Virgin and Child in the Clouds, 1641
Rembrandt van Rijnexpand_more
Etchingexpand_more
Gift of Miss Eileen Bigelow and Mrs. O. H. Ingram, in memory of their mother, Mrs. Alice F. Bigelow, 1965expand_more P.13,296
Not on Viewexpand_more
Rembrandt often reinterpreted traditional Catholic subjects. His version of the Madonna in the Clouds has the freedom and sparseness of Barocci’s etching (see Mia P.47.1048), but he firmed up the cloud formation in a manner that recalls Abraham Bloemaert (see Mia P.47.79). A significant change that speaks to Protestantism is his placement of the halo on Jesus rather than on Mary, who plays a greater role in Catholic devotion.
Near Mary’s left knee is a face, perhaps an early attempt by Rembrandt to etch Mary’s head in a style closer to Barocci’s or Bloemaert’s. Like those, this face has hair parted in the middle. Rembrandt, however, never showed the Virgin’s head uncovered. He always showed her wearing a head scarf. Realizing his error, he simply inverted the plate and started over.
Rembrandt is not known to have been a member of any church. He and his children were baptized as Protestants, but his mother was from a Catholic family—the kind that may have employed the devotional imagery of Abraham Bloemaert.
Details
- Title
- Virgin and Child in the Clouds
- Artist Life
- 1606 - 1669
- Role
- Artist
- Accession Number
- P.13,296
- Catalogue Raisonne
- Hind 186 os; B.6; Holl. 61 os; B-B.41-H
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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