Magpies on pine, blackbirds on grey or white.

Crows and Cryptomeria, late 16th century

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A crow's cry is considered an ill omen in China and Japan, yet crows became a standard theme among Japanese artists from the 1500s onward. They may have been inspired by imported Chinese paintings of myna birds, which are not native to Japan, substituting the native species of crow instead. Painters of folding screens (which usually come in pairs) often paired a scene of raucous black crows with a quiet image of white egrets—the contrast heightened by the birds' coloration. Artists of the Hasegawa school, which originated with the celebrated painter Hasegawa Tōhaku (1539–1610), specialized in the impressionistic handling of ink brushwork seen here in the sketchily rendered branches.

Details
Title
Crows and Cryptomeria
Role
Artist
Accession Number
96.146.11
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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Magpies on pine, blackbirds on grey or white.