddha in robe; one knee bent slightly, arms bent but missing; standing on small stone base with figures and a Buddha in high relief — Buddha, 3rd century
Pakistan

G200

plump face and wide nose; nearly closed eyes; wearing a large crown with dragon and foliage designs — Head of a bodhisattva, probably Avalokiteshvara (Guanyin), 12th-13th century
China

G200

Flying Apsaras, left arm outstretched, the right holds a plate of flowers, both legs pendant. — Flying Celestial (Apsara), from a set of Avalokiteshvara Bodhisattva and Flying Celestials, c. 951-953
China

G200

Standing Bodhisattva of white marble, right arm broken off below shoulder, left above wrist. Figure wears narrow scarf tied in x-like form at waist, and skirt whose upper edge falls over in narrow peplum effect over girdle. Elaborate jewelled necklace and heavy chains hanging to knees. High headdress. Feet missing; head restored at throat where formerly broken. — Standing bodhisattva, one of a pair, late 6th century
China

G200

central large standing figure flanked by 2 smaller standing figures; dragons flank central figures feet and dragon at top center; 4 floating figures with trailing drapery at top; pigment traces — Stele of Maitreya Buddha, 563
China

G200

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