A piece for the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; warp undyed wool,6½-7½ ends per cm., weft dyed wool and silk, silver and silver-gilt yarns, 26-64 ends per cm.

The Queen’s Entry into the Harbor of Rhodes, designed 1562–1568

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Dominating this scene is the Colossus of Rhodes, one of the Seven Wonders of the ancient world. He watches as the widowed Greek queen, Artemisia, in the central boat, directs the capture of the city. The principle that a queen as well as a king could not only protect a kingdom but also initiate military actions was a concept that was useful to reinforce the personal power of several regent queens of France during the 16th and 17th centuries.

The reference to important historic personages or events incorporated into tapestry images frequently gives power by association to the people who own these large, impressive hangings.

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Details
Title
The Queen’s Entry into the Harbor of Rhodes
Artist Life
1521–1599
Role
Artist
Dimension
H.186-3/4 x W.264 in. (irregular)
Accession Number
48.13.9
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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A piece for the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; warp undyed wool,6½-7½ ends per cm., weft dyed wool and silk, silver and silver-gilt yarns, 26-64 ends per cm.