%C2%A9 Glenn Ligon
Untitled: Four Etchings [A], 1992
Glenn Ligon; Printer: Greg Burnet, New York; Publisher: Max Protetch Gallery, New Yorkexpand_more
Soft-ground etching, aquatint, spitbite, and sugarlift etchingexpand_more
Gift of the Print and Drawing Councilexpand_more P.93.17.1
Not on Viewexpand_more
Glenn Ligon mines African American cultural and social history to establish themes for his politically-infused art. From slave narratives to the "Million Man March" on Washington, D.C., he uses the past to shed light on what it means to be black in present-day America. In this untitled portfolio of etchings, Ligon addresses the issue of lingering racism in America by appropriating passages from the published works of two renowned black authors. The prints with black text on white paper feature excerpts from Zora Neale Hurston's 1928 essay "How It Feels to Be Colored Me." Ligon explains, "The prints play with the notion of becoming 'colored' and how that 'becoming' obscures meaning and also created this beautiful, abstract thing." Though more difficult to discern, the prints with black text on black paper feature an excerpt from Ralph Ellison's 1952 novel "Invisible Man," which describes blacks in America as ghosts, present and real, but remaining unseen because of pervasive racism. Together, the four prints symbolically represent the continued social, economic, and political separation of the races.
Details
- Title
- Untitled: Four Etchings [A]
- Artist Life
- born 1960
- Role
- Maker
- Accession Number
- P.93.17.1
- Provenance
- (G. W. Einstein, Inc., New York); sold to MIA, 1993.
- Curator Approved
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© Glenn Ligon