Woman stands on footstool at left surrounded by sarus cranes. Two female attendants hold a portrait or a mirror and a tray of flasks beside her.

The Vilaval Ragini, c. 1780

Unknown artist, expand_more
Not on Viewexpand_more

The central Rajasthan state of Kishangarh flourished as a painting center during the eighteenth century. Though closely tied to the Mughal court, it produced paintings with a unique figural style. Nihal Chand, a leading master of the school, is credited with creating an elegant, dignified figural type featuring the arched postures, receding foreheads, sharp noses, and elongated almond-shaped eyes associated with Kishangarh.

Along with court genre scenes, popular themes of Kishangarh paintings included the allegorical portrayal of romantic love. Ladies of the harem and their princes were often rendered as the divine lovers Krishna and Radha. This painting, however, of a court lady preparing her hair and makeup with the aid of two attendants contains the explicit iconography of the Bilaval (or Vilavali) Ragini. It is, therefore, a subject based on classical Indian music rather than on court romance.

Details
Title
The Vilaval Ragini
Role
Artist
Accession Number
83.111
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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Woman stands on footstool at left surrounded by sarus cranes. Two female attendants hold a portrait or a mirror and a tray of flasks beside her.