The Goldweigher's Field, 1651

Not on Viewexpand_more

This magnificent panorama was long thought to be the estate of Jan Uytenbogaert, a tax receiver and gold weigher in Holland, which is how the print acquired its name. When the landscape is viewed in reverse, however, as the counterproof enables us to do, it is clear that the etching shows the property of Christoffel Thijsz., to whom Rembrandt owed money for his house. The artist may have made this print, sketched from the dunes outside Haarlem, to help offset his debt. The rare counterproof, which would have been a useful working tool for Rembrandt because its orientation was the same as that of the copper plate, was made by running a freshly printed impression through the press a second time with another sheet of paper.

Exhibitions
Details
Title
The Goldweigher's Field
Artist Life
1606–1669
Role
Artist
Accession Number
P.1,312
Provenance
Black stamp verso, Earl of Aylesford (L. 58); T. Wilson 1818 in pencil (L. 2580); black stamp verso, Duke of Buccleuch (L. 402); William M. Ladd, Portland, Oreg.; Herschel V. Jones, Minneapolis (until 1916; gave to MIA)
Catalogue Raisonne
Hind 249 os; B. 234; Mz.167 os; Hollstein 234 os; B-B. 51-A
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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