lenticular style construction in a simple white frame; image is overlapping rectangles in shades of blue, green, red, yellow that move and change color depending on point of view; pigment applied in thin vertical lines painted in orange pink, red, green, blues and black; vertical plastic semitransparent blue pieces projecting from surface

Physichromie No 480, 1969

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Throughout his long career, Cruz-Diez dedicated himself to creating a visual discourse around the qualities, characteristics, and perception of color. His research, based in science as well as in the study of different artists, unfolded into eight series of works, each one of them investigating specific aspects of color. The one the artist called Physichromie, with which he began experimenting in 1959, was the first one.

The Physichromie series explores the idea that color is not a permanent or static phenomenon but rather an ever-changing one, whose perception is affected by ambient light, by reflection, irradiation, and interaction with other colors. This interaction can be such as to actually provoke human brain to see colors that don’t really exist in the composition. The possibility of creating a platform in which color can manifest itself as in real life, that is, like an ephemeral and fleeting phenomenon was the artist’s goal in this series. As Cruz-Diez himself would put it, he wanted to “create amazement about a phenomenon that would otherwise go unnoticed”.

Details
Title
Physichromie No 480
Artist Life
1923 - 2019
Role
Artist
Accession Number
2023.54
Curator Approved

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lenticular style construction in a simple white frame; image is overlapping rectangles in shades of blue, green, red, yellow that move and change color depending on point of view; pigment applied in thin vertical lines painted in orange pink, red, green, blues and black; vertical plastic semitransparent blue pieces projecting from surface
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