The Grand Piazza, 18th century
Giovanni Battista Piranesiexpand_more
Etchingexpand_more
The Martha T. Wallace Memorial Fund, 1930expand_more P.11,328
Not on Viewexpand_more
Traces of Piranesi’s abandoned first draft—faint, intermittent straight lines that crisscross the background— reveal his improvisational working method. Using printing plates as sketch pads, torturing them with corrosive acids, and radically reworking them, Piranesi fully exploited the liberties afforded by etching. He ranks among the select company of artists—Rembrandt is another—who have done the same.
Details
- Title
- The Grand Piazza
- Artist Life
- Italian, 1720–1778
- Role
- Artist
- Accession Number
- P.11,328
- Provenance
- Erbach-Erbach family, Schloss Erbach Hofbibliothek, Erbach (Odenwald), Germany. F. H. Bresler Gallery, Milwaukee, Wisc.
- Catalogue Raisonne
- Hind prisons 04 ii/iii, F.27, Robison 31 v/vi
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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