Oil on canvasexpand_more
Gift of Bruce B. Daytonexpand_more 65.5
Like many artists living in Paris in 1912, Piet Mondrian experimented with Cubism—depicting a subject from multiple viewpoints at once, often creating a fractured and disjointed image. After returning to Holland in 1914, he developed his own brand of abstraction, reducing natural forms to simplified geometric patterns. Unlike the Cubists, Mondrian eventually abandoned recognizable subjects even as a starting point, adopting instead a rational and intellectual style that he called Neo-Plasticism.
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
Does something look wrong with this image? Let us know