Color lithographexpand_more
The David Draper Dayton Fund and Gift of funds from the Print and Drawing Councilexpand_more P.98.22.8
Fin-de-siècle Europe turned Salome into an obsession, parading her deadly dance in operas, ballets, poems, paintings, and more. (By one count, 82 percent of all Salome works date between 1860 and 1920.) Now characterized as poisonous and depraved, she was the perfect symbol of the culture's decadent mood and its new wariness of female power. Alphonse Mucha's Salome is erotic and exotic in her filmy costume and stylized hair, an Art Nouveau staple. Her half-closed eyes stare provocatively, reflecting Mucha's interest in the new field of hypnotic suggestion.
This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
Does something look wrong with this image? Let us know