One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.

%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York

Untitled (7), c. 1944-45 (printed 1967)

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Jackson Pollock's semi-abstract engraving is one of a series of intaglio prints he produced in 1944-45 at Atelier 17 in New York. Pollock was one of a group of young American artists for whom Hayter's studio in exile became an important meeting place for the exchange of new ideas and technical innovations. There they also met émigré European artists, including such luminaries as Joan Miró, Marc Chagall, Salvador Dali, and André Masson.

Though not editioned at the time, Pollock's intaglio prints of the mid-1940s are often cited as precursors to the fully resolved abstract style seen in his famous "drip" paintings. Pollock was fascinated with automatic drawing as practiced by Hayter, Masson and others. This spontaneous technique was well known among Dada artists of the early 20th century and later adopted by the surrealists as a way to reveal subconscious impulses. Unleashing his inner self, Pollock produced a frenzied arrangement of surrealist-inspired biomorphic forms interspersed with dynamic non-descriptive line.

Details
Title
Untitled (7)
Artist Life
1912-1956
Role
Artist
Accession Number
P.78.31.7
Provenance
(Glen Hanson Gallery, Minneapolis); sold to MIA, 1978.
Catalogue Raisonne
O'Connor and Thaw 1075
Curator Approved

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One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.

© The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

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