a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings.

Saint Sirus, c. 1460

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Tempera on panelexpand_more

The William Hood Dunwoody Fundexpand_more  66.37.1

During the Renaissance, altarpieces commonly portrayed biblical scenes, such as Madonna and Child, examples of which are in this gallery. These two paintings, Saint Sirus and Saint Paul, were likely part of a larger altarpiece made up of many panels, called a polyptych. The presence of a saint on an altarpiece could have a number of meanings. The saint could be the patron saint of the church or city that housed the altarpiece, for example. The key to identifying saints is to look closely at the attributes shown with them. Saint Sirus wears a mitre, the pointed headpiece, and holds a crozier, or ceremonial staff. These attributes indicate Saint Sirus was a bishop. Saint Paul is shown with his usual physical characteristics-receding hairline and long, brown beard; he is also holding a sword, his personal attribute.

Details
Title
Saint Sirus
Artist Life
Italian (Brescia), c. 1427/30 - 1515/16
Role
Artist
Accession Number
66.37.1
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings.