Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments

Hachiman in the Guise of a Buddhist Monk, 12th century

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Buddhism was introduced to Japan through Korea after 500 and early Buddhists immediately set off to reconcile the new, foreign religion with the indigenous belief system of Shintō. According to the theory of honji suijaku (Shintō/Buddhist syncretism), Shintō kami (deities) were temporary embodiments of Buddhist deities on this earth, and specifically manifested themselves in Japan to save humans.

Hachiman was a kami (deity) of war and archery. According to Shintō belief, Emperor Ōjin (270-310) became Hachiman after death. The worshipping of Hachiman was popular among samurai who traced their lineage back to the Emperor. Wearing a kesa, or wrap, over a robe and with a shaven head, Hachiman presents himself here as a Buddhist monk, reflecting the merging of different beliefs in one.
This sculpture was once fully painted, and some traces of pigment—like the white skin, green on the robe, yellow and black on the kesa—remains on the surface.

Details
Title
Hachiman in the Guise of a Buddhist Monk
Role
Artist
Accession Number
2015.79.266a,b
Catalogue Raisonne
Murase, Art through a Lifetime, no. 565
Curator Approved

This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments