Un Corps de Garde, 1762
Engraving, etching and aquatint (lavis) in bistre inkexpand_more
Gift of the Print and Drawing Councilexpand_more 2002.185.3
Not on Viewexpand_more
In the 18th century, France and Sweden were strong military allies, and upperclass Swedes adopted French artistic trends. Born in Stockholm, Per Gustav Floding was sent to Paris as a young man to learn the art of engraving. He remained there for most of his career but retained close ties to his homeland. King Adolf Frederick was so pleased with a portrait that Floding made of him that he gave the artist money to re-equip his studio. This led directly to Floding’s invention of a new printmaking technique, lavis aquatint. The technique involved covering the copper printing plate with powdered resin, heating it to make it adhere, and then subjecting it to repeated acid baths while selectively applying protective coatings between the successive immersions. The result is a field of minute dots of various sizes, which simulate the effect of dilute ink washes when printed. As we see here, various effects could be achieved by printing the plate in various colors.
Un Corps de garde is one of Floding’s first productions in his new technique (see also Mia 2002.185.2 and 92.22). It is based on a drawing by François Boucher whose fame gave rise to a veritable industry devoted to reproducing his drawings and paintings. Floding dedicated the image to Ulrik Scheffer, whose military career led to his appointment as a military advisor to the king. We do not know if Scheffer appreciated the irony of having his name attached to a corps of sleeping guardsmen.
Details
- Title
- Un Corps de Garde
- Artist Life
- 1721–1791
- Role
- Artist
- Accession Number
- 2002.185.3
- Provenance
- [James A. Bergquist, Boston, until 2002; sold, October 29, to Mia]
- Catalogue Raisonne
- LeBlanc 8; Nagler 3; Jean-Richard (Boucher) 1013 ii/ii
- Curator Approved
This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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