A vivid impression of life and movement is achieved by the schematic treatment of the legs, the ponderous body, and the summarily modelled head. The eyes, under flat, curving horns, are extraordinarily expressive. the incised decor of the body, with thin, slanting lines arranged in rows or grouped around a circular motif, stems from an earlier element that appears on the legs and throat of the early Middle Chou figure of a buffalo (Karlgren, Plates 102, 103). The socket on the beast's back indicates that the animal has served as a podium. The body is hollow and open, with traces of clay inside the belly. Patina grey-green.

Water buffalo support, 6th-5th century BCE

Unknown artist, expand_more

Bronzeexpand_more

Bequest of Alfred F. Pillsburyexpand_more  50.46.113

Not on Viewexpand_more

Water buffalo were domesticated in China around 4,000 years ago and ever since have been necessary for farming. A vivid, lifelike impression is achieved by the slanting legs, the chubby body, and the head and eyes turned sideways: it is in a resting but watchful attitude. The naturalistic gesture and posture of the animal stand in contrast to the thin abstract lines decorating the body. The socket on the buffalo’s back indicates that the animal has served as a podium—a post supporting another object would have been inserted into it.

Details
Title
Water buffalo support
Role
Artist
Accession Number
50.46.113
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

Does something look wrong with this image? Let us know

Zoom in on the left to the detail you'd like to save. Click 'Save detail' and wait until the image updates. Right click the image to 'save image as' or copy link, or click the image to open in a new tab.

A vivid impression of life and movement is achieved by the schematic treatment of the legs, the ponderous body, and the summarily modelled head. The eyes, under flat, curving horns, are extraordinarily expressive. the incised decor of the body, with thin, slanting lines arranged in rows or grouped around a circular motif, stems from an earlier element that appears on the legs and throat of the early Middle Chou figure of a buffalo (Karlgren, Plates 102, 103). The socket on the beast's back indicates that the animal has served as a podium. The body is hollow and open, with traces of clay inside the belly. Patina grey-green.