Cupid, Death and the Beyond, from Intermezzi, Opus IV, 1881, 1881

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Death's curious chariot seems to be steered by Cupid, whose mischief-making is known to all. The contraption, turbocharged with wings and strangely outstretched legs, stays just ahead of a ghostly figure wearing a disheveled Indian headdress and accompanied by demons, riding a buffalo that gallops on human hands. Max Klinger called such images intermezzi, perhaps to remind us that they are amusements executed between his bigger, more serious projects. A leader of the Symbolist movement, he tapped fantasy and dream worlds while simultaneously giving voice to real social issues such as modern threats to Native American culture.

Details
Title
Cupid, Death and the Beyond, from Intermezzi, Opus IV, 1881
Artist Life
1857–1920
Role
Maker
Accession Number
P.94.3.12
Catalogue Raisonne
S.63 iii/iii
Curator Approved

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