%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Autumn Campion for Betty Campion, 1947

Not on Viewexpand_more

In the early 1940s, Hayter began experimenting with a color printing technique using simultaneous intaglio and surface printing. His goal was to produce black and white intaglio prints that would be visible through a transparent layer of color. Known as simultaneous printing, Hayter's technical innovation intrigued Miró, who was at this time a frequent visitor to Atelier 17 in New York.

In 1947, Miró and Hayter began working with the Scottish novelist and poet Ruthven Todd on an experimental project that would incorporate an archaic relief etching process first developed by the 18th-century British artist and poet William Blake. The project, which became known as The Ruthven Todd Portfolio, was envisioned as a set of 30 prints produced by 15 American and European artists. Each print was to include one of Todd's poems integrated into the composition. The portfolio was never completed and is only known today in a small number of proof impressions, including examples by Miró (seen here), Hayter, Alexander Calder, Jacques Lipchitz, Yves Tanguy, André Masson, Max Ernst, and Helen Phillips. The two impressions on view demonstrate and contrast intaglio inking with surface (top roll) inking of the same printing plate.

Details
Title
Autumn Campion for Betty Campion
Artist Life
1893–1983
Role
Artist
Accession Number
P.79.46.1
Provenance
(Sotheby Parke Bernet, New York); sold to MIA, 1979.
Catalogue Raisonne
Cramer 14, Not in Dupin
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

Does something look wrong with this image? Let us know

© Artists Rights Society (ARS), New York / ADAGP, Paris

Because of © restrictions, we can only show you a small image of this artwork.