Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso), c. 1800-1805
Pietro Fancelliexpand_more
Pen and brown ink over graphiteexpand_more
The David M. Daniels Fundexpand_more 73.35.1
Not on Viewexpand_more
Dense and rapidly executed, this drawing shows an artist freely exploring a subject for his own creative purposes. In this story from classical mythology, the poet and musician Orpheus attempts to rescue his bride, Eurydice, from the underworld. Journeying down into Hades he secures her release through the power of his music. But Pluto imposes a condition: Orpheus cannot look back at her until the two have emerged into the upper world. Fancelli depicted the fateful moment when Orpheus turns to look. As he grasps at her, Eurydice is pulled back into the depths.
In Fancelli’s telling, the story is as much about the underworld as the couple. Pluto and Persephone are shown seated in a circular throne, reigning from above; Cerberus, the three-headed guard dog, snarls at Orpheus’s feet; and the three Fates, at left, measure out the thread of life with chilling indifference. A group of anguished figures crowded together in the sky may represent the region where the wicked are punished. A few have labels identifying the source of their misery: odio (hatred), vendetta (revenge), avarizia (greed). Fantastic airborne creatures—a long-beaked serpent, spiteful harpies, and a small fire-breathing dragon—torment the sinners.
Details
- Title
- Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso)
- Artist Life
- (Bologna), 1764 - 1850
- Role
- Artist
- Accession Number
- 73.35.1
- Provenance
- La Société historique et littéraire polonaise, Paris (until 1972, sale, Christie's, London, July 4, 1972, no. 48, with group of 3 drawings by Fancelli, including "Death of Lucretia"[73.35.2]), to O'Brien; [Shepherd Gallery, New York, in 1973; sold to MIA]
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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