heavy-set man seated inside a large sack; smiling man has light beard and wears dark garment, open at the chest; has storage box

Hotei Within his Sack, 1800

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Ink on paperexpand_more

The William Hood Dunwoody Fundexpand_more  2004.46.1

Not on Viewexpand_more

Budai (Jp. Hotei) grins broadly as he sits enveloped in his large bag. Budai was an eccentric Tang-dynasty (618–907) itinerant monk who was skilled at ink painting. His nickname, which literally translates to “jute bag,” refers to the large traveling sack he used for carrying belongings and food as well as accepting alms. He is often depicted with a large belly and a broad smile to reflect his cheery nature. In Japan, he became part of the seven gods of fortune and was associated with wealth and prosperity. Within Chan (Jp. Zen) Buddhism, Budai was considered the incarnation of Maitreya, the present bodhisattva and future Buddha.

Kōgan Gengei was a Japanese Zen priest in the lineage of Hakuin Ekaku (1686-1769), who was an influential Zen Buddhist monk, painter, and calligrapher. In Chan Buddhism, paintings were a tool to express religious teachings. Ink paintings were particularly suitable because they only required a brush, ink, and paper, all everyday objects in a monastery.

Details
Title
Hotei Within his Sack
Artist Life
1748 - 1821
Role
Artist
Accession Number
2004.46.1
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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heavy-set man seated inside a large sack; smiling man has light beard and wears dark garment, open at the chest; has storage box