Untitled, 1971 (published 1972)

Not on Viewexpand_more

Painter, draftsman, and printmaker Brice Marden creates work characterized by a restrained geometric abstraction. Often mistakenly called a Minimalist, he more closely follows the principles of abstract expressionism and conceptual art. His compositions are typically monochromatic or limited in tonalities, and often feature textured surfaces that reveal the hand of the artist, in contrast to the mechanical or detached approach of the Minimalists.

In Ten Days, Marden emphasizes the subtlety of surface, color and tone within the structural and spatial limits of the rectangle, here expressed in a series of eight related compositions he produced in the short span of ta week and a half. Through this approach, Marden bridges the painterly qualities of the abstract expressionists with the intellectual rigors of Minimalism, balancing emotional intensity and formal simplicity. For Marden, the content of his work emerges from the materiality of the subject--form, color, texture, and importantly, its lack of reference to the everyday world around us.

Details
Title
Untitled
Artist Life
1938 - 2023
Role
Artist
Accession Number
P.79.8.5
Provenance
Parasol Press, New York (publisher); sold to MIA, 1979.
Catalogue Raisonne
Lewison 20d
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

Does something look wrong with this image? Let us know

No Image Available