double sided; front is music sheet with inset scene of the Last Supper on left with decorative painted bordera all around

Corpus Christi, page from an Illuminated Antiphonary, 1484

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The initial "I" of Immolabit (He will be sacrificed) shows Christ and the apostles at the Last Supper, a reference to the sacrament of the Eucharist. Along the lower edge, Abraham and the twelve tribes of Israel prefigure this scene. Among the tendril motifs in the border are figures of Adam and Eve and possibly Abel leaning on his staff (at right), a putto (top center), and a pilgrim looking up at a peacock, a symbol of immortality (on the left). Above the peacock, a monster with a turbaned human head represents non-Christians, probably Muslims or Jews. The coat of arms in the lower margin is that of Cardinal Pedro de Mendoza, who commissioned this and many other precious manuscripts around 1484, after he became archbishop of Toledo.

Details
Title
Corpus Christi, page from an Illuminated Antiphonary
Artist Life
Spanish, late 15th century
Role
Artist
Accession Number
44.1
Provenance
Cardinal Pedro Gonzalez de Mendoza (1428-95), Toledo, probably commissioned after he became archbishop of Toledo in 1482. [French & Co, New York, until 1944; sold January 5 to MIA].
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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double sided; front is music sheet with inset scene of the Last Supper on left with decorative painted bordera all around