dense landscape containing trees and an empty hut in the foreground; scholar seated in a multilevel pavillion built into the side of a mountain at middle and a towering twisted mountain peak with waterfall emerging from the left in the distance

Autumn Thoughts on a Garden Landscape, 1844

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As the son of a samurai, Kaioku received a proper Confucian education, but his physical frailty prevented him from becoming a warrior. His aptitude for Chinese studies was so great that he became a central figure in a circle of sinophile literary and artistic scholars in Kyoto during the second quarter of the nineteenth century. Ultimately, Kaioku is more famous for his calligraphy, but he also produced a large number of notable landscape paintings, of which this is one example. Like his other works, it reflects a studied, conservative approach to the Chinese tradition, as well as a reaction against the undisciplined approach of earlier Japanese masters. In the inscription, Kaioku credits the style of Chiang Chai-pu, a visiting Chinese artist, as the source of his inspiration.

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Kaioku, Autumn Thoughts on a Garden Landscape (#308)
Details
Title
Autumn Thoughts on a Garden Landscape
Artist Life
1778 - 1863
Role
Artist
Accession Number
98.18.15
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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dense landscape containing trees and an empty hut in the foreground; scholar seated in a multilevel pavillion built into the side of a mountain at middle and a towering twisted mountain peak with waterfall emerging from the left in the distance