Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copleyexpand_more
Oil on canvasexpand_more
The William Hood Dunwoody Fundexpand_more 41.3
Not on Viewexpand_more
Nathaniel Allen was a member of the new wealthy class in the mercantile and shipping business in Boston, and his wife, Sarah, was 34 at the time this work was painted. When commissioning portraits, successful American colonists wished to be portrayed in the manner of European aristocrats. This was accomplished by copying contemporary English portraits of ladies and gentlemen of fashion. Here, Copley adapted his composition from a mezzotint after William Hogarth's painting of Frances, Lady Byron.
John Singleton Copley was the first great internationally renowned American painter. This work belongs to his most prolific period between 1762 and 1770, and coincides with the emergence of revolutionary ideas in Boston. Largely self-taught, he was the first full-time painter in the colonies. Excelling at capturing texture and surface details, Copley was also known for his uncompromising realism, giving the same meticulous attention to both psychological and formal details. With no attempt at idealization, Mrs. Allen is presented as a masculine-looking woman, appearing sturdy and confident as she daintily pulls on her glove.
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Details
- Title
- Portrait of Sarah Allen, née Sargent
- Artist Life
- 1738–1815
- Role
- Artist
- Accession Number
- 41.3
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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