Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.

Seated preaching Buddha, 7th-9th century

Mon-Dvaravatiexpand_more

Bronzeexpand_more

The William Hood Dunwoody Fundexpand_more  69.86.2

On View in Gallery 213expand_more

This upright seated Buddha demonstrates the mixing of Mon-Dvaravati style with the earliest pan-Asian conventions. The depiction has characteristically plump lips, described as bee-stung in Indian texts from about the 400s CE. Yet his wide mouth, flat nose, continuous eyebrows, and wide-set eyes are hallmarks of the style during this Thai kingdom (c. 600s–1000s). The Buddha’s right hand is in the gesture of exposition, or teaching, while the left is lowered to offer blessings. He sits relaxed in open-robe pose, with traditional attributes, such as distended earlobes (signifying the burdensome earrings of his former princely life), three beauty marks on the neck, a cranial protuberance, and hair in snail-shell curls. The slightly parted lips and raised corners of his mouth evoke other qualities, such as a sweet and resonant voice.

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Details
Title
Seated preaching Buddha
Role
Artist
Accession Number
69.86.2
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.

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