Charging Hussar on Horseback, c. 1805-1810
Carle Vernetexpand_more
Black and white chalk, brush and gray wash, heightened with white gouache, on blue paperexpand_more
The Richard Lewis Hillstrom Fundexpand_more 2005.130
Not on Viewexpand_more
Carle Vernet had a talent for military subjects in a time of intense turmoil. His depictions of the Napoleonic Wars not only capture the violence and magnitude of the conflicts, but also document the military tactics, formations, and technology of the battlefield, along with its culture and fashion. Here a dashing hussar is shown charging into battle. Legendary in the Napoleonic era, the hussars had their roots in 15th-century Hungary. Unencumbered by heavy armor, this storied cavalry was fast and daring, leading brash charges into enemy territory while yelling, cursing, and waving their curved sabers. Though the French hussars were predominantly native-born in Vernet’s time, the foreign origins of their force remained essential to their identity. The hussars’ exoticism was most visible in their elaborate dress, which Vernet meticulously recorded here. Especially distinctive was the tall cylindricall hat, called a schako, adorned with colossal feathers. It and the long mustache made the soldiers instantly recognizable. Their bravery, flamboyance, and wild recklessness gave rise to such sayings as, “A hussar not dead at thirty is a scoundrel” and “Loved by every wife and hated by every husband.”
Details
- Title
- Charging Hussar on Horseback
- Artist Life
- 1758–1836
- Role
- Artist
- Accession Number
- 2005.130
- Provenance
- (William Weston, Gallery, London, in 1987). Sotheby's, London, March 26, 1997, no. 160, bought in; Sotheby's, London, February 25-26, 1998, no. 563, bought in. Private collection, Washington, D.C (until 2005; sold to Graeber); (Conrad R. Graeber Fine Art, Riverwood, Maryland, 2005; sold to MIA).
- Curator Approved
This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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