mermaid with flowing red hair rising above the waves; she is holding a fish in each hand

A Sea-Nymph, 1881

Oil on canvasexpand_more

Gift of Curtis Galleries, Inc.expand_more  2010.83

Not on Viewexpand_more

Edward Burne-Jones became a founding member of William Morris’s decorative art firm in 1861, where he produced countless designs and illustrations for books, tapestries, ceramic tiles, mosaics and stained glass. In 1862, he traveled to Italy where he was introduced to Botticelli, whose formal patterning profoundly influenced his subsequent development as a painter. His typical subject matter derived from medieval and classical legends charged with symbolism. In fact, he was pre-eminent in the Aesthetic movement in England and the Symbolist movement in Europe. A defining characteristic of Burne-Jones as an artist was his willful blurring of the boundaries between his painting and his decorative work, something quite evident in the conception of Sea-Nymph.

Sea-Nymph was conceived as a pendant to another painting, Wood-Nymph, both of which were purchased from the artist shortly after they were painted. They were separated in 1908 and the Wood-Nymph was eventually bequeathed in 1944 to the South African Museum in Cape Town.

A Sea-Nymph
Artist Life
1833 - 1898
Accession Number
Curator Approved

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mermaid with flowing red hair rising above the waves; she is holding a fish in each hand