The Racehorse (after Manet), c. 1888
Etching and aquatintexpand_more
The William M. Ladd Collection Gift of Herschel V. Jones, 1916expand_more P.2,230
Not on Viewexpand_more
The narrow format and bold outlines of this composition derive from Japanese woodblock prints, which captivated Henri-Charles Guérard in the 1880s. Guérard based his figure of a jockey on horseback on an earlier lithograph by the French artist Édouard Manet, whose print The Races (Les courses), (Mia P.86.28), found fame as an example of modern expression notable for its animated draftsmanship and unconventional treatment of the subject. Guérard married one of Manet’s students, Eva Gonzales, and later assisted in the production of Manet’s prints.
Details
- Title
- The Racehorse (after Manet)
- Artist Life
- Paris 1846–Paris 1897
- Role
- Artist
- Accession Number
- P.2,230
- Provenance
- Henri-Charles Guérard (L.1157); A. Barrior (L.76); Vickery, Atkins & Torrey; William M. Ladd, Portland, Ore.; Herschel V. Jones, Minneapolis; given to MIA, 1916.
- Catalogue Raisonne
- Bertin 562 only state; Béraldi 255
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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