diamond design; purples, pinks, blues, greens and tan ground; fringe on one end

Mat, c. 1900

Anishinaabe (Ojibwe)

Bulrush, pigment, cotton

The Driscoll Art Accessions Endowment Fund 2003.162.4

On View in Gallery 281

Baskets, like cloth textiles, are woven: they are composed of multiple elements that cross and bind one another. However, baskets are fashioned primarily by hand, without the use of a loom. With its combination of reeds traditionally used in basketry and an off-loom diagonal weaving technique, this two-dimensional mat demonstrates the affinities between textile weaving and basketry.
The Anishinaabe woman who created this bulrush mat would need to depend upon her deep understandings and relationships with the intellectual, cultural, spiritual, and physical worlds in which she and the bulrush was a part. Before making the mat, she needed to be a good relative to the bulrush, giving thanks and blessings. She needed to know the complex ecological environment that sustains bulrush, a grass that purifies the water, carefully selecting and harvesting the exact amount of reeds that would keep this environmental niche in balance. She needed to spend hours, if not days, in preparation, cleaning, dyeing, and softening the bulrush before weaving it into complex designs that would please both the bulrush and the people who encountered the mat.

Image: Public Domain. The Driscoll Art Accessions Endowment Fund

Unexpected Turns: Women Artists and the Making of American Basket Weaving Traditions

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