The Racehorse (after Manet), c. 1888

Not on Viewexpand_more

The narrow format and bold outlines of this composition derive from Japanese woodblock prints, which captivated Henri-Charles Guérard in the 1880s. Guérard based his figure of a jockey on horseback on an earlier lithograph by the French artist Édouard Manet, whose print The Races (Les courses), (Mia P.86.28), found fame as an example of modern expression notable for its animated draftsmanship and unconventional treatment of the subject. Guérard married one of Manet’s students, Eva Gonzales, and later assisted in the production of Manet’s prints.

Details
Title
The Racehorse (after Manet)
Artist Life
Paris 1846–Paris 1897
Role
Artist
Accession Number
P.2,230
Provenance
Henri-Charles Guérard (L.1157); A. Barrior (L.76); Vickery, Atkins & Torrey; William M. Ladd, Portland, Ore.; Herschel V. Jones, Minneapolis; given to MIA, 1916.
Catalogue Raisonne
Bertin 562 only state; Béraldi 255
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

Does something look wrong with this image? Let us know

Zoom in on the left to the detail you'd like to save. Click 'Save detail' and wait until the image updates. Right click the image to 'save image as' or copy link, or click the image to open in a new tab.