La fin du jour (The End of the Day), 1893

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The son of a wealthy perfume and glove manufacturer, Paul Sérusier chose to settle near the Breton peasants idealized by artists as being mystical and uncorrupted. Here Sérusier evoked the simplicity and isolation of their lives. His short, rhythmic strokes suggest the repetition of their labors, made clear by the figure's exhaustion. Before publication, Sérusier evidently requested the same canary yellow paper color used by his teacher Paul Gauguin when exhibiting his own images of Brittany in 1889.

Details
Title
La fin du jour (The End of the Day)
Artist Life
1863 - 1927
Role
Artist
Accession Number
P.71.184
Provenance
[R.G. Michel, Paris]; sold to MIA, 1971.
Catalogue Raisonne
Stein & Karshan 80
Curator Approved

This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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